If you are familiar with the British musical comedy horror film from the 70s, then you should know about the upcoming Rocky Horror Picture Show. The original 70’s film features a couple stranded after their car breaks down. They find themselves near a castle with a mad scientist.
And that is when trouble starts. Now, the upcoming Rocky Horror Picture Show remake is about to hit your television screens. And Victoria Justice does the movie justice by giving viewers a taste. The movie remake recently released a soundtrack that features Victoria Justice singing “Touch-A, Touch-A, Touch-A, Touch Me.” To add to the tease, Justice also shares a behind the scenes picture of her and Staz Nair.
Does Staz wants to Touch-A Justice? Staz Nair, the actor who plays Rocky in this remake, being chased by Justice who yearns for attention. Staz tries to shake her off with the line “Dammit Janet.” “Dammit Janet” is also a featured song in the horror musical. IB Times has it that the actress plays Janet Weiss in the remake. Other cast members also include Annaleigh Ashford, Adam Lambert, Laverne Cox, Ryan McCartan, Christina Milian, Ben Vereen, Reeve Carney and Ivy Levan.
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It is set to be a movie adaptation instead. Fox prepares a two hour special to celebrate the 40th anniversary of the cult classic. The creators of the film plans to stick to the original while making sure it has a modern twist to it. With Kenny Ortega to produce and choreograph the scenes. Ortega’s portfolio includes High School Musical (the trilogy), Hocus Pocus and
When I was four years old I was introduced to a tall, petite, beautiful ballerina who spun around the room with elegance, and effortlessly captured the crowd with her stunning abilities. As a little girl, I sparkled with admiration and was inspired to be all she was, it was from that point on, that I ventured into an unknown world of art, strength and expression. Now being eighteen years old with about fourteen years of experience in the dance world, I have learned and developed the norms, values and practices of the culture, and the conflicting theory within it.
Have you ever heard of the Waltz, Foxtrot, Tango, Jitterbug, or Charleston? If so, you already know a little about dance in the “Roaring Twenties,” and how big of an impact it made on American culture then and forevermore. At a time of prosperity and flamboyant wealth, dance made citizens enjoy life again, engage in one-another, develop an eccentric new style that would carry into the rest of the twentieth-century.
The Faculty Dance Concert was an entertaining event filled with a variety of dance styles. The show took place on Friday, November 6, 2015, at 7:30 in the evening, and was held in the Fullerton College Campus Theatre. The founding artistic director is Melanie Kay Rosa and the assistant artistic director is Lisa M. Anderson. The dance faculty choreographers are Lisa M. Anderson, Sarah Cashmore, Teresa Jankovic, and Melanie Kay Rosa. The four guest choreographers are Helen Gardea, Robert Laos, Devon Smith and Shawnee Amara Williams. The two student choreographers are Ashely Garcia and Madeline Young.
Something Rotten! definitely tickled your funny bone with its hilarious parodies of other musicals. The characters were all superb and extremely convincing with Gregg Barnes and Brad Oscar being outstanding. The songs were excellent and added strongly to the story, as did the costumes. This musical left you with a smile on your face and songs that you could not get out of your
According to TV Guide, the Disney Channel is busy working on a Hocus Pocus reboot that would be a made for TV movie. The assumption is that it would be similar to the Disney Channel original movies like Halloweentown and Twitches. This is great news for fans, especially those with children who will be able to watch it with them. It is in the very early stages right now, and won't make it for the Halloween season this year.
Alvin Ailey is known for his huge impact in the dance world. His insight on life in the rural South is what inspired him to create some of his best choreographies. Alvin Ailey’s first encounter to dance was recitals of the Ballet Russe de Monte Carlo and Katherine Dunham Dance Company. He promoted modern dance and introduced African-American in participating in modern dance. Ailey often felt that African-Americans had limited opportunities—he wanted to change that. One of Ailey’s goals was creating his own modern dance theater. Which is famously known as the Alvin Ailey American Dance Theater or AAADT. The American Dance Theater (or AAADT) was founded by Alvin Ailey in 1958. It consists of thirty dancers led by Robert Battle. It was also the first professional company to welcome dancers of different ethnical backgrounds. The purpose of this theater was to show other choreographers the exquisiteness of African-Americans as well as show their sophisticated style in dancing. By founding his own theater, Ailey wanted to show others the many talents African-American dancers could display. He also wanted to express the struggles that African-Americans faced. While, his performances were based on African-Americans’ struggle for freedom and achieving a sustain life they were also about expressing their cultural heritage. Throughout his choreography Ailey’s performances created raw emotions that the audience could relate to. His dancing style was based on his memories of growing up
The change tearing through America in the 1950’s persists to this day. 2010 has brought a busier, more materialistic, culture than ever before. The trends of women working outside of the home and increasing teenage autonomy persists. American teenagers are given more discretionary time than ever before in history. Reed Larson studied this continuing trend and explains, “If we look back over the past 200 years, the most striking historic change in young people’s use of time is that youths spend much less time on labor activities today than they did in America’s agrarian past” (160). Some teenagers use
Despite the occasional box office disappointment, Rodriguez has become one of the most respected Latino filmmakers working today. Another interesting project for Rodriguez has been Grind House, a double feature with Quentin Tarantino in 2007, done in the style of the B movies of the 1970s. Rodriguez's film, Planet Terror, was released the same year. Tarantino's part of the double feature is called Death Proof and features Kurt Russell as crazed stuntman using his vehicle as a weapon.
This famous Broadway musical was made into a film in 1972. The title of the film is 1776.
Rocky Horror Picture Show was and still is one of the most beloved cult play there is. It is a quirky, enduring show from its time with transsexual transvestites and home wrecking alien doctors. It was so painstaking colorful and lively that I could not help but enjoy the show without much complaint. I even had fun call Brad an asshole and Janet a slut every time it allowed me to. Although I can see where all the praise is going to, I have to say it was, just like The Irene Ryan Show, was a little too intense for me. I only got more comfortable with the play during the second act when I knew what was going to happen from my mother who loves the oldie but goodie show. I was most uncomfortable with the soft-core adult activities stuff. Notwithstanding the creative shear curtains conceal the details of the activities, it was still painfully clear what they were doing in front of strangers. It just did not sit well with me. However, that did not mean I did not enjoy it. Restating what I said before, it was too flashy and colorful to not like
The elements used in this concert were videos of a timeline of African-American dances. This was very helpful because it allowed the audience to know what time period they were looking at for a certain dance. There were different varies of costumes. There were costumes from the tribes danes, spiritual dances, 1902' dances as dancers, and etc. The dancers did an excellent job with combine the costumes to the era and it actually looked like pieces from that era. The lighting was very good and it allowed for the mood to be seen in the dances as well. When a dance needed to evoke a spiritual mood, the lighting would evoke that mood by only allowing light on the dancer and no one else. If it needed a joyful feeling, all the lights were on showing
Rocky influenced the film industry through its plot. The main plot of Rocky is the main character’s desire to make his or her life better. This theme is one of the most common themes
The music played a large role in determining the style of the pieces in the show by Koresh Dance Company. It set the theme and mood for the dances. Also, the choreography was dependent on the beats and variations in the music. This basis added to the themes of the dances as well.
The Rocky Horror Picture Show , directed by Jim Chapman, is a campy comedy musical set in a horror and science fiction themed castle in which sexuality and hilarity run rampant. The film, closely based on a stage production, hit theaters in 1975 and continued to rule the midnight film scene, becoming a cult-classic. By using homage and allusion to science fiction and horror B-films, lambasting sexual identity and gender normality, and employing a self-referential universe, The Rocky Horror Picture Show stands as a strong representation of 1970 's postmodernism in film.
In one my classes; Dance Appreciation, I had an assignment to view a dance piece on YouTube. The dance that I viewed was called “She without arm, he without leg, Hand in Hand”. The dance was not only informative, but it was enlightening to watch.