Professional and competitive dancing requires proficiency in executing difficult techniques and places extreme physical demands on the body. As a consequence, dancers are at risk for incurring a variety of overuse, stress, impact, and repetitive motion injuries (Anderson and Hanrahan, 2008). While this may cause pain or discomfort, these injuries tend to be ignored by dancers as they continue their usual training, even to their own detriment (Anderson and Hanrahan, 2008). Injury rates for dancers can be as high as 97% (Krasnow et al., 1994), with professional dancers accruing 1.7 to 6.7 injuries per contract year (Miller, 2006), and 60 to 75% of dance injuries resulting from overuse (Thomas and Tarr, 2009). This translates into chronic pain,
Among a discourse community of trained dancers, one expects to find individuals who are healthy and active athletes. Aside from technique and movement, health and cardio are underlying factors that play a huge role in a dancer’s career. Many dancers take on a healthy diet in order to maintain their body weight. Something that has been looked down upon in the trained dancers’ community is what it
I have been dancing since the age of two. When asked about my career aspirations, there is no hesitation before saying “I want to be a dancer.” Being a dancer means putting all other distractions aside, and focusing on my craft. Currently, I dedicate over forty hours a week to dance, which is a schedule that requires sacrifice. When I am dancing, the rest of the world fades away, slipping out of my mind with relaxed importance. For that moment in time, I am completely free, wholly focused on my goals, letting me know dance is what I’m meant to do. With this realization comes a responsibility to myself and the work I have put into improving my craft thus far, and I know I must seek out the best opportunities for growth and continued learning.
During my research, I found various interviews with dancers of all different backgrounds based on how they felt about the dance world and the struggles that come with it. I picked out a couple of questions and answers that helped me develop a better understanding of my chosen area for this dissertation. Having read a number of interviews, I found the majority of answers were very similar which may suggest most dancers, even if from different genres, experience a similar pressure and fears when it comes to this industry.
Whether rooted deeply through generations of a family or formed through an experience, passions and fascinations are what drives us, humans, to be who we truly are. At this point in my life, I do not want to reach comfort or perfection, but rather feel composed and confident in what I chose to merge my ballet skills with. When I dance, I escape reality and feel a pure exhilaration.This sensation shapes my curiosity and interest in the human anatomy. From the elements that make it up to ways in which people individually move their bodies, the human body is absolutely fascinating. Specifically, I am passionate about teaching ballet to younger students. By introducing ballet to kids early on, they will experience the same joy almost all dancers feel for a longer period of time. When I’m dancing I’m challenging your mind, releasing endorphins, and working hard. I am also eager to own my own business linked with teaching that will provide people with affordable dance equipment, and even more crucial, advice on what suits each person's personal needs. I know as I grow old my body will not be as capable as it once was, but I’m dedicated to spreading my appreciation of ballet to others. Overall, my passion for ballet and how I can utilize it to positively impact society as an entrepreneur has developed through the inspiration of my grandparents, the creativity of my former dance teachers, and my interest in the human bodies relation to ballet.
For high school dance teams, the sport is quite competitive just like any other school sport. Dancers practice six days a week for at least two and a half hours each day, and these practices are far from easy. When it comes time to compete, we do not get any do-overs. So, if someone gets injured, and it is not an extreme case, the dance continues. Dancers are also built and trained to do things their bodies were not naturally born to do, this means dancers have to participate in strength training and conditioning. Having strong and
Dancers go through a lot of pain. On average dancers get hurt about once every two weeks. That means that dancers, on average, get hurt about 26 times a year. Whether it is a tiny fall or breaking a bone, dancing is a foolproof way to hurt at least something in your body. Especially if you are on pointe. In a pointe shoe, you
Along with other sports, dance involves physical exertion and requires skill. It can be inferred that when athletes undergo physical activity, they push themselves to their limit, which results in them becoming sore, and possibly even injured in some cases. This also pertains to dancers. Dancers can pull a muscle by overstretching or by not stretching enough. They can also break any bone by doing turns, flips, jumps, and tricks. In Ronald Smith’s article, he proceeds to explain
Dance is a unique sport because it combines the grit and sweat of sporting events, such as track and field, with the style and extravagance of a fashion show (D.Fowler, 2000).
Dance demands the same physical skills that are required in other sports. Flexibility, strength, and endurance are key characteristics that most dancers need to posses. As with other “athletes,” most dancers are not born with these abilities but must establish them through practice and repetitive training. Similar to traditional sports practices, dance rehearsals are extensive and require diligence, dedication, and patience from the dancers as they will have to repeat exercises and stretches to perfect their technique and stay on
Three laps around the gym, minute long planks, crunches, sit-ups, and pushups in a matter of thirty minutes. As a dancer, experiencing and realizing the strength that needs to be present in order for an athlete to grow is vital. We go through long hours of choreography sessions, pain and strain on our bodies, and vigorous training. Many people will disagree on the status of if dance is a sport or not. Both Mary- Elizabeth Esquibel, in her article “Why Dance Will Always Be a Sport” and the infographic entitled “Is Dance a Sport?” attack this controversial dilemma. Even though these arguments use different formats, they use rhetoric similarly.
I have had my fair share of injuries while dancing, which lead to my interest and desire to learn about the human body and how it functions. I find myself constantly reading about injury recognition
I had just moved to Washington state and I auditioned for the local dance studio’s competition team for fun. I had no idea how talented they were. And I was just an untrained recreational dancer…Not surprisingly, I didn’t earn a coveted spot on the team it the first time I auditioned. That didn’t stop me from training seriously and auditioning for the team each year until I made it. And here I stand, now starting on my sixth year on the team and as one of the last people from my original team who decided not to quit when they started high school. Dance isn’t just twirling around in pretty pink tutus. What the general population doesn’t picture when they think of dance is the tremendous amount of strenuous work and the blood and sweat and tears that goes into every performance and competition. Certain dancers can’t handle it and quit when they realize they don’t have the passion. My passion keeps me living and breathing and most importantly, dancing, when times get
Each of the health care professionals can help dancers for specific injuries and various points of their injuries as well. Knowing what each of them do is necessary so dancers understand what is best needed for their body. It is significant that dancers educate themselves on more than one type of doctor to help with all kinds injuries they may experience. Due to the common factor of dancers getting hurt at least once during their career as a dancer, they will need help on how to heal correctly so they can keep
Dancers are one of the most common victims of foot injuries since they put too much pressure on their feet as they dance to the beat of the music. Though some may be spared from foot injuries, most of them have at least one foot injury in their lifetime.
Also, injuries are less common. Therefore, dance should not be considered a sport. "Dance is not a sport because there are no winners or losers, also there are no limitations or rules" (Guarino). These people are mistaken because, dance competition judges score each performance based on Technique (1-25 points), Style and Execution (1-25 points), Showmanship (1-20 points), Costume (1-10 points), Choreography (1-10 points), Degree of Difficulty (1-5 points) and Age Appropriate Performance (1-5 points) for a maximum possible 100 points. A final adjudicated score is determined by an average of all judges scores. After this all dancers are put on stage and awarded with trophies 1st-10th place depending on the 1-100 average scoring from the judges. Therefore, dancers do have a set of rules and scoring just like any other athlete. Regarding injuries, they do occur. Most dance injuries are long-term because of the physical stress constantly being put on a dancers body. There are also instant injuries that happen while dancing, most commonly occurring in the knees, ankles, back, neck or hips. "The physical ability and discipline expected of a dancer can be easily related to those of an athlete and increasingly, dance critics are describing dancers as athletes" (Ailey). Ultimately, dancers are consistently proving, even to the critics, that they obtain the skill needed to be considered an