Dante : A Dark World By Giving Details Of The Afterlife

Dante’s Inferno follows the allegorical journey of Dante, who loses sight of the true path, representing good faith, and must travel through hell, among other places, to return to the path by trusting God and avoiding sin. Canto I of the story involves Dante, in the middle of his life where he has both human experience and time to improve, lost in the dark wilderness, threatened by beasts and unable to escape. In fact, darkness pervades in the first thirty-four cantos of the Comedy. It is important to note that Dante considers darkness to be the lack of natural light, as Throughout the Inferno, Dante uses the setting of darkness to represent both sin and sin’s deceiving nature. In doing so, Dante argues that to successfully have faith in God, one must discern the truth from among the darkness which permeates both Hell and humanity.

The Inferno is a tale of cautionary advice. In each circle, Dante the pilgrim speaks to one of the shades that reside there and the readers learn how and why the damned have become the damned. As Dante learns from the mistakes of the damned, so do the readers. And as Dante feels the impacts of human suffering, so do the readers. Virgil constantly encourages Dante the pilgrim to learn why the shades are in Hell and what were their transgressions while on Earth. This work’s purpose is to educate the reader. The work’s assertions on the nature of human suffering are mostly admonition, with each shade teaching Dante the pilgrim and by extension the reader not to make the same mistakes. Dante views his journey through hell as a learning experience and that is why he made it out alive.

Dante begins the Inferno with an account of looking upon himself internally. He let’s the audience know that he is aware of his current state of being and that it is not in accordance with the will of God, “Midway along the journey of our life I woke to find myself in a dark wood, for I had wandered off from the straight path” (Musa 1600). The dark woods symbolize sinful life on Earth, and the “straight path” refers to the virtuous life that leads to God. Dante wants to get back on the “straight path” but states that he doesn’t know how he got into this state of sin in the first place, “How I entered there I cannot truly say, I had become so sleepy at the moment when I first strayed, leaving the path of

Reason, logic, and pure thought are the compasses of humanity. Unfortunately, today no one even bothers to look at the compass or to ask for directions. The lack of logic and reason in our everyday decisions leads to the larger scale chaos that results from apathetic actions. Slowly, almost imperceptibly, as in Dante's case, we have slipped from our guide of Reason and shown pity to people, like Francesca and Paolo, who fall to carnal lusts, or to those like in the Wood of the Suicides. Like Dante, we are only too eager to hear their stories and report back to those above, still in the Dark Wood, of their fate. We feel as though the punishment which God, in His great Wisdom, has dealt out for them were unfair. And we fear for our own

Journeys can be taken many ways. Some people take the path less traveled and some people take the easy way out. Dante happens to be on journey that is less traveled, by exploring the depths of Hell in the Inferno. The epic poem’s story is about self-realization and transformation. It sees Dante over coming many things to realize he is a completely different person from the start of the Inferno journey. Dante sees many things that help him gain courage in order to prove to himself and the reader that accepting change and gaining courage can help one to grow as a person and realize their full potential. After seeing people going through certain punishment Dante realizes that he must not seek pity on himself and others in order to fully realize his true potential.

Dante’s Inferno begins in a dark forest, a place of confusion, because he lost his way on the “true path”. Seeking an escape, Dante finds a hill where the sun glares down on him. This light seen in Dante’s Inferno symbolizes clarity as the sun represents God. After encountering three beasts and turning back to the murky forest, Dante crosses paths with the great Roman Poet, Virgil. Virgil is an aid and guide to Dante to Heaven, the ultimate Paradise. He warns Dante he must pass through Hell and Purgatory in order to reach his salvation in heaven. Virgil is depicted as nature or human reason perfected by virtue. It is strongly emphasized that Virgil can only take Dante so far in his journey by guiding him to heaven. Much like St. Thomas Aquinas’ reasoning, nature or human reason can only bring you so far in the journey to God. As Virgil and Dante approach the mouth of Hell, Virgil preaches to Dante about a woman in Heaven who took pity upon Dante when he was lost in hell. The woman Virgil speaks of is Dante’s departed love Beatrice. After Dante hears that Beatrice is heaven he now sheds the fear of traveling through Hell and Purgatorio.

At the same time, however, the religious function of Dante’s poem must not be neglected. In the opening lines of The Inferno, Dante embarks on a journey and finds himself “in a dark wood, for the straight way was lost” (Inferno, I, 2-3). Dante’s description of the dark wood indicates the lack of God’s light, and thus informs readers of the life he lived in the condition of sin. These opening lines establish the religious context for the poem, as Dante has deviated from “the straight way”, the way to God. Furthermore, Lee H. Yearley contributes to this religious perspective by

Before Virgil arrives to guide Dante on his journey, Dante shares that he doesn’t recall how he lost his way. He tells “How I entered [the dark wood] I cannot truly say, I had become so sleepy at the moment when I first strayed, leaving the path of truth” (Inferno I.10-12). Because he strayed from the holy path, Dante finds himself lost and trying to find his way back on the right track. Dante’s ultimate goal is to to free himself from the dark wood of confusion and chaos. Looking up from the wood, Dante sees “the hilltop shawled in morning rays of light sent from the planet that leads men straight ahead on every road” (Inferno I.16-18). Dante begins to move towards the light, but is blocked from passing by three

As Dante explores the Second Circle of Hell, he is horrified by the punishments that the sinners must suffer through. When he hears the story of Francesca and Paolo’s lustful actions, Dante relates deeply to their stuggles because he reflects on his own sins and believes he may be cast to a similar fate in the afterlife. Dante reacts to the story when he says, “I fainted, as if I had met my death. / And then I fell as a dead body falls” (5.142-143). Dante faints from compassion for the two sinners’ pitiful story. Dante struggles to grasp the wrongdoing these people have participated in to be placed in Hell because he continues to search for the noble qualities in everyone. On the one hand, Dante believes God’s punishment for the lustful sinners, relentless winds and storms, is unethical. On the other hand, this belief is naive because it is known that all of God’s punishments are just. The lustful are condemned to an eternity in Hell because they did not care about their actions on Earth, so the raging storm that torments them is not concerned with what is in its path. Dante is not only attempting to discover the possible consequences of his own actions, but also learning to trust in God’s judgement.

“I came to a place stripped bare of every light and roaring on naked dark like seas wracked by a war of winds” (Canto 5 inferno), this when Dante goes into the second circle of hell and watches as the lustful are swirl around in this never-ending storm of lust. Dante is using this point of view to try and give a realistic vibe to the readers. He talks to Francesca and Paolo two lovers who were murdered after found having affair against Francesca husband Giovanni Malatesta. After talking to them Dante is starting to get a sense of how real his journey is, he is feeling overwhelmed Dante falls to the ground and pass is out. “And while one spirit Francesca said these words to me, the other Paolo wept, so that, because of pity, I fainted, as if I had met my death. And then I fell as a dead body falls.”(139-142)

Paolo and Francesca represented, or symbolize, sinful love by example. They show how an intrinsically noble emotion, love, if contrary to God’s law, can bring two essentially fine persons to damnation and spiritual ruin. Dante’s personal response of overwhelming pity should not blind us to the justice of the penalty. Dante describes himself as fainting at the end of Francesca’s recital, his purpose is partly to portray the attractiveness of the sin. Dante allows the lovers the bitter sweetness of inseperability in Hell, but they have lost God and thus corrupted their personalities; they can hardly be considered happy. In a sense, they have what they wanted; they continue in the lawless condition that

I mean, on the surface, it doesn’t make much sense to send someone who is alive to see the world of the dead! However, this does make sense as Dante’s goal was to get the general populace to have at least some idea to what awaits them is they don’t act like the best version of themselves. In fact, he makes great use of the generalities evident in society. Dante, the Everyman, symbolizes all humans’ personas, Virgil symbolizes human reason, and Beatrice (who sent Virgil with God) symbolizes divine love. Dante wants everyone to be aware of the limits of us humans in our search for divine love and justice. Broadening one’s horizons and delving into foreign landscapes is a peak interest for humans and what more desolate and alien landscape than Hell. Curiosity is intrinsic in human nature and is what drives us to get more in touch with our surroundings. From now on it important for us to treat the traversing of Dante from one circles to the next as a journey without end. Humans will forever be fighting these sins and will forever need guidance to avoid them, no matter the time period. After a mostly smooth pilgrimage through Hell, the Poets come across a brief pitstop at the Wall of Dis. Now this wall is not just a physical block for exploration, but also a mental and spiritual one. NEED QUOTE ABOUT THIS. Through the sins of the lion, Virgil was able to use human reason to traverse through them

The role of religion, ancestry, and nationality are crucial in forming one’s identity. These items and more come together to create a sense of security for an individual. The narrative epic poem, The Inferno, by Dante Alighieri takes the reader with Dante on his journey through Hell and rediscovery of his identity. Dante’s journey commenced as a result to him falling into temptations whilst falling away from God. This led him to travel through the Dark Wood of Error which symbolizes the worldliness that occurs when one strays from the True Way, or God’s Way. The spirit of the poet Virgil, symbolizing Human Reason, appears and leads Dante away from the Dark Wood of Error and to the Divine Illumination with a journey through Hell. The need

When Dante first begins in this story he was lost and clueless physically and mentally.  Dante was located in a forest with his life ruined and not knowing what was in store for him. Dante had given up on his future and had given up on finding the correct path of life for himself. However, when he sees a sunset and a very important mountain that represent Heaven he will soon change. Dante is given an opportunity to change and turn his life around but to do so he must first experience the darkness of Hell with the assistance of Virgil who helps him and guides him through what is right and wrong.

As Dante makes his ascent through hell and purgatory, he is guided by two figures. The first is Virgil, who saves him from peril and accompanies him, as a friend, through the layers of both afterlifes. The second is Beatrice, who inspired Dante’s journey of salvation in the first place, and who he longs to be reunited with. Yet although these guides are leading him towards God, Dante mistakes their guiding as the end itself. He makes a God of Beatrice, sees her as the ultimate good towards which one strives, and makes a Jesus of Virgil, the man through whom this ultimate good is reached. In this way, Dante creates his own trinity, much to the detriment of his ascent to the True God.