Decision Making In Robert Frost's The Road Not Taken

The comparisons of each poem are so identical it presents similarities with the choices he wrestle with. First, the poet does not know what to do. For example, in both poems the poet is torn in between the two. For another example, he takes a moment to think in both poems. Second, he has an opportunity in both poems to turn around. For example, in The Road Not Taken, he chooses to pick to a path. For more proof, In Stopping by Woods on a Snowy Evening, he could

Robert Frosts “The Road Not Taken” is more symbolic of a choice one must make in their life in attempt to foresee the outcome before reaching the end, than it is about choosing the right path in the woods.

The analysis of “The Road Not Taken” by Robert Frost has been up for debate since the poem release in 1916. It is known to be one of the most frequently misinterpreted poems of all time, and even Robert Frost himself has said the poem is “tricky” to comprehend (The). When analyzing this poem many readers tend to focus only on the last lines of the poem and get caught in a trap of selective-interpretation. Quite a few people after reading Robert Frost’s poem firmly conclude that this poem is about non-conformity and individualism, however, that is not the case. Robert Frost’s poem is meant to be analyzed line by line for a complete interpretation. Readers can conclude that the poem represents making choices in life, but that is not the

Furthermore, we have the use of first person, where the almost universal effect is to have an in-depth look into the character and their immediate response to a problem or dilemma. This poem no different, where in the first stanza we are ushered in with the use of anaphora in lines 2, 3 and 4 with the repetition of the word ‘’and’’. This specific use of anaphora is used to create the mindset and intelligible deduction of the traveller to the events and dilemma prescribed to him. Insofar as his immediate reaction be being presented with a choice. It shows his reaction of regret in that he is ‘’sorry he could not travel both’’ and explains what he wish he could do ‘’be two travellers’’ but also how he initiates his decision making process ‘’looked down one as far as I could’’. Also, the use of first person is used to connect with the reader, enforcing the affore-used notion that the reader substitutes their own personal truth into a positive

a "yellow wood" (1) when "two roads diverged" (1), that he had to make a

How can an author effectively convey a universal message to the broadest audience possible? Simple. The author must simply create a completely impartial narrator, devoid of sex, status, or age. The Road Not Taken is a poem told by an impartial narrator who has come to a crossroads in his/her life. The crossroads is represented by a forked path that leads through a forest. The setting is also impartial; the forest is anytime and anywhere the reader desires it to be. The narrator is forced to make a life-decision, thus changing the course of his/her life forever. Symbolism and imagery are used effectively to reinforce the main theme of the poem.

Frost presents the traveler's choice of paths as a metaphor for the difficult decisions a person must make in life. The divergent paths are the choices to be made at various points along the way. Regardless of how he tries, the traveler cannot see beyond where the path is "bent in the undergrowth" (5). Likewise, nobody can predict what effect one choice will have on his life. The traveler sees the two paths as very similar or "just as fair" (6). As much as the traveler would like to return to the diverging roads, he realizes that he will not get another chance to travel the other path. With maturity comes a resignation that a choice has affected a person's life and there is no going back. He also tries to make the best of his decision by saying that it has "made all the difference." (20).

In Robert Frost’s “The Road Not Taken”, Frost shows the everyday human struggle to make a choice that could change the course of one’s life. In his poem, a person has the choice to take one road or the other. One road is worn out from many people taking it, and the other is barely touched, for fewer have taken that road. Throughout the poem, the speaker learns that just because so many other people have done one thing, or walked one way, does not mean everyone has to. Sometimes you just have to go your own way.

The exclamation point after line 13 conveys excitement, but that excitement is severed by his admission in the following lines. ?way leads on to way, I doubted if I should ever come back?(3.14,15). In the final stanza, lines 16-20 the tone of the poem changes completely. This is the only stanza that begins with a new sentence, indicating that it is a stronger break from the previous ideas. The speaker puts himself in a future situation discussing his life. What he states here seems to contradict what he has said earlier. From his future prospective he says that the paths where different and that he did not choose the one most traveled by. Perhaps he will in the future actually believe this and he only wishes that he could choose in the present ?the one less traveled by.?(5.20)

Frost writes this poem with a calm and collective narration, spoken by the traveler, who is talking with himself trying to decide which road is the better choice. In line one Frost introduces the diverging roads, which are his main metaphors. Diverging being the key word in this line because it suggests that the traveler must make a choice. Line two the traveler expresses his grief of not being able to travel both. Yet, the choice is not easy, since "long I stood" (3)

When it comes to make a decision many times we take our time to think of the pros and cons for each point of that decision. Frost stood while looking at both roads and was trying to envision what may be of each road. When he finally decides to make his personal decision on which road to take he describes it as follows, “And having perhaps the better claim, because it was grassy and wanted wear” (Frost 7-8). The road he took appealed to him the most after observing and deliberating it. He also says “And be one traveler…”

In Robert Frost’s “The Road Not Taken,” the narrator of the poem analyzes his situation thoroughly prior to choosing his path. His process can be seen in several lines of the poem. For example, his decision begins, “And be one traveler, long I stood.” Similar to making any life altering decision, the narrator takes time rather than rushing in to his path. He weighs the options of each path (decision) as he “looked down one as far as [he] could…Then took the other, as just as fair.”

The poem begins with a literal fork in the road. Almost automatically Frost allows us to picture ourselves as the subject of the poem. His vivid imagery describes how the road looks with the leaves turning colors during the fall season “Two roads diverged in a yellow wood” () we are transported into the poem. Due to the beauty of both paths the speaker wants to travel both roads but he understands that is not possible. The man in the poem does not want to stay a long time in the middle of the two roads so he knows he has to make a choice soon. He begins to examine the roads closely and one seems like the better option but he chooses the other one despite peering onto the path of the seemingly better choice .

By choosing the harder path, the speaker declares his rebellion against the popular opinion as represented by the other road. He decides not to conform to society and takes up a less popular choice. When considering his choices the speaker shows the typical human reaction. He considers taking both paths at first. He says, “Oh I kept the first for another day”, but later confesses he “doubted if [he] should ever come back” (13-15). Thus the poem’s significance lies in the speakers making a decision by choosing a road and moving on with his life. The act of choosing the road represents his uniqueness and the fact that he is always moving forward, even without stopping.

"Two roads diverged in a yellow wood/And sorry I could not travel both" (1-2) is the first depiction of indecisiveness within the poem. There are two possible paths, and the narrator cannot decide between them. "And be one traveler, long I stood/And looked down one as far I could" (3-4). In this passage the narrator tries to identify the end of each path in order to come to a conclusion, but