Desert Blood

The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.

According to Jie Zong, Jeanne Batalova, and Jeffrey Hallock, the U.S. has been “the top destination for international migrants since the least 1960, with one fifth of the world’s migrants living there as of 2017.” It is well known to numerous people that hundreds of immigrants travel from all over the world to the United States, but what exactly does it take for many of them to get here? One such author, Sonia Nazario, manages to capture the gruesome journey of one immigrant boy, who like many others, is attempting to make it to the United States. The author reveals the brutal realities and the main reason countless of young children make their way to America. In her novel, Enrique’s Journey, Sonia Nazario utilizes pathos, reputable sources,

The novel Signs Preceding the End of the World by Yuri Herrera brings to light many issues faced by immigrant women. The novel follows the young Makina in her quest to find and bring home her brother from what she imagines to be a mystical far away land. While the novel focuses on the challenges of immigration, the underlying meaning is much more complex. In Yuri Herrera’s Signs Preceding the End of the World, the common misconception that women cannot be the strong character in the novel is challenged. This is achieved by having the female protagonist, Makina, go on a quest to save her brother, be a vital individual in her community, and fight the misogynistic society she lives in.

The novel, ‘Enrique’s Journey’ follows the difficult quest of a Honduras boy in search for his mother after she is forced to leave her starving family in order to find work in the United States. Lourdes, Enrique’s mother, knows she will not be able to afford to send them to school, and they would be forced to grow up in poverty as she did when she was a child. Finding work in the United States was Lourdes only way of being able to send money in order to support her family. As a boy, Enrique and his sister Belky are were also split apart from one another, leaving Enrique completely alone. Over the years, Enrique often shuffled from one home to another, eventually spending most of his young life with is grandmother, while his sister sets out to get her education and is well cared for by their aunt. After the depression sinks in for Enrique, he turns to drugs for comfort and begins to rebel against his grandmother. She eventually kicks him out and he is faced with the sobering reality of being completely alone. Frustrated with his mother, and the circumstances he faces in life, Enrique embarks on a

Poor Mexican American. Female child. We all look alike: dirty feet, brown skin, downcast eyes. You have seen us if you have driven through South Texas on the way to Mexico. We are there – walking barefoot by the side of the road. During harvest time there are fewer of us – we are with our families in the fields. (prologue)

Norma Elia Cantu’s novel “Canícula: Imágenes de una Niñez Fronteriza” (“Canícula: Snapshots of a Girlhood en la Frontera”), which chronicles of the forthcoming of age of a chicana on the U.S.- Mexico border in the town of Laredo and Nuevo Laredo in the 1940s-60s. Norma Elia Cantú brings together narrative and the images from the family album to tell the story of her family. It blends authentic snapshots with recreated memoirs from 1880 to 1950 in the town between Monterrey, Mexico, and San Antonio, Texas. Narratives present ethnographic information concerning the nationally distributed mass media in the border region. Also they study controversial discourse that challenges the manner in which the border and its populations have been

What’s the difference between a young Hispanic girl and a soldier in the Vietnam War? It sounds like a bad joke with an even worse punchline, but though there may be many true answers to this question, there are more similarities than one might imagine. These similarities can be observed in Sandra Cisneros’ The House on Mango Street and Tim O’Brien’s The Things They Carried and their main characters, Esperanza and O’Brien, respectively. Both novels divided into non-chronological stories, both involve characters who feel stuck in their situations, and both realize the importance of returning for the people they left behind.

Into the beautiful North, by Luis Alberto Urea, is telling a story of a nineteen year old girl called Nayeli who is encourage by the movie “The Magnificent Seven” to go to the United States with her three best friends. Their mission was to cross the border and recruit seven men to save their town, Tres Camarones, from the bandidos. But she also wanted to bring her dad back home. He and the rest of the men of Tres Camarones went to the United States looking for jobs to sustain their family. The author wants to show how undeveloped Mexican towns such as Tres camarones can cause poverty, lidding to one of the biggest topic now days which is immigration. Immigration is a cruel and hard path caused by

The novel Across a Hundred Mountains by Reyna Grande is a story about two young girls and their struggling journey to find happiness between two conflicting and distinct worlds: the United States and Mexico. Juana on one side wants to get to the United States, or “el otro lado” as mentioned in the novel, to find her father who abandoned her and her mother after leaving to find work in the US. On the other hand Adelina escapes from her house in California to follow her lover to Mexico. The girls form a bond in the most unexpected of places, a Tijuana jail, and quickly form a friendship that will connect them for the rest of their lives.

A life in the city of Seguin, Texas was not as easy as Cleofilas, the protagonist of the story thought it would be. The author, Cisneros describes the life women went through as a Latino wife through Cleofilas. Luckily, Cisneros is a Mexican-American herself and had provided the opportunity to see what life is like from two window of the different cultures. Also, it allowed her to write the story from a woman’s point of view, painting a vision of the types of problems many women went through as a Latino housewife. This allows readers to analyze the characters and events using a feminist critical view. In the short story “Women Hollering Creek” Sandra Cineros portrays the theme of expectation versus reality not only through cleofilas’s thoughts but also through her marriage and television in order to display how the hardship of women in a patriarchal society can destroy a woman’s life.

The first issue that many Latino author’s address is the problems in many Latin American countries. In Esperanza Rising Esperanza’s family faces the backlash of the Mexican revolution. Esperanza’s family has land in Mexico which makes them a target for many unhappy citizens in Mexico. Esperanza’s mother has to explain to her that, "the wealthy still own most of the land while some of the poor have not even a garden plot. There are cattle grazing on the big ranches, yet some peasants are forced to eat cats" (Ryan, 25). Eventually Esperanza’s father is murdered by bandit’s and they are forced to leave the dangerous country. Mexico is not the only place with major issues. Young Adult literature often reaches into the historical hardships of other Latin countries, such as the dictators of the Dominican Republican in Julia Alvarez’s novel Before We Were Free. Alvarez talks about the distrust of the police, stating “Back home, [her father] had been tailed by the secret police for months and the family had only narrowly escaped capture their last day on the Island” (Alvarez 233). Young Adult literature reflects this often as a background story, forcing the protagonists into the environment they are in. As well, it frames the families’ mindset and the hardships many have faced before

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are

Like Water for Chocolate by Laura Esquivel is a powerful novel that serves as a great introductory guide to the Latin-American culture. The novel consists of primarily female characters, the De La Garza family, where each one portrays a female stereotype, or perhaps their role in the society. The setting of the story takes place during arise of the Mexican Revolution in 1910, which helps to further distinguish the roles of the women and how they go about living their everyday life. Like Water for Chocolate can be looked at as a story about two women, a daughter and a mother, Tita and Elena De La Garza. Tita, our protagonist, struggles against her mothers’ tradition, to “serve” her until the day she dies, without having a life of her own.

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Julia Alvarez also uses language to show how the four Garcia girls adjust to living in a new, and to them alien, culture. The protagonist in this novel is the family Garcia de la Torre, a wealthy, aristocratic family from the Santo Domingo, who can trace their genealogy back to the Spanish