Difference Between Dada And Pop Art

Pop art got its name from Lawrence Alloway, who was a British art critic in 1950’s. The name “Pop Art” reflected on the “familiar imagery of the contemporary urban environment” (kleiner, 981). This art form was popular for its bold and simple looks plus its bright and vibrant colors. An example of this type of art is the oil painting done by Andy Warhol, “Marilyn Diptych” (Warhol, Marilyn Diptych) in 1962. The Pop art movement became known in the mid-1950 and continued as main type of art form until the late 1960’s. The Pop art movement, was a movement where medium played a huge part in the society, with it reflecting on advertisements, comic strips and even celebrities, like Marilyn. This movement also has a large

Pop Art emerged in Britain in the late 50’s and the United States in the early 60’s.(Mamiya 1992) Pop Art is generally known today as a representation of celebrating popular culture and consumerism, however it’s background and origins are far more broad and extensive. There are many factors and influences that lead to the creation of the Pop Art movement such as adjusting to life after World War II, new technological advances that lead to mass cooperate growth, the evolution of Abstract Expressionism and also social issues in the media such as feminism. (Smith 2001; Mamiya 1992) Many of these factors overlap and act as a catalyst in the creation of Neodadaism and eventually Pop Art. (Livingstone 1992) Pop Art does not have a soul distinct style nor just one major influence and this can be proven by looking at key artists of the movement such as Roy Lichtenstein, Andy Warhol, Claes Oldenburg and James Rosenquist as well as female Pop artists such as Martha Rosler. (Brauer, Edwards, Finch & Hopps 2001) Exploring these artists and the major influences of their work will break down Pop Art and establish the movement’s purpose as well as its evolution.

The re-emergence of the found object in pop art was significant in the development of the history of art as it reinforced previous ideas presented by the Dada artists of aesthetics and of what society will accept as an artistic work.

Impactful across the globe, both Dada and Surrealism were artistic movements created in the early 20th century that were significant in redefining modern art today. The Dada movement came about in 1916 through the performance of Hugo Ball’s sound poem “Karawane” at the Cabaret Voltaire that he opened with his partner, nightclub singer Emmy Hennings, in Zurich, Switzerland. The poem made absolutely no sense, purposely, and it didn’t have to. Ball would also dress in wild costumes for his performances as seen below:

Postmodernism is an artistic theory and a social mindset that sought to break the shackles of the so called modernist art society. Famous artist kept getting recognition as their pieces were critiqued by famous critics and was deemed ‘High art’, as it was separated and elevated from other art forms. This practice excluded the masses from being a part of the art of that time and reserved it for the high class society. Many artists rose to counteract this movement, one of which was Andy Warhol, who “emerged as specific reactions against the established forms of high modernism… which conquered… the art gallery”. (Jameson 111). Thus the post-modernism movement was in its essence a reaction against modern art ideas. Andy Warhol who gained fame in the 1960’s, characterized his pieces using all the elements from this movement. His work lacked any arbitrary meaning nor any deep ideas about the facets of human life or nature for example, and this exact idea changed the art world and made him a trailblazer of the postmodern art period. His creations embodied post modernistic ideals and illustrated it through his pieces and his use of the media.

In order to discuss pop art I have chosen to examine the work and to some extent lives of Roy Lichtenstein and Andy Warhol who were two of the main forces behind the American movement. I intend to reflect the attitudes of the public and artists in America at this time, while examining the growing popularity of pop art from its rocky, abstract expressionist start in the 1950s through the height of consumer culture in the 60s and 70s to the present day.

Dadaism came into the world to confuse all the peers that look upon the work of art each person made to express themselves, this can be for emotion, reaction, love or maybe just because they want to confuse everyone. It all began in 1915, the movement instantly caught fire and spread practically everywhere, no matter where you looked there was some sort of DADA to be seen. Sometimes you didn’t even know it! The artist found inside of this essay will be: Max Ernst, Hannah Hoch and finally Johannes Baader.

An artist by the name of Hugo Ball, who was a crucial figure in constructing the foundations of Dadaism, created performance pieces that is now one of the well-known characteristics of what expresses the Dada movement . Ball’s poetry performances were in a way, a response to the audacities of what WWI had presenting the world with. According to Demos, Hugo Ball found that “language was deeply discredited due to its use as propaganda that “justified” war,” and continued to express that “[t]he journalistic and political abuses of language... [meant that it] must be dismantled and reconstructed anew” . That being stated, it can be assumed that his nonsensical poems, in Karawane at the Cabaret Voltaire in 1916 can be understood as an extrapolation

Characteristics of Abstract Expressionist Paintings-optical buzz, all-over composition, Matisse sometimes painted images on large canvases, as did Picasso but paintings still retained an object like character- the viewer needed to stand back to see the complete composition. Abstract expressionist paintings, on the other hand, draw the spectator into them. The field of vision is thus larger than the field of vision of the spectator, who finds himself in a world beyond measurement (class handouts) "Portable Mural"

Dada was an artistic and literary movement, this arose as a reaction to World War one. Many citizens believed that Dada was actually the cause of World War one, this movement likes to take the form of ‘anti-art’. Therefore, how you can claim everything is art but in reality, nothing is art. For example, take the painting ‘Fountain’ by a Dadaist painter Marcel Duchamp it is a readymade painting of an unused urinal. Which is basically implying that he rejected art and thought that we should focus on the artist 's idea more rather than it being crafted. Therefore, using a urinal and labelling it as ‘art’, get’s Duchamp’s point across that a work of art should be the artists idea instead of it being crafted. When looking at Dadaism by Tristan Tzara, there were some interesting quotes. For example, “Like everything in life, Dada is useless. Dada is without pretension, as life should be.” (Tzara, 1918). This quote intrigues me, as Tzara is stating that all art is useless and that Dada is pretension and that is how life should be. This can be used as an example of how Dadaism was inspired by

Each artist of the Dada era had a new way of expressing Freud?s ideas. They also felt that art was a powerful means of self-revelation, and that the images came from ones subconscious mind had a truth of its own. As Marcel Duchamp mocked the Mona Lisa by drawing a Padilla 3 mustache on her, stated that the painting was a lewd message set by the conventional way of thinking. Since the Dada artist did not believe in western culture this made sense, because people only want believe what is told to them, instead of what is true. The Dada movement marked a meeting of people to have ?noise concerts? where they recited poems in a free association verse. In these poetry readings the artist perceived how they felt about the world. As World War I began the Dadaist perceived it as a world gone mad. Not only did they express their work in unconventional ways; they used the subconscious as a way of making their views true. Although the Dada era was short lived it influenced and questioned the traditional concepts of the western world. These techniques set an agenda for a new trial by error art form of this same era. The spirit of Freud in the Dadaist era never really died, it is shown today as ?Pop art? or sometimes known as neo-Dada art forms. Also this revolution of thinking and art paved the way for the Surrealist movement. The Surrealist movement of the 1920?s through 1930?s captivated the world with its bizarre way of thinking. Just as the Dadaist used

At the turn of the century Paris was one of the capitals of culture and art to the outside world. However, the truth of the matter was that this taboo-ridden society was being run by an aristocracy that was repressing the arts. Naturally, when World War 1 broke out, the suppressed French society finally had a release and a rebellion against order arose. WWI specifically affected the theatre of French and it’s aftermath. From the ashes of war the avant-garde theatre grew and styles such as Dadaism and Surrealism were born. It was both the climate of culture before the war and the devastation of the war that lead to the outbreak of avant-garde theatre in France.

There were two major art movements during the 1960’s: Pop Art and Minimalism.The two movements are still relevant and influentiantial now in the 21st century. These two art movements do not meet the standard of arts original idea. Pop art represents popular culture, comic books, advertising and television. Pop art movement appeared in the mid 1950’s. It challenged traditional art, it is loud and aggressive, filled with vibrant colors. Once you are familiar with a some Pop art paintings, its unique style is easy to distinguish among the rest. It represented more everyday life than anything. Minimalism and Pop art can be very similar but yet have countless differences that vary from artist to artist. Minimalism isolates the material and blurs out any emotional content and personal expressivity. Minimalism reduces everything to its essential elements. The events that occurred during these movements, such as the Civil rights and the Vietnam War influenced artist to try to challenge other type of art forms and go beyond just “fine art”.

‘pop art was open to all forms of communication and popular information in its attempt to embody all of reality in its own language’’ (Parmesani, 2012, P: 72).

This paper is an explanatory paper by a cultured gentleman on Avant-Garde art and the challenges facing Avant-Garde. More specifically, it comes off as a rant against the bourgeois and proletariat for failing to appreciate Avant-Garde art and instead preferring to art he calls the rear-guard art or Kitsch. This work was printed by the Parisian review during fall, 1939.