Disguised characters in plays

     Unlike the other characters in Shakespeare's "Twelfth Night", Viola's feelings of love are genuine. She is not mistaken about Orsino's true nature and loves him for who he really is, while the other characters in the play seem to be in love with an illusion. Viola's love for Orsino does not alter during the play, nor is it transferred to another person.

The masking of an identity is a common solution that many people of today’s society turn towards. Whether it is to hide something from someone or to use it as a form of protection. William Shakespeare’s popular play Much Ado About Nothing is an excellent example of masking that is achieved by some of the characters. The story reflects events of people masking themselves intentionally, unintentionally or having the ability to see through other’s masks. It demonstrates that masking can end in deception, although not constantly.

Almost all of the characters in this play either perform some sort of identity deception or are tricked by someone else that is disguised. Viola’s concealment and the resulting chaos are crucial to the development of the plot, and some of the most important elements. Without the use of disguise, there would be little adventure or conspiracy and Shakespeare would not have been able to generate enough distraction and internal struggle in his characters, thus, disguise is the a major basis for his entire

Disguise is one of Shakespeare's favorite ploys found in varying degrees in each of the mentioned works. Through it he alters the identity of an individual (frequently female character, though not always) and uses this disguise to heighten irony, develop theme, and enhance subtle comic innuendo. In As You Like It, Shakespeare develops specific ironies where the dialogue takes on new meaning when the true identity of the speaker (or hearer) is placed over the dialogue. By having characters in disguise, Shakespeare opens the door for all kinds of comic twists from the shepherdess in love with the "shepherd" Ganymede who is really a girl (Rosalind) to Orlando sharing feelings of love to Ganymede who is really Orlando's love Rosalind in disguise. The difficulty in maintaining a disguise or hidden identity is shown in the desire to say and experience things in the one identity than can only be accomplished by the alter identity which compounds the verbal comedy in the mistaken meanings of what is being said. In Measure for Measure, the Duke uses disguise and mistaken identity to reveal the truth about Angelo's character. At the same time this disguise provides comic moments as Lucio speaks of the Duke to the Duke while unaware of the Duke's identity.

Shakespeare's use of cross dressing and deceitfulness extends beyond the actual writings in the plays and goes onto the stage. Women were not allowed to perform on stage in Shakespeare's time. ."..all the great women's roles in Elizabethan and Jacobean plays, from Juliet and Lady Macbeth to the duchess of Malfi, were written to be

From the difference in character and personality between Viola and Orsino, we can see that Viola is displayed as a rational, witty, yet manipulative woman, who loves deeply and sincerely. This is shown from, “If I did love you in my master’s flame/With such a suff’ring/such a deadly life”, as it implies that Viola’s love towards Orsino, is true, and has depth, and other-centred. This is in comparison to Orsino’s love towards Olivia, displayed in his portrayal of love towards her. This can be seen from, “With adorations, fertile tears/With

He is one who is supposedly love-struck from the elegant and beautiful Olivia, yet she does not feel the same way. Instead, someone else feels the same regarding Duke Orsino: Viola (Cesario). Throughout the play, it is clear Duke Orsino is all about himself, as he places himself at the center of all situations, constantly repeating personal pronouns (Me, my, I) This complicated love triangle egotist Orsino encounters with his lavish lifestyle makes him a perfect form of communication for Shakespeare to share ideas about love and marriage. Some simple themes that Shakespeare communicates are that love is indeed something that occurs first sight, as with Viola, Orsino, and Olivia, but also that it is something one must learn that they cannot control. Viola, Orsino, and Olivia all realize this to a degree, and Orsino ends up changing his love for Olivia to love for Viola (other factors contribute as

The fantasy of Olivia he “unconditionally loves” is not about Olivia, but all about himself. Not only this, but Orsino is easily convinced to return the deep affection of Viola, possibly because the Duke focuses entirely on his success and desires in love rather than genuine affection. Perhaps, Orsino only developed these feelings for Olivia because he wanted more luxurious things in life. Orsino had great food, servants, and a giant castle. The one thing he lacks is love. Therefore, the Duke wished to have the most beautiful countess in all of the land: Olivia, to continue owning more and more luxurious things. Through this, Shakespeare conveys that an egotist and wealthy man cannot genuinely love if only fixates on the gain of love for himself. Shakespeare is also demonstrating superficial love versus genuine love, and he illustrates the notion that a man who is too narcissistic cannot think about love beyond his erotic fantasies. Instead, Shakespeare conveys through Viola, wherein she genuinely loves Orsino for who he is and does not love for the sake of love's desire itself. She stays committed to Orsino over Countess

One of the most overt examples of disguise is through the character of Viola. This is the origin of much of the deception in the play. Stranded in Illyria after a shipwreck, she dresses as a male in order to work as a Eunuch for the Duke Orsino.

According to The English Review, Duke Orsino has “full of devotion to an ideal of love.” He does not understand that love is not straightforward, and if you love someone, they might not love you back. Orsino loves Olivia, but Olivia loves Cesario who is really Viola. Olivia’s love is complicated. She decides to confess her love to Cesario by saying “Would thou ’dst be ruled by me!” (4.1.68). The confusing part of this encounter is that Olivia really says this to Sebastian, Viola’s twin brother, not Cesario. Olivia’s confusion is most likely not commonly found in the everyday world. However, her complex relationship shows how love is not simple. Olivia thought she loved Cesario/Viola, but in the end, she loved Sebastian. Now, Viola’s character shows the pain and complication of a silenced love. She loved Orsino the whole time she was pretending to be Cesario. She says that she would marry Orsino in the beginning of the play when she says “myself would be his wife” (1.4.46). However, she couldn’t act upon this love until her true identity could be revealed. Sounds very simple and easy does it

Despite knowing that Orsino “loves” Olivia, Viola almost immediately falls in love with Orsino. And because Viola is disguised as a man, she cannot show her true feelings for Orsino. After Orsino asks Viola to speak with Olivia and professes his love to her, Viola lets the reader know what she is truly feeling by saying “Yet a barful strife! Whoe’er I woo, myself would be his wife” (Act 1, Scene 4, Line 40). This shows that even though she is willing to help Orsino pursue Olivia, Viola ultimately wants to marry Orsino. Viola’s love for Orsino is revealed again at the end of Act 2, Scene 4. Orsino is asking Viola to try harder in the quest for Olivia and he basically says that there is no love more noble or great as his, so she must love him. Viola then proceeds to say that maybe Olivia doesn’t love him; however, there is “someone” out there that does. She says:

Viola, one of the main protagonists, experiences suffering when she falls in love with Orsino, whom she cannot pursue or express her true feelings for. After a shipwreck, Viola finds herself stranded in the country of Illyria. In order to work for the Duke Orsino, she disguises herself as a man named Cesario, which makes romance with the duke impossible. After spending three days with him, she falls in love. Not only does she have to repress her feelings toward Orsino, but to add to her pain, Orsino assigns her to spend her time trying to persuade Lady Olivia to marry him. Viola says to the audience, “whoe’er I woo, myself would be his wife” (1.4.42), because she wishes to marry Orsino.

Shakespeare uses the idea of disguise in many of his plays. It is used as an escape from the characters’ personalities and sometimes for comic effect. In As You Like it, the disguise becomes very comical as in the time it was written only men could act on stage. This could lead to much confusion and comedy in the roles of those in disguise. Disguise can give the freedom to a character to act how they like and a chance for them to show their views. It was in the 16th Century that there became an increased sense of self consciousness and identity. This led to people creating an image for themselves. If one can create a self, they can create many different versions of themselves each showing a different aspect of that person. This links in

Orsino tells her to "address thy gait unto her, / ... stand at her doors, / ... Till

Disguise in Shakespeare’s Twelfth Night has many purposes. Even though disguising one's gender is a common theme in Shakespeare, some say it is instates bonding and allows a way for it to happen. It is known that it is used as a necessity for survival. In Twelfth Night, Disguise and Identity is shown in feelings, appearances and decisions. Disguise is an occasionally seen force which drives one’s mind into believing in something unrealistic. Disguise and Identity get mixed up which causes confusion. Both factors are compared in the meaning of Truth.