Essay about Double Consciousness in August Wilson's Fences

Throughout time there have always been conflicts of morality and injustice. August Wilson wrote this play about issues that were prevalent in the 1950’s but also still are sadly present today. In Fences, there is an abundance of evidence of cultural clashes. In this play these clashes span over racial, generational, and even gender lines and its effects on the characters.

The theme of August Wilson’s play “Fences” is the coming of age in the life of a broken black man. Wilson wrote about the black experience in different decades and the struggle that many blacks faced, and that is seen in “Fences” because there are two different generations portrayed in Troy and Cory. Troy plays the part of the protagonist who has been disillusioned throughout his life by everyone he has been close to. He was forced to leave home at an early age because his father beat him so dramatically. Troy never learned how to treat people close to him and he never gave any one a chance to prove themselves because he was selfish. This makes Troy the antagonist in the story because he is not only hitting up against everyone in the play,

Lives are lead with anxiety over certain issues and with apprehension towards certain events. This play, Fences written by the playwright August Wilson deals with the progression of a family through the struggles of oppression and the inability to obtain the American Dream. The characters in the play develop throughout the story and can be viewed or interpreted in many different ways, but one man remains constant during the play and that is Troy. Due to certain events that transpired as he was growing up, Troy is shaped into a very stubborn yet proud man. To be a man who was black and proud ran the risk of getting destroyed, both physically and mentally. The world of the 1950s and 60s was rapidly changing and

As with most works of literature, the title Fences is more than just a title. It could be initially noted that there is only one physical fence being built by the characters onstage, but what are more important are the ideas that are being kept inside and outside of the fences that are being built by Troy and some of the other characters in Fences. The fence building becomes quite figurative, as Troy tries to fence in his own desires and infidelities. Through this act of trying to contain his desires and hypocrisies one might say, Troy finds himself fenced in, caught between his pragmatic and illusory ideals. On the one side of the fence, Troy creates illusions and embellishments on the truth, talking about how he wrestled with death, his

Conflicts and tensions between family members and friends are key elements in August Wilson's play, Fences. The main character, Troy Maxon, has struggled his whole life to be a responsible person and fulfill his duties in any role that he is meant to play. In turn, however, he has created conflict through his forbidding manner. The author illustrates how the effects of Troy's stern upbringing cause him to pass along a legacy of bitterness and anger which creates tension and conflict in his relationships with his family.

Fences can be viewed as a family play, it can also be viewed as a work specifically of the black man's place, or plight, in a predominantly white world. Either way, it has a very valuable message. It is a true art to be able to touch on so many aspects of life in a work, aspects that may be viewed differently by different people.. Wilson's work, and the character of Troy Maxson, makes me question many things, among them myself, as well as his intended message. This is why I am so in awe of Fences, and of Wilson's talent. This is why I am writing my paper on Fences.

One narrative element that August Wilson uses in his play “Fences” to create tension, is that of conflict which he uses to show the tension that exists between Troy and his oldest son, Lyons. Lyons was raised by Troy’s ex-wife but now frequently stops by Troy’s house to borrow money which he seldom repays. One day, after Lyons has stopped by asking for ten dollars, Troy makes a comment to his best friend, Bono, saying, “What I tell you, Bono? The only time I see this nigger is when he wants something.” (16) This shows a conflict over money that is present between Troy and Lyons which is caused by and adds to the tension that exists in the play between these characters and others. August Wilson’s addition of conflict with Troy and Lyons’ story is able to show the immense tension that Troy

August Wilson’s Fences was centered on the life of Troy Maxson, an African American man full of bitterness towards the world because of the cards he was dealt in life amidst the 1950’s. In the play Troy was raised by an unloving and abusive father, when he wanted to become a Major League Baseball player he was rejected because of his race. Troy even served time in prison because he was impoverished and needed money so he robbed a bank and ended up killing a man. Troy’s life was anything but easy. In the play Troy and his son Cory were told to build a fence around their home by Rose. It is common knowledge that fences are used in one of two ways: to keep things outside or to keep things inside. In the same way that fences are used to keep

We will first discuss the play “Fences” this is a story in which the main character is a hard working African American Man. He is a good provider for his family. His wife is able to be a great homemaker and mother to his children, one of which is from another woman. Troy, who is the main character, has to make decisions not only for his family but also for his brother who is handicapped from the war. This places a lot of responsibility and pressure on Troy. Troy feels discrimination from many areas

In the opening of the play, the main characters are developed to be very stereotypical archetypes. Troy is the money earning, hard-assed, head of the house and Rose is the gentle and caring mother. Through metaphors, Wilson can contradict these initial character developments and reveal the character 's true intentions. In the opening of the play, Troy 's character is “... fifty-three years old, a large man with thick, heavy hands; it is this largeness that he strives to fill out and make an accommodation with” (1.1.1). His appearance implies that Troy has an ego larger than himself and strives to fill up the missing space in every way possible, but is not showing his struggles. In a heated argument with Rose Troy says, “It’s not easy for me to admit that I been standing in the same place for eighteen years” (2.1.70). In other words, Troy is perceived to be a self-sufficient and progressive man, until now. He reveals his vulnerabilities and says that although he puts on a front of accomplishment, he has felt

Troy refuses to let him have his chance, stating, “The white man ain’t gonna let you

Race, notwithstanding the way that it doesn 't exist on the planet in any ontologically target way, in any case it is bona fide in the general population field (rather than nature). Race is a social development that has genuine outcomes and impacts. These impacts, results and the thought that race is ontologically subjective is epistemologically objective. We realize that race is something that is genuine in the public arena, and that it shapes the way we see ourselves as well as other people. Many appropriately guarantee that race is theoretically precarious.

As the roles of an African American men begin to evolve during the post-slavery time period, women’s roles remained unchanged. In this case, in August Wilson’s play Fences, Wilson’s perspective on gender roles explains the traditions of both men and women, the oppression and objectification of women, and the social roles. For instance, “Indeed, Wilson’s perspective on responsibility might appear dubious to those unfamiliar with his decidedly male ethos, which he links to the history of black male-female relations in America” (Shannon 199). Conflict arises between Troy and his family because of his representation in gender roles that were traditionally meant to play. This is the view on how Troy communicates with his wife, Rose throughout the play. Furthermore, because of the strict gender roles, Troy has a narrow view as how African Americans are being treated in the society and a tunnel view on what he believes on how the world operates.

The play Fences by August Wilson centers around the character of Troy, a middle-aged African-American man. Troy struggles to keep his family together, mostly as the result of mistakes he has made as a husband and parent. These mistakes reflect certain personality traits that make up Troy’s complex character, including his obsession with providing financially, his inability to love his family, and his stubborn insistence on others following the paths he decides for them. These character traits can be explained by the social, racial, and economic climate of the time. Fences takes place in late 1950’s Pennsylvania during the beginning of the Civil Rights Era, and Troy’s character is shaped by the disappointments that have come along with racism and economic difficulty, along with not being up to date on the changes happening in the Civil Rights movement. Although Troy and his character traits are responsible for the tragic decisions he has made, it is possible that the social context of the time has shaped him into the person he is.

In the play Fences by August Wilson, a man named Troy goes throughout his life feeling as if African Americans will never be equal to that of a white man. Although times have changed, Troy still does not believe racial discrimination is ending, and is withheld from many new opportunities. While most stories have a protagonist, that changes for the better throughout the story, Troy is not a typical one. Even though he has a stern and hard personality during the play, there is a hint of sympathy that is revealed throughout the dialogue. One major event that stood out was Troy swinging the bat at his son but not following through with his action. This demonstrated that Troy realized he didn’t want to be like his terrible father. Another example