Dr. Heidegger's Experiment: Reality or Illusion
In Nathaniel Hawthorne's short story Dr. Heidegger's Experiment, one of the central ideas of the story revolves around the idea of reality versus illusion. Of course the overriding theme of the story dealt with the ethical dilemma of changing old age into youth, still a major part of how the story was interpreted involved a personal decision on how you took the story; as literal or figurative. The perception that appealed to me the most was reading the text as literal, and concluding the experiment as reality rather then a figment of imagination caused by the intoxicating brew.
A couple of points that Hawthorne made led me to
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After the first drink of the potion until the last, I was still led to the opinion that what the guests were experiencing was in fact real and completely genuine. At this point I will point out that it is at this exact moment where the issue of reality versus illusion begins to take shape.
However, while we left to toil with this intriguing notion, it seems quite intentional on the part of Hawthorne to make us decide on which side we are for.
I would say his reasoning for dividing us would be to point out that while it may be real or a delusion it's ethical and moral message should be clear cut to everyone. Backtracking for a second though, I would also like to dispute the argument of illusion as some people fight in favor, of on the sole occurrence of the old images in the mirror. It seems to me that as I mentioned above, a ploy set by Hawthorne to add a little twist to the story, and give us the readers something to think about. While we could argue that what they are seeing is a direct influence of the potion it would be far stretched to say that what they felt and how they acted was fake too. Keeping in mind that these people are very old and probably way passed their days of jumping around dancing about, it is pretty hard to say that this water gave them enough energy and vigor to move around like youngsters but still be contained in their old
bodies.
Hawthorne conveys a speculative, yet suspicious tone as he questions the morality of Judge Pyncheon’s actions. The author tells the reader of the “splendid rubbish in [Judge Pyncheon’s] life” that covers up his secrets. The term “splendid rubbish” paints the reader a picture of rubbish that has been masked to look a certain way, but eventually the true nature of the
First, the forms of aging and life course structures depend on the nature of the society in which individuals participate. Second, while social interaction is seen as having the greatest formative influence in the early part of life, such interaction retains crucial importance throughout the life course. Third, that social forces exert regular influences on individuals of all ages at any given point in time” (Theories of Aging. (n.d.)). The movie portrays aging being more about living the rest of life rather than dyeing in them.
In New England Men of Letters Wilson Sullivan relates the purpose of Hawthorne’s veiled image:
Hawthorne's moods or prevailing feelings during certain scenes are revealed to the reader through nature.
Hawthorne was able to show the true intentions and feelings of characters and the relationships between characters. He did this because he wanted the readers to understand that the Puritan society was not as religious or great as it is sometimes portrayed as. Even though their intentions were right with wanting to start a new religious society in the New World, they had their faults. Hawthorne is able to address these through the use of ironies. For example, having the reverend that everyone looks up to and emulates, be suffering from committing a very sinful act. Also, having the townspeople contradict the meaning of the scarlet A, and see it as a positive thing after Hester has just endured the torture of isolation and banishment. Overall, Hawthorne is trying to express his personal views on the Puritan society through the use of
In the short stories, “Saving Sourdi,” by May-Lee Chai and “The Moths,” by Helena Maria Viramontes, the main character of each short story goes through their own coming of age experience where they are forced to mature in order to overcome an obstacle. Chai explains her main character, Nea’s, struggle as she is forced to mature and overcome the departure of her older sister, Sourdi, from her life after she gets married and moves away. Viramontes, on the other hand, depicts her narrator’s struggle as she is forced to mature and overcome the death of her Abuelita on her own. Despite their very different approaches, both Chai and Viramontes successfully convey their main character 's struggles in their journey from youth to adulthood.
The power of imagination makes us infinite, and when it is dulled, one can feel trapped. Only after freeing ourselves, can we understand the beauty of a creative mind. Nathaniel Hawthorne explains how he also had to get back in tune with his imagination after not using it for years while working at the Custom House. Hawthorne draws a very well sketch of the boring life at the Custom House, and how after his head was “cut off” he got the mindset to be able to write the Scarlet Letter. In this long introduction to the Scarlet Letter, Nathaniel Hawthorne uses rhetorical devices to describe character traits, show relationships between characters, hint at future events, and enrich the plot for the reader's enjoyment. With his effective use of imagery, symbolism and biblical allusions, Hawthorne adds depth to the novel while creating a connection to the meaning beyond the story that it tells.
1. Most of Hawthorne stories take residence in Puritan society, in which Hawthorne's lineage was severely entrenched. As a result, he was introduced to sorcery, as Hawthorne was obstructed by the events of the Witch trials and his forefather's part in it. In general, these stories are integrated by the refrains, the falseness of Puritanism; the battle amongst external presence and internal representativeness; and the clash between virtuous and immoral inside us. Tales with paranormal essentials like "The Birthmark" and "Ethan Brand”. "Leave me," he said, bitterly, "ye brute beasts that have made yourselves so, shriveling up your souls with fiery liquors! I have done with you. Years and years ago, I groped into your hearts and found nothing
In coming of age stories, the protagonists often experience a pensive and dramatic moment where either they break through to adulthood or retreat to childhood - it is this moment that unveils the magnitude of growing up for the reader.
Both of these stories revolve around a lot of symbolism. These stories, since they really don't make a lot of sense on their own, force the reader to look deeper in an attempt to understand the ideas that Hawthorne tries to get across.
Hawthorne uses the device of foreshadowing to show how aiming for perfection results in an outcome that one does not expect. This is evident when he writes, “Aylmer
Hawthorne explores internal conflicts and man v. man conflict in two of his works of fiction, his novel The Scarlet Letter and the short story “Rappaccini's Daughter”. He does this by explaining Chillingworth’s experiment with Dimmsdale and Rappaccini’s experiment on Giovanni and then ponders what makes them human and what doesn't. Hawthorne also explores how secrets and guilt can shape characters and the effect these two factors have on Dimmesdale and Giovanni and how similar they become through their trials and isolation.
Hawthorne does an excellent job of turning the main characters into symbols that are prominent throughout the story.
Hawthorne’s prose emphasizes and enhances the description of
The Elixir ”Dr. Heidegger’s Experiment” is a short story written by Nathaniel Hawthorne. In this story Dr. Heidegger, “who is known to tell a thousand stories” (Hawthorne 1), gets four old and perhaps depressed friends to drink “elixir”. These people start to feel young and rejuvenated again. In the process of reading this story a question presents itself. This question is whether the elixir Dr.Heidegger is testing is actually real.