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Drug And Music : The Effects Of Electronic Drugs And Drugs

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Drugs and music have been closely tied together throughout much of history, with each particular genre typically having a drug closely associated with it. For jazz music, we have musicians such as Charlie Parker and Thelonious Monk of the 1940s who brought upon the glorification of opium with their music. Fast forward to the 60s when the rise of psychedelic rock bands such as The Grateful Dead, The Doors, The Beatles and Pink Floyd attempted to replicate the effects of LSD within their music. In the 80s, cocaine was linked to popular glam metal bands such as Van Halen and Motley Crue. As the late 80s and early 90s came around, it was ecstasy’s turn to take the spotlight. Techno, House, Acid House, and rave culture were starting to burst into popularity within the underground music scenes of Detroit, Chicago, and in various places within Europe. These DJs such as Nicky Halloway and Phil Hartnoll, like the musicians of the past, were well aware of the rampant ecstasy use at their performances and their music was often influenced by said drug use. However, what they may not have been aware of was the sheer dependence of ecstasy on the music and the music on ecstasy. Unlike times past where the music and the drug would have a seemingly superficial bond, ecstasy and electronic dance music’s bond extends far beyond any superficial barrier. Without ecstasy, there would be no electronic dance music, no raves, and no PLUR (Peace. Love. Unity. Respect) culture. Likewise, without

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