Edgar Allan Poe 's A Descent Into The Maelstrom

The 19th century American poet, Edgar Allan Poe, had been plagued by grief from an early age. He was an amazing poet and author who just happened to have a darker story. Many who have studied this prestigious man feel that his works, though magnificent, were extremely dark. Some believe it was nothing more then a fancy for him to spin such gruesome tales. Others feel his work was manipulated by the misfortune of his past. These people have actually found evidence that agrees with this statement. The works of Edgar Allan Poe were inspired by the history and life style of the author. The evidence is evident, when people look back and examine the author, his life, and his writings closely.

Edgar Allan Poe, the remarkable, 19th century writer, who had an appalling life. Poe became extremely famous for his terrifying works of literature after he passed away, but it was Poe’s tragic life that influenced his writing(Edgar Allan Poe). From childhood all the way to adulthood, Poe experienced terrible things in his life that would mentally scar any person. This is shown in three of his most famous writings by having those experiences that he encountered from childhood to adulthood reflect on the different qualities that are shown in works of literature.

The words people use and how they use them holds so much power within themselves. It seems that, people are always searching for the right words to express their true emotions towards a certain subject. Artists and authors manage to make a living off of knowing how to use the right words to reach through to their platform. Though within his time, Edgar Allan Poe did not have an established platform and was seen as estranged; he still dabbled as an author and has made many famous short stories and poems that we enjoy to this day. Poe uses tone, diction, imagery, symbolism, elements of the supernatural, and allusions to illustrate his themes of sorrow, madness, revenge, and uses these to project and give refuge to his inner

Edgar Allan Poe was a skilled writer; he wrote many books that involved horror and mystery. Poe started his writing career editing newspapers and writing short stories. One may assume that Poe wrote these panicked stories to tell others about his own life. Influenced by his tragic childhood, Edgar Allan Poe started writing horror and mysterious stories.

"In one case out of a hundred a point is excessively discussed because it is obscure; in the ninety-nine remaining it is obscure because it is excessively discussed." This quote by Edgar Allan Poe describes his obscure works which have been discussed and criticized in great detail for many years to come. Some readers believe that his works are too dark and eccentric maybe even deathly. Others believe his works to be masterpieces. However, one thing that is not up for debate is the fact that Edgar Allan Poe is a literary genius. Edgar Allan Poe, the creator of the ratiocinative story and the amateur sleuth and leading contributor to the gothic genre, is the greatest author of the mid-nineteenth century.

is made through his use of punctuation, word choice, figurative language, tone, and sentence structure.

This verse lyric again investigates Edgar Allen Poe's topics of death and misfortune and may

When the term “isolation” is used, most people think of it as an action performed in solitude. It brings to mind an empty space in which one person resides, far from all others. However, isolation does not always occur in a singular sense. In “The Masque of the Red Death” by Edgar Allan Poe, isolation is used by a large population as a means of safety. In “The Thing Around Your Neck” by Chimananda Ngozi Adichie, isolation occurs among crowds of people and even in the company of someone close to one’s heart. In both aspects, isolation serves to exemplify the broken portions of life. Isolation is a destructive force and as a theme, isolation serves to exemplify a particular viewpoint and worldview while serving as both a cause and effect.

This essay will discuss the themes in Poe’s writing that mirror his personal life and, in addition, the fear and supernatural motivators for his characters. First, I will discuss Poe’s background and explore how he became best known as a poet for his tales of mystery and macabre.

Throughout the history of literature we see an obvious string of religion connecting most works to the core of their beginnings. From creation stories of tribes, to colonial poems, to the twisted mind of Edgar Allan Poe, there is a connection. Poe’s “The Masque of the Red Death” may not seem to portray the ideas of religion but through close examination, the association will become less cloudy. Poe’s use of symbolism, narrator, word choice, helps readers unmask the idea of religion.

    Edgar Allan Poe once said, “With me, poetry has not been a purpose, but a passion.” When stressed, writing was his coping mechanism, and through observation, many grasp how much death encompassed Poe. Although not appreciated during his era, he revolutionized mystery with mesmerizing story plots that yield suspense, but also makes readers question his stability. Most importantly, unlike those famous during his lifetime who are now forgotten, Poe’s legacy will live on forever. Moreover, throughout life, Poe experienced catastrophe, and because of this, writing became his creative outlet.

In Annabel Lee, Edgar Allan Poe states, “We loved with a love that was more than love.” This saying is used by thousands of people everyday to their soul mate. The American Renaissance, which began in 1828 through 1865. Poe was an Anti-Transcendentalist, he wrote mostly about self-destruction (sin). Edgar Allan Poe enjoyed writing about death, sinful acts, and how others felt towards sin.

Edgar Allan Poe was a prominent writer during the era of Romanticism, but Poe’s poems focused primarily on the Dark Romanticism, developed under Romanticism. The era of Romanticism was commonly described as showing raw emotion, but there was still a conflict in the story. The purpose of Romanticism was for the writer to feel free; there were no rules when it came to this form of writing. Dark Romanticism was looking at the gothic side of stories rather than the heroism stories, which focused more on death, and the flaws of humans. Dark Romanticism also focused on the evil aspect of writings rather than the heroic part to stories. Edgar Allan Poe’s poems are shown more in this type of writing rather than the typical Romantic writings. When looking more into Dark Romanticism readers are able to see how Poe could have connected his personal turmoil to his poems. The University of Delaware’s library says, “Suffering for offenses against God, man and Nature, the hero-villains wander the earth, alone and misunderstood. Their personal torment in a vast universe is emphasized by desolate settings of icebound seas, jagged mountains and bottomless abysses: imagery that would inspire artistic, literary, and musical compositions,” (Dark Romanticism). This quote shows readers that writers during the Dark Romanticism era used their own sufferings in order to make the stories seem more dramatic and almost human. Looking into the poems “Annabel Lee” and “The Raven”, readers are able to see

When looking at a piece of literature through a psychological approach it is easy to apply Sigmund Freud’s theories of the id, ego, and superego, which focus on conscious and unconscious behavior. When analyzing many of Poe’s works, critics tend to look through a psychological lens. Specifically in Poe’s The Black Cat. Some critics believe that Poe’s alcoholism is reflected in the piece, but many, such as James W. Gargano “advised the tales readers to avoid the biographical pitfall of seeing Poe and the first-person narrator of The Black Cat as ‘identical literary twins’” (Piacentino 1). It is due to his childhood that Poe’s narrator in The Black Cat subconsciously places animals before humans, thus leading to him to murder his wife.

Edgar Allan Poe (1809-1849) born in the United States was a poet, writer, critic, and journalist recognized as one of the greatest exponents of the Dark Romanticism (Ultan and Olson, 51). Dark Romanticism is an American literary subgenre emerged in the nineteenth century from the philosophical movement called transcendentalism. Dark Romanticism, broadly speaking, rely very little on perfection as an innate quality of the human being, a key idea of the transcendentalists (Howard, 1). As consequence, its characters are prone to sin and self-destruction, since by nature, they are not wise or divine beings. One of the most representative authors of the current is Poe, who is