Egyptian Art and Religious Influences

This latter point is exceedingly salient, and the prominent featuring of Egyptian gods throughout Tutankhamun’s tomb denotes the considerable cultural significance of religion and the way in which it essentially governed much of ancient Egyptian society. Correspondingly, such artefacts as the Shabti dolls further emphasize the importance of the afterlife, as the minuscule dolls are intended to represent servants for the pharaoh in life after death. This illustrates that the pharaoh was regarded as a hugely esteemed figure and shows the focus that was placed upon ensuring that the afterlife was a comfortable and hospitable environment for the ruler.

The work I chose to analyze was from a wall fragment from the tomb of Ameneemhet and wife Hemet called Mummy Case of Paankhenamun, found in the Art Institute of Chicago. The case of the Mummy Paankhenamun is one of the most exquisite pieces of art produced by the Egyptian people during the time before Christ. This coffin belonged to a man named Paankhenamun, which translates to “He Lives for Amun” (Hornblower & Spawforth 74). Paankhenamun was the doorkeeper of the temple of the god Amun, a position he inherited from his father.

The coffin and mummy of Djedmaatesankh are known as one of the few unopened coffins, retaining the original seal. Currently, it has been decided not to open the coffin in order to examine the mummy within due to the fact that it would severely damage the artwork and hieroglyphs that have been painted on the outside. The coffin is made of cartonnage, which is created with moulded linen and plaster and is painted on the outermost layer. These paintings describe the story of Djedmaatesankh’s life, as well as references to the Book of Caverns in order to provide the body “with safe protection as it makes its journey through the underworld on its way to eternal life in the Field of Reeds”. The coffin is from the 3rd intermediate period of ancient Egyptian culture and has been dated to 945-715 BC, coinciding with the 22nd Dynasty in which Ian Shaw relays that the “Chief of the Meshwesh Sheshonq (King Sheshonq I)” ruled. The base materials used are linen and plaster to form the cartonnage, and the artwork on the outermost layer uses a combination of paint and gold leaf to create depictions of Djedmaatesankh’s life. Ancient Egyptians used paint made from a mixture of pigment and plaster to paint on coffins and sarcophagi, and the higher classes used increased amounts of gold leaf as well. Djedmaatesankh’s coffin would be classified as funerary art, which had been created to be of use in funerary rituals and practices. Djedmaatesankh’s coffin is an excellent example of the extensive

This investigation attempts to correctly analyze in what way the geography of Egypt influenced the ancient Egyptian religion. This query is very relevant because, certain geographical items influenced the creation of the ancient religion that helped shape many religions that are very prevalent today such as Christianity and Judaism. The issues that will be addressed are how the great Sahara Desert surrounding the civilization, the Nile river that nourishes the whole population, and how the overall common beliefs and myths built the foundation of the ancient Egyptian religion and subsequently influenced modern day religions. This analysis will focus on the time period of 3110 BCE to 550 CE and the place being examined is the country of Egypt. This will be accomplished through the exploration of research documents and informational novels.

George Orwell famously declared »all art is propaganda.« Great works of art, in other words, have a very particular message for an intended audience. This function of art transcends historical periods, as is evident if one takes a closer look at the art of specific eras, such as Ancient Egyptian art. Ancient Egyptian art possessed a very specific propaganda function: to promote the divine origins and authority of the Pharaoh and thus a hierarchical social system.

Egyptian sculptures at the exhibition -- flown to Mexico from ancient temples along the Nile and from museums in Cairo, Luxor and Alexandria

Ptah was also a creator god who built the boats that carried the souls of the dead into the Underworld. Osiris was the ruler of the Underworld and husband to Isis, the goddess of fertility and the ideal wife. Isis’ song, Horus, was the god of the sky and depicted with a hawk-like head often portrayed with a double crown. These deities were worshipped daily by the Egyptians in temples built by the ruling pharaoh and his priests. The pharaoh was viewed as the intermediary between the deities and his people. Through his kingship and divine power, he was expected to maintain universal peace and order. Egyptians also underwent extensive and excessive processes to preserve their souls after death through tombs, mummification, and offerings to the gods for preservation of the deceased bodies (“Ancient Egyptian Religion”). The concept of life after death is rooted in ancient Egyptian religion where funerary processes and burial rituals were fundamental and crucial to an afterlife.

Owners could be recognized by the artwork and inscriptions carved around their tomb entrance (Harpur, 1987:1). Lastly, the changes made to the tombs styles can be clearly shown over time throughout the years. In Egypt, life and religion were so intertwined that it would have been impossible not to believe in a life after death (Brewer, 1999: 98). Hence religion basically defined Egyptian way of life and their customs.

The reliefs of Ankh-neb-ef are limestone panels with paint that originated from the Old Kingdom of Egypt in 2150 BC during the reign of Pharaoh Pepy II. The delicate carving of the panels in the sunken relief presents a magnificent image. They portray Ankh-neb-ef, an ancient Egyptian priest whose name translates to “may his lord live.” In the reliefs, Ankh-neb-ef holds a Kherep-sceptor and a walking stick, which were symbols of authority in ancient Egypt. Egyptian civilization was extremely religious and most ancient Egyptian artworks involved the portrayal of gods, goddesses, and Pharaoh, as well. Moreover, the Egyptian reverence for order and conservative ideals led to the institution of intricate rules that governed how artists represented both humans and gods (Saylor.org 4). For instance, the apparel worn by Ankh-neb-ef in the painting is not a simple fashion statement. The priest is wearing a prestigious sarong and ornamentation, bracelets, and a wide collar. The jewelry kept their owner safe in a dangerous passage to the afterlife. This formula for representing the human figure in a painting remained popular over several centuries (Robins 24).

In the typical life of an Egyptian citizen, one was constantly being influenced by their gods and goddesses because of his or her belief in a polytheistic religion. The gods and goddesses were believed to have power over the forces and elements over nature, and myths about them explained the connection they had between their

The Egyptian worldview is very different from other worldviews of other civilizations. For starters, the Egyptians were very positive and successful. Not every civilization was like them however. The Egyptians had many great resources around them and used them to their advantage. Other civilizations had wars, famine, destruction and many other factors that did not conclude in them having a positive outlook on their life. Throughout the paper, I will highlight contrasting points using prime reality, death and the world around them as categories to dictate the differences within the civilizations.

The peculiarity of religious beliefs of the ancient Egyptians developed because of the geographical location of the state. Around 3000 B.C.E. on the Nile delta, Upper and Lower Egypt merged under the leadership of the first pharaoh, Menes. This union noted the influence of African culture - worship and sacrifice to idols, depicted in the form of animals. It expressed the subordination of human strength and endurance of the desert. On the other hand, the contribution to the Egyptian culture brought the flow of Western culture. The Greeks explained the occurrence of early Egyptian cults as a result of the struggle of mythological creatures on Olympus. Many of them, unable to withstand the onslaught, fled to Egypt, persecuted by their opponents. In order to become unrecognizable, they had to take the form of animals, in which the power was unmatched. (Ancient Egypt) Alexander the Great, who conquered the continents with his mind and wisdom used basic principles of ancient Egyptian religion to establish his power. His first step was a visit to the temple of Amun to the famous oracle, located in the Siwa Oasis, where

Amun-Re is often referred to as the most important and powerful god of Ancient Egypt. Amun-Re was the god of the sun. “Amun-Re is the main name of the sun god, but also has three different names in which describe the phases of life that Amun-Re goes through each day.”(Budge, Pg. 92) When examining the ancient Egyptian god Amun-Re, four main points must be understood, including: the origin of Amun-Re, the characteristics of Amun-Re, how Amun-Re was worshiped, and how Amun-Re impacted Egyptian life.

Egyptian people also believed that their pharaohs were gods, and they were saw their “society as sacred”(18). Therefor Egyptians made it a priority to please the pharaoh since he “could venerate any deity he pleased” (18). Egyptian religion was unique in the fact that they believed in an afterlife. In the Old Kingdom of Egypt immortality was originally for kings, later it was given to nobles and other assistants to the kings. “Later, immortality was apparently opened to all Egyptians” (18). Egyptians viewed the afterlife as a “carefree continuation of earthly existence…” (18). Egyptians developed a new type of religion which was the first of its kind when it was thought of. This religion based was formally called henotheism which was the “worship of one god without denying the existence of the other gods…” (18). Like other religions that are practiced today Egyptians sang hymns to praise their gods.

At Abydos and Saqqara tombs for the kings of the early dynasties were built in imitation of palaces or shrines. The large amounts of pottery, stonework, and ivory or bone carving found in these tombs attest to a high level of development in Early Dynastic Egypt. Hieroglyphic script (picture writing), the written form of the Egyptian language, was in the first stages of its evolution.