Eliot as Dramatist

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T.S. Eliot as a dramatist Introduction American-English poet, playwright, and critic, a leader of the modernist movement in literature. Eliot was awarded the Nobel Prize for literature in 1948. His most famous work is THE WASTE LAND, written when he was 34. On one level this highly complex poem descibes cultural and spiritual crisis. "The point of view which I am struggling to attack is perhaps related to the metaphysical theory of the substantial unity of the soul: for my meaning is, that the poet has, not a 'personality' to express, but a particular medium, which is only a medium and not a personality, in which impressions and experiences combine in peculiar and unexpected ways." (from 'Tradition and the Individual Talent,'…show more content…
In 1922 Eliot founded the Criterion, a quarterly review that he edited until he halted its publication at the beginning of World War II. With the help of Pound, who had raised money from friends and patrons, Eliot left the bank. In 1925 he joined the publishing house of Faber and Gwyer (later Faber and Faber), becoming eventually one of the firm's directors. Between the years 1917 and 1919, Eliot was an assistant editor of the journal the Egoist. From 1919 onward he was a regular contributor to the Times Literary Supplement. In the 60 years from 1905 to his death, Eliot published some 600 articles and reviews. Eliot's principal purpose in his literary-critical essays was "the elucidation of works of art and the correction of taste." He wanted to revive the appreciation of the 17th-century "Metaphysical poets," referring to such writers as Donne, Crashaw, Vaughan, Lord Herbert, and Cowley. He admitted that it is extremely difficult to define metaphysical poetry and decide what poets practiced it, but praised the complex mixture of intellect and passion that characterized their work. In the essay 'Religion and literature' (1935) Eliot stated that "literary criticism should be completed by criticism from a definite ethical and theological standpoint." Eliot's first marriage from 1915 with the ballet-dancer Vivienne Haigh-Wood turned out to be unhappy. She was temperamental, full of life, restless. Her arrival at menstruation brought extreme mood
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