Elizabeth Barrett Browning Discontent

Elizabeth Barrett Browning was born on March 6, 1806, in Coxhoe Hall, Durham, England. She was the eldest of eleven children born of Edward and Mary Moulton-Barrett (DISCovering Authors). Her father was a “possessive and autocratic man loved by his children even though he rigidly controlled their lives” (Encyclopedia of World Biography). Although he forbid his daughters to marry, he always managed to encourage their scholarly pursuits (DISCovering Authors). Her mother, Mary Graham-Clarke, was a prosperous woman who earned their wealth from a sugar plantation in Jamaica (EXPLORING Poetry). When Elizabeth was “three years old, the family moved to Hope End in Herefordshire,, and she spent the next twenty-three years of her life in this

    I chose to compare and contrast two women authors from different literary time periods.  Elizabeth Barrett Browning (1806-1861) as a representative of the Victorian age (1832-1901) and Virginia Woolf (1882-1941) as the spokeswoman for the Modernist (1914-1939) mindset.  Being women in historical time periods that did not embrace the talents and gifts of women; they share many of the same issues and themes throughout their works - however, it is the age in which they wrote that shaped their expressions of these themes.  Although they lived only decades apart their worlds were remarkably different - their voices were muted or amplified according to the beat of society's drum.

The Sonnet sequence also involves the idea of identity with Barrett Browning coming to terms with her emerging sexuality and realisation of love. The sequence was written by Barrett Browning thus providing a personal voice to the sonnets allowing a portrayal of the sequence of events of her personal identity and expression of love. Throughout the sonnet sequence Browning develops a stronger sense and realisation of her love for Robert, hence shaping her identity. By sonnet 43 a series of elements introduced by the simple phrase “I love thee” where the repetition intensifies the affirmation, she declares that her love is free and pure and possesses passion. Most importantly Browning now holds a sense of identity as she has achieved her idealized type of love.

In Elizabeth Barrett Browning’s letter in the direction of Napoleon III regarding the banishment of the French creator Victor Hugo, she used many exceptional strategies to try and pardon Hugo. some of tries encompass Browning trying to belittle Napoleon and using sarcasm about how she thinks he's a robust chief but then gives his terrible movements. near the cease of the letter, however, Browning includes her admiration in the direction of Napoleon III. on this letter, Browning has more than one records and other points wherein she will use to counter Napoleon’s emotions dealing with victor Hugo. The English poet, Elizabeth Barrett Browning honestly uses exceptional rhetorical techniques to petition Napoleon.

In Aurora Leigh, Elizabeth Barrett Browning creates an independent, intelligent young woman. Barrett Browning successfully demonstrates the difficult obstacles women had to overcome in the Victorian period. There were preconceived ideas of what "proper" women were suppose to do with their life. Not that this idea has completely been surmounted in our time. Barrett Browning though is optimistic about the goals women can achieve. She wants to demonstrate to women that belief in themselves and their dreams is possible and preferable to the standard.

Robert Browning uses descriptive details to portray a theme of how darkness rises from warmth and happiness by showing us on how a man’s love for someone makes him turn to savagery. The narrator of the poem has very deep feelings for his lover, but he only thinks of himself and he never wants the girl to leave his side so he does the unthinkable. In the times that the girl was not home or was not with the narrator then there was coldness and darkness, but when she was with the man then the house would “blaze up, and all the cottage warm”. She created hope and the narrator needed that constantly, so he realized that his love was too strong to put on hold everyday when she would leave. The fact that the narrator had to watch his lover leave everyday

     Elizabeth Barrett Browning was a plain woman of the Victorian Era that was most remarkably gifted. She “was destined to become known to the world”(Preston xi). Elizabeth Barrett Browning became known for her poetry, because she showed marriages were her women character were often left emotionally unstable.

An enormous wave crashes into your boat nearly tipping it. The howling wind tosses the boat from side to side. Lightning strikes the stern sending you into darkness. The next morning you wake up to a calm, quiet sea ready for smooth sailing. Somedays the water is perfectly still making for easy travel, yet other days you have to endure a restless, unforgiving sea. This is how the road of life is perceived. The seas my father has conquered has taught me that life isn’t always smooth sailing.

The swimmer finds himself past the point of no return in the quest, so to speak, and at the mercy of whatever he encounters, such as the shark Connelly suggests in the imagery of the last stanza. Finally, Connelly ended the poem by writing “But what we own beyond a shadow of a doubt is our fear of being eaten alive, torn apart in depths we have entered willingly” (20-27). This part of the metaphor uses the violent image of being attacked by a shark to represent the severity of our encounter with the sublime. In the quest for the ideal the only thing we can be certain of is that it will not be easy and the uncertainty of what will be there waiting for you. The shark in the ocean’s depth is an apppropriate symbol for the sublime as defined by Rousseau’s explanation of Kant’s philosophy: “something that is fearful and incomprehensible that one wants to resist” (“Kant’s Beauty and the Sublime” 1).

Elizabeth Barrett Browning's "How Do I love thee?" This poem by Elizabeth Barrett Browning is one of many she penned for her husband Robert Browning. Using the basic form of an Italian sonnet with its fourteen lines and strict rhyme scheme - she manages to produce a surprisingly passionate poem.

Elizabeth Barrett Moulton-Barrett was born March 6, 1806 in Durham, England to Edward Barrett Moulton-Barrett and Mary Graham Clarke. She was the eldest of twelve. Her father made the family fortune from a sugar plantation. In 1809, the Barretts moved to an estate called Hope End in England. Elizabeth Barrett’s childhood was spent happily at the family’s home in England. She had no formal education, learning solely from her brother’s tutor and from her continuous reading. She managed over the years to learn Greek, Latin, Hebrew, French, Italian, German, and Spanish. She learned rapidly and began writing at an early age.

In “Aurora Leigh,” Aurora decides she will not marry her cousin Romney because not only she not love him, but she also does not want to be held down by him. Women at the time were seen as the property of their husbands; thus, Browning felt that unless they dauntlessly rebelled against the constraints of the patriarchal society, women would be stuck in the same perpetual state of tyranny. With the help of her poetry, Elizabeth Barrett Browning was able to transform the opinions of many and bring social change to an era which, so desperately needed it.

The poem “A Poison Tree” by William Blake discusses human nature’s true form. Someone who is furious with a friend would obviously want to mend the friendship, so they let their anger simmer. However, someone who is upset with an enemy has no reason to tell him or herself to not be mad because all they are to you is an enemy. Therefore, your hatred eventually takes over and you do something dreadful. This literary composition shows the readers how anger can take a toll in two different directions. The poet writes with such ease, that it makes us readers believe he’s gone through it already.

When I was a little girl at early of my age, I spent a wonderful time with my grandma near a sea in my hometown during the last two months of her life. That was the first time we saw the smile back to her face since we got the news that she got intestine cancer. Back to that time I was deeply impressed by how being around the sea was capable to change people’s emotion in such a positive way. The poet, Pablo Neruda, in his poem “The Sea” illustrates how the sea teaches a trapped man a lesson on how to be released from struggling to find freedom and happiness. The three crucial poem-writing elements, sound, structure, and figurative language make the power of sea more vivid just like a picture we could see and have physical feelings about. And when we try to get a deeper understanding of the poem, it is the sound that we hear first.

Elizabeth Barrett Browning's poetry has been the subject of much criticism. Her elusive style prompted many critics to question Barrett's method of writing. In fact, some critics, like Alethea Hayter, go so far as to propose that an "honest critique of her work must admit that she often wrote very bad poetry indeed" (15). Accusations against Barrett's work were often targeted at her tendency for anonymity, her excessive development of thoughts, unsuccessful forced rhymes, and more often than any other of her familiarities, her tendency to create her own words. Despite being relatively shunned by the world of poetry, Barrett persisted in writing poetry, even though the majority of her writing