Eminem Conventions

In the book “Decoded,” rapper and businessman Jay-Z describes the emergence of hip hop culture while sharing his childhood memories, life challenges, and passions. Along with Jay-Z’s personal narrative, he provides an explanation for his song lyrics to educate readers about hip hop’s importance, his life, and national issues. Thus, he creates several arguments about hip hop’s purpose in the music industry. Two of Jay-Z’s main arguments consisted of hip hop being a form of art and the story of a hustler. This is especially true when considering how Jay-Z defines hip hop, analyzes supporting evidence, and interprets rap lyrics.

In the essay, “Hip-Hop’s Betrayal Of Black Women”(221), by Jennifer McLune, she vents her feelings regarding hip-hop songs that are rhythmically diminishing the value of black women. She provides example on how the lyrics are being voiced and how hip-hop artists do not seem to care. Kevin Powell in “Notes of a Hip Hop Head” writes, “Indeed, like rock and roll, hip-hop sometimes makes you think we men don’t like women much at all, except to objectify them as trophy pieces or, as contemporary vernacular mandates, as baby mommas, chicken heads, or bitches” (221). There have been apologizes for what the rappers have said but nothing to resolve the dehumanization of black women. McLune informs the readers that hip-hop singers belittle black women and make them invisible. Jay-Z, a popular hip-hop artist is brought to center stage by McLune. The essay shows the example of a part of Jay-Z song that says, “I pimp hard on a trick, look Fuck if your leg broke bitch hop on your good foot” (222). This lyric is a perfect example of how hip-hop artist have no remorse in the words they sing. The hurt feelings and loss of self-esteem black women suffer, is of no concern to the rappers. McLune expresses that those who are underground hip-hop artist follow the footsteps on being sexist and using crude words in their lyrics just because they yearn and dream of being in the spotlight. Upcoming rappers want to be loved like Jay-Z and other famous notorious rappers.

McBride begins the essay by telling the readers of his nightmare. He once feared that his daughter would arrive home one day with a stereotyped rapper husband with “ mouthful of gold teeth, a do-rag on his head… and a thug attitude” (McBride 1). He came to realize that he in fact, hip-hop, a genre that he once didn’t believe was music, had become one of the most known genres in the world. The speaker first heard his first rap song at a college party in Harlem in 1980. The jazz lover he was, cringed at the rap music he claimed to be so poorly thought out and written. For the next 26 years of his life, he went out of his way to avoid hip-hop music all together, as if It was never there in the first place.

“Rap is poetry” (xii). To any avid fan of the genre, it is a statement that seems obvious. The words could easily be the musings of a listener first introduced to the art form, not the focal point of an entire work of contemporary criticism. Yet in Book of Rhymes: The Poetics of Hip Hop, Adam Bradley’s primary focus is this very point, the recognition of traditional poetic elements within rap music. With the global cultural and economic phenomenon that hip hop has become, it is easy to forget that the style of music is barely thirty years old, that scholarly criticism of it has existed for only half of that time. When viewed within this relatively new arena of scholarship, the importance of Bradley’s text is

For many years, the youth have been known for singing along to their favorite song and taking that song as whole and using it as their motto for life. It may seem that sometimes these kids do not know what is being said in the music but this shows that they do know what the lyrics are saying. According to Franklin B. Krohn and Frances L. Suazo in their article “Contemporary Urban Music: Controversial Messages in Hip-Hop and Rap Lyrics,” many teenagers and minority groups view rappers as their spokesmen because of their ability to speak in street language and bluntly express their frustration (Krohn, 1995). Unfortunately, hip hop lyrics usually tend to talk about drugs, sex and violence leading kids to think that everything they hear is okay and that is how they have to live their life. Yet, there are artists out there who take their lyricist skills to give positive lyrics and messages in their music, but these songs are not often played in the mainstream.

When faced with the decision of which pop song really stood out to me during my youth and adolescent years, the song “Lose Yourself” by Eminem immediately came across my mind. From listening to this song during soccer game warm ups, to quietly being indulged in my own headphones while studying for high school exams, this song was like no other in my ITunes library. On top of its amazing use of musical elements, I especially love this song because of its connection to certain socio historical factors and the pure raw meaning behind its lyrics. Although the reaction to this song was quite mixed, and stirred a lot controversy, it was the most defining rap song of the early 2000s. While sitting at my seat pondering about this piece, it brought

Even though critics are very quick to point out the vehement and intense lyrics of some Hip-Hop artists, they are ultimately missing the point of their message. Similar to other different forms of music, Hip-Hop and rap cannot be understood unless it is studied and analyzed

Rap music appeared as a cultural aesthetic expression of inner city African-American juveniles in the Bronx, New York, during the late 1970s. Rap is sometimes referred to as street youth poetry, who are often neglected according to their class and race (Adams and Fuller 939). According to Tricia Rose, “Hip Hop is a cultural form that attempts to negotiate the experiences of marginalization, brutality, truncated opportunity, and oppression within the

With things, such as explicit lyrics and depiction of women, drugs, and violence an assumption can be made that gangster rap represents a masculinity that rappers portray themselves as in their songs. Dating back to its origins, African Americans had always been the face of gangster rap, with such names like Tupac, Biggie, Jay-Z, DMX, and much more, as covers of rap magazines. Gangster rap had always been seen as what people interpret it to be and that is a raw rhythmic and explicit version of poetry in motion, but gangster rap depicts more than what people interpret it to be. Gangster rap depicts the image of how a strong African American male should look like, a bold, angry, rebellious, and fierce man. Strong African American males are subjective to gangster rap, mainly because of how gangster rap portrays masculinity. In “Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Muscic” Oware argues that although gangster rap music portrays the masculinity of African American males through the use of hyper masculinity, misogyny, and violence in lyrics, gangster rap music also provides a way for rappers to express themselves to commemorate their fellow friends through lyrics that depict family/friend relationships, success by association, and have a tribute for lost friends.

There are various amounts of strengths throughout this article. The first strength seen is that is analyzes thirty-eight songs of diverse types of rap such as “gangsta, materialistic, positive, and pop,” (Tyree et al., 2015, 63). Another strength was the type of analysis used, textual analysis which aided in the interpretation of the lyrics of each song. Continuingly, the researchers also used a thematic analysis which helps define patterns present within “conversation topics, vocabulary, recurring activities, meanings, feelings, or folk sayings and proverbs,” (Tyree et al., 2015, pp. 64-65). Using these analyses allowed the researchers to find the presence of stereotypes or misogynistic language in the lyrics. With every strength come weaknesses

From it's inception, rap indured a lot of hostility from listeners--many, but not all, White--who found the music too harsh, monotonous, and lacking in traditional melodic values. However, millions of others--often, though not always, young African-Americans from underprivileged inner city backgrounds--found and immediate connection with the style. Here was poetry of the

Marshall Mathers, better known as Eminem, is recognized for his work as a rap artist who is able to connect with his audience through humor and rhythmically dicey lyrics. Eminem’s “My Name Is” music video is able signify whiteness and rearticulate race with the use intertextual editing techniques that parody common representations of whiteness. Eminem is using his “My Name Is” video as an approach to solidify his style of rapping and thus create new political and cultural authenticities that entice questions of race representation in the 1990’s and beyond. (Kajikawa).

Marshall Mathers, widely known as Eminem, is an American rapper, record producer, and actor, who is recognized as one of the most controversial and best-selling artists of the early 21st century (“Eminem”). Marshall writes most of his lyrics through his personal life experiences while adding a comical “I don’t give a S***” vibe to them. He struggled through a rough and lonely childhood, had relationship issues, became a father at a young age, and worked hard with dedication and persistence to get where he is today.

Youngster gave Eminem credit for keeping it genuine in light of the fact that his melodies are all in light of reality. Holloway states, “He’s rapping about life—you know, stuff that we go through here. Some of it’s a goof, but some of it‘s real and sounds like it comes from the heart, you know. A lot of can relate to that” (Holloway 144) It is vital for lyrics to be reality based because many individuals use music as a type of treatment. Reality based music is all the more fascinating and can snatch the consideration of the audience. What is more, regarding non reality lyrics the melody can be amusing to listen to, yet it truly has no intending to it is only a fun tune. A few melodies don't have reality based lyrics behind them, yet that

Throughout history, music has been used to express the feelings of people or groups whom may have no other outlet to express themselves. The best example of this occurrence would be the lower class of America’s use of rap music. Rap music started out as a fun variation of disco with the purpose to make people dance and enjoy themselves, but it later transformed into one of the best outlets to express the struggles of poverty in the United States. The genre gained popularity when the song “Rapper 's Delight” hit the charts in the early eighties; rap evolved into a plethora of different styles from there, Gangster Rap formed with NWA in the late eighties, and rap really hit it’s zenith in the mid nineties. Modern rap began in the early starts of the twentieth century. Because of the storytelling that rappers do in the music, it gained notice in the inner city where the demographic could relate. Many young teen in the inner city environment built dream to be famous rappers just like their own favorite artists . Rap connects to me by its style, its purpose, and its political incorrectness.