Esperanza's Expectations Of Women In The House On Mango Street

In Sandra Cisnero’s novella, The House on Mango Street, Esperanza sees the importance of learning about her sexuality as she is growing up from her childhood to adolescence. In the first vignette, “The Family of Little Feet,” Esperanza and her two other friends receive three pairs of “dancing shoes” which they all are excited about. They get the idea to put them on and walk around town showing off how beautiful the shoes are. They feel good and special in front of everyone up until Mr. Benny at the grocery store notices the girls and asks, “Your mother know you got shoes like that? Them are dangerous. You girls too young to be wearing shoes like that. Take them shoes off before I call the cops” he threatens (41). At first, Esperanza and her friends don’t pay attention to what Mr. Benny

As a young girl, Esperanza is a young girl who looks at life from experience of living in poverty, where many do not question their experience. She is a shy, but very bright girl. She dreams of the perfect home, with beautiful flowers and a room for everyone. When she moves to the house of Mango Street, reality is so different than the dream. In this story, hope (Esperanza) sustains tragedy. The house she dreamed of was another on. It was one of her own. One where she did not have to share a bedroom with everyone. That included her mother, father and two siblings. The run down tiny house has "bricks crumbling in places". The one she dreamed of had a great big yard, trees and 'grass growing without a fence'. She did not want to abandon

Esperanza says, “I put it down on paper and then the ghost does not ache so much. I write it down and Mango says goodbye sometimes. She does not hold me with both arms. She sets me free”( Cisneros 110). Esperanza tries to reassure herself by writing down that she will leave. The reassurance writing gives Esperanza is a form of freedom to her. Esperanza just wants to leave Mango Street but still return. Alicia says to Esperanza, “You must remember to come back for the ones who cannot leave as easily as you” (Cisneros 105). Esperanza realizes she is special and uses her education to get out of Mango Street. When Esperanza returns to help the ones who cannot leave as easily she will bring education back with her to share with all the women so they can also be free. Esperanza uses writing to make herself feel free from the roles forced upon her. She uses education to actually set herself free from society and one day comes back and give the women what they need to escape.

Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a

Throughout the course of Mango Street, Esperanza’s relationship towards her house change. As time passes her feelings about the house itself change and the emotional impact of the house of her changes as well. Esperanza’s house on Mango Street symbolizes her Mexican culture. For so long she has wanted to leave it. She envisions a different type of life than what she is used to - moving from house to house. “this house is going to be different / my life is going to be different”. One can look at all the things she envisions - the "trappings of the good life" such as the running water, the garden etc. as symbols for the new life.

Society has built a role for women. And there’s no better example of this idea than The House on Mango Street, in which Esperanza describes specific moments of her life which lead her to believe in women independence and feminism. She has different ideas and thoughts on the definition of women and what they should be. Esperanza doesn’t fit into the constructed definition Mango Street has of how women should be.

Esperanza’s insecurity about where she lives and how she lives is the conflict of the story. A tradition her father, Nenny, and herself has is going to the houses on the hills, she believes she looks like the hungry asking for food so she no longer goes. Esperanza is so ashamed of her house that when someone ask which house she lives in she denies living in those flats. She becomes aware of how poor her family is when she must go to work to help pay for private school, this encourages her to get out of the flats. Esperanza sets out to be able to support herself on her own and buy the house she has been dreaming of since she was little.

Lindsey Rietzsch once said “A negative attitude drains, a positive attitude energizes.” This quote means that having a negative attitude lowers your self versus having a positive attitude where is actually increases attitude and it energizes you by inspiring you. “The House on Mango Street” sets up in Chicago, where the narrator(Esperanza) lives on Mango Street. The House on Mango Street that Esperanza lives in is really bad condition and old. It is so small that the narrator has to share beds in the same room with her family. Esperanza begins to lower her self esteem because she does not like where she lives and every time when some asks, “Where do you live?” She wants a real house that she could point to and she thinks the House On Mango street is not. But later, along the times, Esperanza’s negativity of herself begins to slowly change by looking at nature and take a closer look at the environment she lives in. Cisnero shows that knowing and being able to accept where our background is from is an important part of growing in life also as determining the real you.

Esperanza had always desired a new home, but realizes Mango Street will always be a part of her. “I knew then I had to have a house. A real house. One I could point to. But this isn’t it” (5). At first Esperanza wanted an escape from Mango Street, she was embarrassed of where she came from. But as she grows as a person and is exposed to devastations in other people's lives around her, she realizes something much more ugly than just the looks of Mango Street. “You must keep writing. It will keep you free, and I said yes, but at that time I didn’t know what she meant” (61). Writing kept Esperanza free, and helped her cope with her problems. Esperanza later perceives why her aunt wanted her to continue writing, because not everyone had something to set them free from Mango Street. “They will not know I have gone away to come back. For the ones who cannot out”(110). Instead of leaving to never return, Esperanza realizes the women in her community have it

In the novel, “The House on Mango Street” by Sandra Cisneros, the main character Esperanza has many positive influences on her life. Hardships do not define one’s life either in a mental or physical capacity. Throughout the novel, Esperanza’s grandmother, Marin, and Rosa Vargas enable her to overcome the hardships of becoming a woman.

Esperanza is a shy but a very bright girl. She dreams of the perfect home now, with beautiful flowers in their luscious garden and a room for everyone to live in comfortably all because of the unsatisfied face the nun made that one afternoon--when she moves to the house of Mango Street. She thinks it’s going to be a “grand house on a hill that will have a bedroom for everyone and at least three washrooms so when they took a bath they would not have to tell everybody.” (Cinceros 4) Reality is so different for her when her dream is shot down in a heartbeat when she

Throughout most of Esperanza’s adolescence, she witnesses many members in her environment who would fall into the assumptions placed before them. The neighborhood she remembers most, Mango Street, is filled with many dysfunctional families and flawed people. Mango Street consists of many occupants, predominantly of Hispanic heritage, and the traditions of their culture heavily influence many aspects of the inhabitants’ lifestyles. Esperanza was nonetheless different from the social norms. She uses her knowledge and experience to overcome the difficult leaps of expectations. Despite this, limitations still exist and it is strenuous work to move past the conditions. Esperanza’s Hispanic heritage confines her from transcending the racial biases

Esperanza is led by the dream to leave Mango Street at once, nevertheless she knows that she will have to return one day to help and encourage all those who will fallen in the big hole of hopelessness. She can leave Mango Street but she can not escape

Clearly, Sandra Cisneros' writing style is one representative of a minority voice. Her amazing style allows her readers to take an active part in the minority experience. For this reason, I believe Cisneros has had a lot of influence and success in the status of minority writers, especially in the canon of what is read and taught in schools today. But, more than anything, Cisneros has shown that liberation can come through creativity and literature, and not just through geographical excursion.

The life of a woman is shaped by harsh expectations and social norms. This theme is explored In House on Mango Street by Sandra where Esperanza’s life is impacted by gender roles as she feels that women are demoralized, as is shown as she talks about how women are treated and says she doesn’t wish to live this kind of life following in the footsteps of women who don’t follow their dreams. Gender roles shape Esperanza’s identity because she feels demoralized by the harsh expectations of women proven by the way her community are treated.