Essay On Bop

stuff, so I don't listen to that genre all that much, but there are many

There are many differences between cool jazz and hard bop however both were reactions in the music world after the creation of the bebop style. Cool jazz had a greater emphasis on arranging and orchestration meaning it was written ahead of time, however the improvised solos were vital as well. Hard bop was not as orchestrated as cool jazz and also implemented the use of new long-playing formats to stretch out on extended solos, which a lot of the times were improvised. The instruments that were popular in cool jazz were very classical ones including the French horn, tuba, clarinet, oboe, saxophone, clarinet and trombones, as well as the rhythm section. The ensemble sizes of cool jazz were larger than hard bops ranging from trios to nonets. The instrumentation of hard bop style ensembles were much smaller with normally around only five musicians playing together. The bands for hard bop normally consisted of two or three horns as well as the rhythm section, and these bands produced rougher and heavier sounds together.

The standard big band sound of the late 1940s and 1950s was very laid back. Rhythmically, it was normal to play just behind the beat to create this relaxed feel, with a definite emphasis on the "swing" style. Swing music was usually composed of one melody played by one section of the band, and other sections, if playing at all, would play chord hits in different places. The function of the rhythm section is mostly to comp and stay out of the way. These bands usually stayed within either 3/4, 4/4, 2/2, or 2/4 time signatures. Kenton altered this system in many ways to create something fresh and progressive.

Miles Davis was a prominent musician, an innovative bandleader, and an influence to many musicians and musical styles. In the late 1940s, Miles Davis and Gil Evans were responsible for the Birth of Cool recordings which were recorded with part of the Thornhill band. The band was known as the Miles Davis Nonet or Birth of the Cool band. The band included lead trumpeter Miles Davis, alto saxophonist Lee Konitz, and baritone saxophonist Gerry Mulligan. The band’s rhythm section included a piano, bass, and drums, but it did not include a tenor saxophone or guitar. The band recorded the song “Boplicity”, “Moon Dreams”, and many others that were not released until the mid-1950s. The Miles Davis Nonet or Birth of the Cool band was categorized as

When the song was finally done, the quintet stopped for a bit to discuss which song that they would want to play next, which fit into the concert because Sherwood did say at the beginning of the concert that the entire concert would be improvised. Once they concluded together, Sherwood came back to the mic and explained that they will be doing a B-Bop version of Charlie Parker Ornithology. He then gave a bit of history of B-Bop, explaining that it is a song or songs written over older songs, to give them a new and refreshing sound to them. The song started off extremely powerful the drum coming forward as one of the main instruments being heard when the middle of the song came from everyone slowed down before only the drum was the only instrument to be heard by the audience. Clarke slowed down and created a new tempo, that almost seemed misplaced from the previous half of the song, once he started to gain the tempo from the previous half, all the other musicians started to join in along with the song, regaining speed matching the harmony that they had created at the beginning of the song.

Charlie had a lonely childhood due to his parents’ separation when he was just 7 years old. After his dad abandoned him, his mom bought Charlie a saxophone to cheer him up. His mom worked two to three jobs and while she worked at night, Charlie would walk around town and listen to jazz. At the age of 11, he was playing the saxophone. Since he didn’t have any formal training, Charlie taught himself by practicing up to 14 hours a day and memorizing records made by Lester Young. When he turned 14, he dropped out of high school and joined his first band and started experimenting different styles. He played remarkably fast lines, added lengthy unpredictable beats which later became known as Be-bop.

The emergence of Rock and Roll was one of the most pivotal moments of our nation’s history. The impact that this genre of music made is still evident in our culture. However, before this genre was able to gain momentum, it faced many cultural conflicts. The book, All Shook Up: How Rock ‘N’ Roll Changed America by Glenn C. Altschuler analyzes the impact that rock and roll music has made on American culture. It explores how the Rock and Roll culture was able to roughly integrate and later conflict with preceding cultural values. This is especially apparent in chapters regarding race and sexuality. Overall, Rock and Roll was extremely controversial amongst parents and educators. This new music genre was condemned by the previous generation as

The reason it’s probably called cool jazz is because it brought the energy down a level compared to bop. “In a macro sense, it describes a jazz musician whose performance style is restrained subdued, or understated when compared with “hot” taken in bebop” (Meadows 2003: 262). Some people consider cool jazz a reaction to bop, yet

During the 1950s many musicians began reacting to bebop and experimenting with it and trying to put their own twist to it. These jazz players were taking a cue from 1949 Miles Davis recording “Birth of the Cool,”

A few years later that jazz was born in 1930 another style was created and it is call swing. Also called the big band era because they used more instruments than early jazz. Why swing was the most popular style of jazz? The reason was because it gave people that swing feeling they wanted the one that made people dance.

The first piece of the Shake, Rattle and Roll concert was Overture to West Side Story. It is a short piece heard before the musical. It is also a modern day adaption of a classic named Romeo and Juliet that was made by William Shakespeare. This piece was written by Leonard Bernstein, he is known worldwide as the greatest musical talent to ever go on stage. Leonard is mostly known for his presence on the conductor’s podium.

The opposite of cool jazz was hard bop, which was played in the Eastern cities.

Cool Jazz has a slow tempo. Since it is a softer type of music it 's tone is soft and melodic. The beats per measure is very low. The performers of cool jazz try to keep the dynamics low and soft so that it kept its tempo and tune. Even though it originated from bebop it is much longer. The soft tones causes cool jazz to be played in clubs such as an intimate club.

Cool Jazz has a faster tempo than hard bop. Cool jazz is a lot more laid back and relaxed less improvisation. Cool jazz is associated with the west coast or California in the 1950’s and 1960’s. Hard bop is an extension of bebop just edgier which seems almost opposite of the easy going, laid back cool jazz. Hard bop is more attached to the east coast or New York where things are a little funkier, hard bop had a little more improvisation happening in the pieces. Hard bop comes across as more wild to me. Cool jazz was more “introverted” (Dr. Walton, notes, pg. 3) Examples of cool jazz artists would be Chet Baker, Stan Getz, Paul Desmond their work has great sound and tempo. Examples of hard bop jazz that was not “overly classical” like cool

I agree with you that people did not like bop because it was difficult to follow and dance to. I think it was a rebellious music, in which people tried to overthrew the traditional forms and pursued uncommon styles. But some techniques they used in the songs were usually outstanding. They created more complicated melodies and richer harmonies.