Essay On Design Should Be Formed Not Formed

Architecture is a physical manifestation of the needs and aspirations of a society and is determined by few factors – context, climate, environment, and socio-cultural aspects of a place or a region. It includes not only monumental and professionally designed monuments but also quaint residential structures built by craftsmen and lay people for their own use. It includes the interrelationships of the built and open spaces within the larger landscape. (Tipnis, 2012)

This essay will focus on how those works are informed by both regional and international course. In this context, Sydney Ancher and his strong Miesian simplicity as well as Peter Muller’s affinity with Frank Lloyd Wright’s organic architecture principle.

In the essay entitled “Structure, Construction, and Tectonics,” Eduard Sekler defined tectonics in architecture as an observable expression which cannot be explained in terms of structure and construction

The hype of creating the tallest building has led to a new type of of architecture. This architecture has various other driving force. These driving forces has started a tug of war across the

As writer, interior designer, educator, and American architect Frank Lloyd Wright once said, “The mother art is architecture. Without an architecture of our own we have no soul of our own civilization” (BrainyQuote). The purpose of this paper will deal with the description of...

Architecture should be nurturing, responsive and alive, dynamically shifting spatial balances, organically expressive forms, subtly luminous colors and biologically healthy. To achieve such life-enhancing architecture, it has to address all the body senses simultaneously and fuse our image of self with experience of the world. By strengthening our sense of self and reality, architecture serves its all-important function of accommodation and

Unit 2 Written Assignment AHIST 1401 UoPeople Abstract This essay will discuss the style and function of the Parthenon located in Athens and the Pantheon in Rome and how each serve as a typical example of its culture. The similarities and differences between ancient Greece and Rome that are seen in these two buildings will also be discussed.

Architecture is more than a compilation of materials assembled to create a building. Rather, architecture is greater than the sum of its individual building components, it is a structural system (Hurrol 2015, Rappaport 2012). The quintessential elements of architecture – masses, frames and planes – provide limitless opportunities for the creation of form and the articulation of space (Eckler 2012). The assembly of the mass, frame and plane uses one of two antithetic construction orders; stereometrics and tectonics. Stereometric construction utilises “the repetitious piling up of heavyweight elements” (Frampton 1995, 5). Heavy, telluric and searching for light; the stereometric structure resembles a cave (Baeza 2009). In contrast, tectonic constructions

Architectural works have been conceived from ingenuity and principles accumulated since the dawn of time when we lived in primitive caves and sought shelter for survival. Architects interpret these conventions and use the physical environment to bring them to life using tectonic and stereotomic expression. Tectonics is defined as “The science, or the art, by which implements, vessels, dwellings, or other edifices, are constructed" ("Tectonics" 1913). Baeza (2009) further explains tectonics architecture to be “a structural system of knots and joints in which the construction is articulated”. Conversely, Francesco Cacciatore describes stereotomics as “the gradual removal of matter from an initial shape” (Cacciatore 2011). Stereotomic and tectonics

In the novel, “Architecture” by Jonathan Glancey discusses the beginning of Architecture and how much Architecture has grown over the past years. In his book, he tries to inform and educate readers and other architects about the old and new styles that we are using today and how they were used during the 1880s. Glancey purpose was to apprise people about the different styles and techniques that are used around the world for architecture. Furthermore, he wants people to know how those different styles are being implemented to our buildings and our designs today. Glancey wants everyone to have more information about architecture, so they can formulate their own ideas and manufacture what they want to build. This book informs us about the different uses of materials that they use for architecture around the world such as plastic reinforced with glass to columns, floor plans, poche, brick, stone, wood, and much more.

But the idea does not just end here. As architects we can and will take this even further. Imagine an additional volume to this gigantic structure never defined before. Imagine this volume to be defined as layers,

Unconventional design concepts and material use that incorporate the use of science, technology and nature were a key development during this time period. “In Hitchcock's words, Paxton's scheme ‘owed its aesthetic qualities to factors hitherto unrecognised — the repetition of units manufactured in series, the functional lace-like patterns of criss-cross trusses, the transparent definition of space, the total elimination of mass and the sense of tensile, almost live, strength as opposed to the solid and gravitational quality of previous masonry architecture’” (Mordant Crook 1987, p.107). This suggests Paxton was challenging traditional architecture of the period, offering a fresh perspective. The

Before the beginning of the 19th century, building structures were only thought of as assembled constructs. Where the design and aesthetic of them were dictated by the utilization and boundary conditions. Towards the start of the 19th century, the knowledge and understanding of engineers changed due to the establishment of technical colleges around the world. "When science found its way into the building practice, there was a shift initiated that, besides some other technical innovations, also brought a whole new view of structures and how they were developed" (Rinke and Kotnik 2010). A more science-based view on the structural aspects of truss design marks the transition from a craftsmanship-orientated construction to a theory-oriented construction. This made the design of trusses and all structures more rational, systematic and highly efficient.

Architecture is often mistaken as purely an art form, when in actually it is where art and engineering or art and practicality meet. For example, painting is an art, when preformed well it yields a beautiful picture that evokes a deep human reaction and brings pleasure to its viewer, however this painting provides no function, it cannot shield us from the rain or protect us from the wind or snow, it is purely form. An insulated aluminum shed provides shelter and protection from Mother Nature; however, it is a purely functional building, it was drawn by an engineer, not conceived by an artist to have form. The culmination of form and function is Architecture, the Greeks and Romans fathered this idea and Palladio’s study of roman architecture taught him his valuable truth.

“ Architecture organizes and structures space for us, and its interiors and the objects enclosing and inhabiting its rooms can facilitate or inhibit our activities by the way they use this language”(Lawson pg.6).