Essay On Feminine Beauty

The Beauty Myth’s central argument is the growing standards of physical beauty of women as they grow stronger. This standard has affected women in many ways, such as in the workplace, culture, and religion. The standard has taken over the work of social harassment. The beauty myth expands the belief an unbiased measurement of beauty exists and that women want to express it and men would want that women. The author, Naomi Wolf, states that the beauty myth is not about women themselves, it is about the power of men and their society. The myth supplies power to multibillion dollar cosmetics industries and it keeps women from rising too high in the workplace. Within this book, Wolf shows how the beauty myth functions and affects women in the workplace, media, sex, religion, culture, violence against women by men, and by women themselves in the configuration of cosmetic surgery and eating disorders.

As of recently, the media has been flooded with positive interpretations of beauty standards all over the world. According to various sources, beauty ideals, in women especially, are socially constructed in order to judge a person’s value based on physical attractiveness; therefore, it is highly encouraged that people pay attention to their looks and take care of themselves, in order for others to create a positive first impression of one’s character. It is no secret that beauty standards vary from one culture to the next and it is difficult to establish a universal principle of what is considered beautiful. Many countries’ ideals contrast one another and, as a result, allow for stereotypes to emerge. This is the case between American

The beauty standard is a culturally constructed notion of physical attractiveness that has become increasingly imperative for women and men. However, this standard has become extremely perilous to men and women’s self-image. Camille Paglia, a highly educated individual who earned her PhD at Yale University and became a highly acclaimed author, explicates this conception in her essay “The Pitfalls of Plastic Surgery”. Paglia suggests that the beauty standard idealizes women to look like “sex symbols with an unattainable grandeur” (776). She continues to claim that it forces her audience of higher class women to pay large sums of money in order to alter their features ultimately conforming to a very “parochial” definition of beauty (776). Although Paglia is a highly credible source, she illogically appeals to the reader’s fears in order to persuade them. Paglia fails to give any credible outside sources which affirms her preposterous beliefs. Contrary to her inconsistencies, Daniel Akst, a social journalist and graduate from New York University provides his audience with reputable sources in order to persuade his audience. Daniel Akst believes that there needs to be a “democratization of physical beauty” in which instead of attempting to alter the beauty standard, we must first change how we view ourselves. Akst provides credible sources to establish his credibility where he observes cases studies and cultural experiments from scientists and organizations including:

In recent years, historians and scholars, specifically Susannah Walker, Noliwe Rooks, and Amoaba Gooden, have begun to assiduously examine African American beauty culture from a racial and gender perspective. Accordingly, these historians and scholars now suggest that African American beauty culture was profoundly influenced by the racial and gender politics of the early twentieth-century time period. For example, in her book titled Style & Status: Selling Beauty to African American Women, 1920-1975, historian Susannah Walker asserts that African American beauty culture was distinctly unique from other forms of beauty culture because it “explicitly reflected and articulated twentieth-century racial politics in the United States.” Similarly, Amoaba Gooden, a pan-African studies professor at Kent State University, surmises that racialized notions of feminine

Throughout many decades, African American women have been able to set their own standards of beauty. Lonnae Parker, a writer for The Washington Post, states in her article Black women heavier and happier with their bodies than white women, poll finds, that “Freed from that high-powered media gaze, generations of black women have fashioned their own definitions of beauty with major assists from literature, music, and help from their friends” (Parker, 2012). The importance of this quote is that they were getting help from their culture, the music and literature is essentially the culture that helped them to define their own standards of beauty. By being isolated

Today's culture is one dominated by the media. People, especially young, impressionable females, are bombarded with images of “beautiful” and “desirable” women; these “sexy” women are lacking modest clothing, wearing copious amounts of make up, and are content to be viewed as objects, particularly by members of the opposite gender. In a society where the vision of true beauty has been distorted to such an extreme, fairytales serve as a reminder of the value of a beautiful

The Beauty Myth is the last (and most dangerous) of a long line of lies concerning the "rules" of feminine attributes and behavior. It is the most dangerous because it has succeeded in effecting women's internal sense of themselves. It has created a standard of

Feeling beautiful deals with many factors but it has become incumbent with focus being placed on the physical aspects of person Una Marson writes about beauty and how it drives many women into changing their features and making those features fit into the standard of beauty. Her poem, “Kinky Haired Blues” speaks about that notion, of women wanting to assimilate to what the norm is. Specifically women of ethnic minorities, she talks more about Black Women and the pressure for them to bleach their skin and to iron their hair. Matters such as race are at forefront of the issues in her society and of the society we currently live in today. Una Marson’s poem “Kinky Hair Blues” speaks to the idea of beauty and the standard of beauty. And how many

In Yearning for Lightness: Transnational Circuits in the Marketing and Consumption of Skin Lighteners, Evelyn Nakano Glenn examines how western civilization has dominated the world through the notion of skin color. All over the world lighter, whiter, skin is seen as a way to “raise one’s status” whether it is in the work place or in finding a potential life mate. This is mostly seen in women in the continents of Africa and Asia and in Latin America, where the women are hit with the double whammy of being a women, which is seen as less competent, and not being white, which is not being beautiful and not being competent. Because seems that Caucasian majority countries are more well off and there are more successful and established Caucasians throughout the world than any other race, being more like a Caucasian seems to mean that you get privileges similar to them called “light-skinned privilege”. Based on the ideals, most of those in my neighborhood could never be successful because we aren’t visually appealing and we aren’t as competent

As a consequence of history and European standards of beauty upheld in society black women are conditioned to loathe attributes “distinctive to their race” which, therefore, leads to low self-esteem. Black women today have a plethora of advertisements thrown at them that white-wash, body shame, and encourage them to assimilate to European standards of beauty for example straightening their hair which ultimately alters a woman’s outlook on self.

“You would look so much prettier with your hair straight!” is a comment my sister of mixed descent has been receiving from her classmates since childhood. Straight hair is a Eurocentric beauty standard that has been pushed onto my lighter skinned sister for most of her life. I am of a darker complexion however and therefore am complimented often on my naturally curly hair. This leads to the question; do black beauty standards differ from white ones? The answer to this query is explored in Maxine Craig’s work Ain’t I a Beauty Queen? She claims that in many regards, though not all, the answer is yes. While Craig does a good job of defining the historical moments that lead to black beauty standards today, she lacks an explanation as to why darker skin tones are stigmatized the way they are and neither does she factor in how many people consider personality when determining beauty.

Being a woman this heightens my social awareness as how others perceive me. Society dictates ‘the body beautiful’. Magazines, Bill-boards, TV and newspapers constantly suggest the need to have a perfect complexion. This influences

It 's not a mystery that society 's ideals of beauty have a drastic and frightening effect on women. Popular culture frequently tells society, what is supposed to recognize and accept as beauty, and even though beauty is a concept that differs on all cultures and modifies over time, society continues to set great importance on what beautiful means and the significance of achieving it; consequently, most women aspire to achieve beauty, occasionally without measuring the consequences on their emotional or physical being. Unrealistic beauty standards are causing tremendous damage to society, a growing crisis where popular culture conveys the message that external beauty is the most significant characteristic women can have. The approval of prototypes where women are presented as a beautiful object or the winner of a beauty contest by evaluating mostly their physical attractiveness creates a faulty society, causing numerous negative effects; however, some of the most apparent consequences young and adult women encounter by beauty standards, can manifest as body dissatisfaction, eating disorders that put women’s life in danger, professional disadvantage, and economic difficulty.

In fairy tales, there is nothing worse for a female character than being ugly and this is reflected in the beauty myth that women face outside fairy tales as well. Fairy tales equate a woman’s worth with her beauty. Americans do this as well by pitting beauty against internal traits and individuality. In doing this, women continue to receive their beauty myths from men, compete with other women and pass these unreachable beauty standards onto the next generation of women.

The article proposes that there is a positive relationship between beauty and labour market earnings and the impact of beauty is higher for men than women. However, the article fails to answer an important question: is the impact of beauty due to pure discrimination or