The process of procuring the governess position at Thornfield Hall is the moment that Jane Eyre steps into a further level of independence that defies the Victorian standards of the time period for women (Godfrey 857). From the moment that Jane posts her advertisement in the Shire Herald, she seizes the possession of her life by her ambition to rise into a higher social class and rely simply own her own ability free from reliance on others (Brontë 694; Vanden Bossche 47). The desire for this step and the eventual successful “advancement from her position as teacher at Lowood to private governess” is crucial in Jane Eyre’s journey to complete independence as it is through this transition that Jane undergoes a shift in social status (Godfrey …show more content…
However, this respect is not completely in harmony with the Victorian expectations, resulting from her inferior position as a female breaking into the middle class, as she quickly establishes that Mr. Rochester does not possess the “right to command [her] merely because [Mr. Rochester is] older” or because he has “seen more of the world;” Jane believes that Mr. Rochester’s social hierarchy and life experience does not provide him with superiority (Stoneman 36; Brontë 729). Although Jane’s early time in Thornfield demonstrates a continuous progress in the protagonist’s journey towards independence, the moment that she falls in love with Mr. Rochester this advancement almost reaches a standstill as she accepts his marriage proposal (Brontë 816).
Mr. Rochester, Jane Eyre’s employer at Thornfield as the benefactor of Adele the little girl that Jane tutors and cares for as a governess, is the only obstacle that Brontë’s protagonist faces, one that causes her to waver for an instance in her journey towards independence. As Jane accepts Mr. Rochester’s marriage proposal, she independent choice seems to be in accordance with the impulses for a typical marriage during the Victorian era, to marry based on financial and social status benefits; however her true motive stems from her sincere love for Mr. Rochester and her choice is not effected by social or economic ambitions (Ayyildiz 150). Jane is adamant in her self-perseverance to
“Jane’s relationship with Rochester in the early part of the novel is based not on love but control, manipulation and secrecy. She does well to escape”
We first encounter this relationship between Jane and Rochester during their first dramatic meeting. She encounters him when he falls off his horse and she is required to give him assistance. Jane’s first impression of his face is that ‘He had a dark face, with stern features and a heavy brow’. This may portray the dimness in his face awaiting to be enlightened by a woman which, in this case Jane. Further on in this chapter, unaware of who he is, on her return home, Jane is amazed to discover that the gentleman she assisted in the road was her employer, Mr. Edward Rochester. Jane’s future relationship with Rochester is most clearly set out in their first meeting. Although without any money, reserved and socially dependent, Jane is not
When Jane enters Thornfield she thinks she is going to work for a woman named Mrs. Fairfax, but she does not. She works for a mysterious man name Mr. Rochester. This man is going to be an import aspect of Jane’s life. Jane works as a governess to a young girl named Adele. Jane encounters Mr. Rochester when she goes for a walk and runs into Rochester, whose horse is injured. After the encounter Jane and Rochester start to gain interest into each other. Mr. Rochester is a man with a large amount of money and Jane is a woman with very little money, the fact that she works for Mr. Rochester defies their unprofessional relationship. “Like governesses, these marriages between older men and younger women were viewed with great ambivalence during the Victorian period”(Godfrey). Both characters develop strong feelings for one another and become close to getting married but a discovery of a secret puts the marriage to a halt. After
Through a close reading of the selected passage of Charlotte Brontë’s Jane Eyre: An Autobiography, a reader can see that Jane attempts to separate herself from her decisions by personifying her emotions and giving them a specific voice, which strongly reflects the societal views of the time. At this point in the story, Jane has discovered, on her wedding day, that Mr. Rochester is still married to a woman named Bertha, and that woman still lives in his house. Distraught, Jane locks herself in her room and tries to decide what she should do. When she wakes up the next day, she is again confronted with what she needs to do in the wake of her discovery.
Though Jane is well educated and possesses the etiquette and training of a person in upper class society, social prejudices limit her because she is simply a paid servant, in their eyes. While at Thornfield, Jane falls desperately in love with the owner of Thornfield Hall, Mr. Rochester. Jane is Mr. Rochester’s intellectual contemporary, but her social status prevents her from being his true equal. In the novel, Jane proclaims, “Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!—I have as much soul as you,—and full as much heart!” (Bronte 637). After Mr. Rochester finally proposes, Jane is hesitant to marry him because she feels as if he would be lowering himself to marry her. This feeling greatly increases after Jane discovers he is married to Bertha Mason, and that he keeps her locked away in Thornfield’s attic due to her insanity. Mr. Rochester proposes that Jane becomes his mistress, which, according to Victorian society, would be more fitting since Jane is a plain governess. Jane realizes that she can never compromise her morals that way and leaves Thornfield. While on her own, Jane still strives to gain independence, discovers new kin, and learns she has a wealthy uncle who has left her a large inheritance. After her loneliness and longing for Mr. Rochester becomes too great, she returns to Thornfield. Jane is
Before she can become Rochester 's wife, Jane must prove her acceptability based on class. Does she have an upper-class sensibility, despite her inferior position at Thornfield? For example, when Bessie sees Jane at Lowood, she is impressed because Jane has become "quite a lady"; in fact, her accomplishments surpass that of her cousins, yet they are still considered her social superiors based solely on wealth. The conversation emphasizes the ambiguities of Jane 's family 's class status and of the class system in general: Should a lady be judged based on academic accomplishments, money, or family name? The novel critiques the behavior of most of the upper-class characters Jane meets: Blanche Ingram is haughty and superficial, John Reed is debauched, and Eliza Reed is inhumanely cold. Rochester is a primary example of upper-class debauchery, with his series of mistresses and his attempt to make Jane a member of the harem. In her final view of Thornfield, after Bertha has burned it down, Jane
Ultimately, the relationship of Jane Eyre and Edward Rochester consists of each on being the guiding light, or literal sight, for the other. Rochester becomes the happiness in Jane’s life and depends on her to lead him by the hand through his darkness, or actual blindness. Their love together is the bright light in their relationship that will face constant scorn and derision for its age gap, partial disability, and station
Mr. Rochester begs that Jane understand his motives, explaining to her the history of his family, and urging Jane to stay with him. However, an inner voice tells Jane to resist the temptations to be Rochester’s mistress. Despite her desire to live with Mr. Rochester and pursue a relationship with him, she knows that deep inside, she would be ruining her life and reputation-realizing the need to respect herself, she leaves Thornfield, despite her temptations. Jane knows that she can find a “temporary heaven” in living with Mr. Rochester, but she refuses to accept it.
Once Jane finally meets her employer, Rochester, she realizes soon after that she loves him. Jane says, “’I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you for ever. I see the necessity of departure; and it is like looking on the necessity of death’” (Brontë 377). In this moment, Jane realizes she doesn’t want to leave Thornfield because her love for Rochester has grown over the few months she has been there.
Furthermore, Jane says “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself” (Chapter 27, Bronte.) This statement greatly represents the growth that Jane has undergone. She no longer dreads the solitude that once haunted her because she respects herself enough to realize that she did not deserve to experience such great dismay. Through independence and self-recognition, Jane has discovered the importance of loving oneself. Without the reliance on the thoughts of others, the once extremely troubled girl found bliss through a lack of outside control. In regards to her relationship with Mr. Rochester, Jane understands that she must leave him behind to maintain her own well-being. She does not allow the wealth or proclaimed love from Rochester to skew her decisions and she does not linger to dominate the life of her lover. Instead, she moves forward to continue her endless pursuit of happiness and independence.
Jane Eyre, the protagonist, experiences many hardships throughout her life from childhood to adulthood. Jane’s primary fear is losing Mr. Rochester. After Jane leaves Thornfield Hall, she constantly thinks of Mr. Rochester in her spare time. While away from Mr. Rochester, Jane’s relationship is tested; if she truly loves him, then she will return to Thornfield Hall. When Jane can no longer stand not being with Mr. Rochester, Jane returns to Thornfield and sees that the building is burnt down. This makes Jane very anxious and questions if Mr. Rochester is still alive. The middle-aged man tells of Mr. Rochester’s whereabouts, and Jane feels “fully assured by these words that Mr. Edward–my Mr. Rochester (God bless him, wherever he was!) was at least alive” (433). Jane feels relieved to know that Mr. Rochester still lives and that she can love him again; however, Jane also wonders if Mr. Rochester no longer loves Jane the same way before she left Thornfield. Upon reuniting with Mr. Rochester, Jane is scared that he no longer loves her, but she is reassured when he says, “she is all here: her heart too. God bless you, sir! I am so glad to be near you again” (441). Mr. Rochester praises the Lord for Jane’s presence and rejoices that he is with her again. Jane accepts Mr. Rochester for who he is and does not care that he is crippled and blind. Thus, the extreme fear that Jane faces confirms that Jane Eyre is a gothic
Jane’s new job is to be a governess for a ten-year-old child named Adele. Living within the walls of Thornfield is a young woman named Grace Poole. While in Thornfield, Jane and Mr. Rochester, over the months, grow close in conversation. The first sign of passion in the novel is when Jane confesses her love for Mr. Rochester. Jane reveals her love by saying, “I have told you, reader, that I had learnt to love Mr. Rochester” (Bronte 167; ch. 18).
Also, even though Rochester and Jane were of different classes, Charlotte Bronte presents him as an intelligent person. Both Edward and Jane enjoy conversations with each other. However, Jane does not express her feelings as clearly as Rochester does. So he dresses up as a gypsy and tries to find out what she thinks of the marriage, which everyone assumes that he will with Blanche. Although, both Jane Eyre and Rochester have are fond of each other, Edward was deceitful to Jane. For example, when Jane found out about Mr Rochester’s first wife, he first says that they can run away as ‘brother and sister’. However Jane refuses. Rochester tries another tactic and asks her to be his mistress. But Jane was too virtuous to accept the offer and had no other alternative but to leave Thornfield.
Parallel to many of the great feministic novels throughout literary history, Jane Eyre is a story about the quest for authentic love. However, Jane Eyre is unique and separate from other romantic pieces, in that it is also about a woman searching for a sense of self-worth through achieving a degree of independence. Orphaned and dismissed at an early age, Jane was born into a modest lifestyle that was characterized by a form of oppressive servitude of which she had no autonomy. She was busy spending much of her adolescent years locked in chains, both imaginary and real, as well as catering to the needs of her peers. Jane was never being able to enjoy the pleasures and joys that an ordinary and independent child values. Jane struggles
Jane’s approach could be considered romantic and embodies conventional feminist concepts; she remains headstrong and stubborn in the face of injustice. The representation of Jane as a strong, independent woman upholds the belief that woman can achieve their goals. Jane does precisely this; she marries Rochester, becomes a part of a family as well as gains financial independence. The way in which Bronte represents Jane is emphasized through her narrative stance. The reader is presented with a firm and rebellious character, her diction is simple and assertive. She addresses the reader directly and is able to identify and challenge the problems she faces with determination. Furthermore Jane is able to identify and comment on how she feels woman are subjugated by their society; she denounces that “woman are supposed to be very calm generally: but woman feel just as men feel […]” (Bronte