Essay On The Lovely Bones Book Vs Movie

In the novel, the murder and rape of Susie Salmon is intensively described, “…cut into pieces… blood soaked into the soft, wet earth…” leaving no question in the reader’s mind as to what was happening or might have happened (Novel, Chapters 2-3). While in the movie version of the book, the murder and rape scene is not showed at all, only having to be assumed by showing Mr. Harvey, the murderer, bathing with his entire bathroom covered in blood. Also, the movie doesn’t mention rape at all, only that Susie was murdered, while the book is specific in saying that she was first raped, and then murdered (Movie). Towards the end of the movie, Susie enters the body of Ruth Connors, Ray’s best girl friend and a “medium” to the spirit world, while her and Ray are visiting the sink hole in their neighborhood, and kisses Ray (Movie). In the novel, Susie actually has sex with Ray when she enters the body of Ruth, with all details being explained explicitly.

Loss of a loved one and the stages of mourning or grief manifest as overriding themes in The Lovely Bones. Through the voice of Susie Salmon, the fourteen-year-old narrator of the novel, readers get an in-depth look at the grieving process. Susie focuses more on the aftermath and effects of her murder and rape on her family rather than on the event itself. She watches her parents and sister move through the five stages of grief: denial, anger, bargaining, depression, and acceptance. However, Alice Sebold makes clear that these categories do not necessarily remain rigid and that individuals deal with grief in various ways. For example, Abigail, Susie's mother, withdraws from her living children,

To follow, one can choose to resort to another lover or to isolate themselves from their family. Susie’s mother, Abigail may have been the one who took Susie’s death with greatest impact.

In order to overcome the grief of someone is dead that is truly dear to them they generally replace lost ones with new relationships with others. Susie’s loved ones replace her with others such as Abigail, whom had an affair with the detective Len Fenerman, “she needed to drive the daughter out”(Sebold 152). When Susie was alive Abigail and Susie would always be together, but afterwards Susie’s death Abigail is getting distant from the family. When Abigail is with the family it reminds her of Susie and the whole surviving grief and the whole coping with grief continues. When Abigail is with Len she forgets that she has to grief, and forgets everything that is going on.

In the last chapter of Alice Sebold’s novel, Lovely Bones, the main character Susie Salmon looks at the events that have transpired because of her death, and happy with the outcome, is finally able to be at peace. Through the use of metaphors and tone Sebold describes what Susie sees as she says goodbye to her family for the last time.

In The Lovely Bones, by Alice Sebold, the novel focuses on the Salmon family after the death of their oldest child Suzie. We see the actions of Suzie’s family through her eyes while in heaven, as well as everything the family goes through after her death. After her murder, Suzie’s family consists of her father, mother, sister, and brother. Most of the family have the typical reactions to the death of a child or sister. However, her mother responds in ways which are selfish and do not benefit her family, which are also struggling. Although the reader understands that her actions were focused merely on herself and that she did not do what was best for her family, the reader ultimately sympathizes with Abigail because she is the mother grieving over the death of her child. The reader may also not consider Abigail completely immoral because of how Suzie describes her as a mother, even as she is abandoning

Alice Sebold is an American writer and bestselling author of the book The Lovely Bones, hailed as the most successful debut novel since Gone with the Wind. Alice Sebold was born on September 6, 1963, in Madison, Wisconsin. Sebold was brutally raped while a college undergraduate. Her account of the incident became the subject of her memoir, Lucky . Sebold's first novel, The Lovely Bones , debuted in 2002, and proved to be a commercial and critical success. The author's second novel, The Almost Moon , was published in 2007.

“The Lovely Bones” is a novel about a girl who is tragically murdered, and the struggles her family goes through. The story explores themes of bonding, loss and handling grief. Susie Salmon, the narrator, tells the story from her perspective in heaven. The majority of the plot revolves around Susie’s family and friends as they cope with her death.

In the novel The Lovely Bones (TLB) by Alice Sebold, the narrative voice is the key technique that hooks the reader and compels him or her to turn over the page. While the author uses a number of other literary techniques to draw the reader in, it is the narrator’s voice that is this novel’s most interesting and appealing feature. The narrative voice in this novel is unique to other novels because the narrator is a girl named Susie Salmon who is speaking from heaven. This is a distinctive point in the novel because it gives us the story from the perspective from others and we experience themes in the book that we never experienced before.

In the movie it says that he was trying to stop the urges to kill Susie by killing cats and dogs. The theory that best connects to the plot of the movie is The Rational Choice Theory. The Rational Choice Theory is the opportunity to commit a crime, it pays close attention to the casual role of the situation that is about to happen, and it removes family, background and everything else. Some cases the crime is created with the opportunity while you did nothing to affect it. I think the Rational Choice Theory is one to have a connection

In ¨The Lovely Bones¨,the girl was raped then killed and her body was disposed of by the rapist. She was close to her family unlike in ¨Lucky¨. Her family had a hard time with her death and not having closer of what happened to their daughter. Her rapist lived next door and was not brought to court

It is good, does not bore, and tension increases as the film passes as horror films must do, has a good start and a good ending. You manage to create that connection with the family and each of their 5 children, although you soon love them.

Throughout the film, Susie looks down upon her shattered family from her special place in the ‘unknown’. She sees her dad (Mark Wahlberg) tear apart at the seams, piece by piece, stitch by stitch. Her mum (Rachel Weisz) leaves the family home in the hope of finding solace some place else. Susie begins to find connections to her family. Simply unexplainable connections. The relationship between Susie and her father is reason enough to go and see this film. The magnitude of love a father can have toward his daughter is more than evident in this film - the onscreen chemistry of Wahlberg and Ronan adds an additional sentimental element to this masterpiece. Watching Susie’s father’s connection remain robust as ever, despite her physical self no longer being with him, is true magic. We share in his rollercoaster of emotions and understand his need to reconcile. Time to grieve. Time to heal. Time to be.

I thought this film was wonderful. I stopped the film so my boyfriend could watch it with me. He thought all old people suffer debilitating miserable lives before they die. I have known very healthy older people throughout my life. I knew that having a good quality of life into old age was possible. I was really glad he could see that it truly was possible by watching this film. We smiled throughout the entire film.

Shocked by what she seen, Karen is briefly hospitalized. She hears a strange noise coming from the presumably vacant second floor. Making her way up the creaky stairs, and into a darkened bedroom, Karen is about to set the plot through a series of flashbacks and flash-forwards, this film tells of horrible events that happen in a house and forever stains the place to the point where anyone and everyone who enters is cursed and will eventually be claimed by the ghosts who inhabit the place. The movie claims the Japanese believe if a person dies in a fit of rage, their spirit continues to haunt the living.