In the story, “Everyday Use” by Alice Walker, there is an underlying conflict between three main characters; Mama, and her two daughters Maggie and Dee. Mama has been one to keep her traditions and her heritage close to her and has attempted to educate the significance of the families heritage to her two daughters. Dee, the oldest daughter, is one of the most diverse ones in the house due to her educational background, which has caused some issues with her family. Maggie is the younger sister who had been burned severely when she was younger in a house fire and now remains at home with her mother. The conflict in the story centers around Dee, the eldest and the most educated daughter. Dee has arrived home with her boyfriend named Hakim-a-Barber and she announces that she has changed her name to Wangero Leewanika Kemanjo from the African culture. During this time period many black families had a strong heritage background that set the structure of families. In most cases, the parents had given their children names from their great-grandparents or other relatives. In this case, Mama got Dee 's name from her Aunt Dicie. In those days the changing of the name given to an individual was greatly frowned upon in the family and was seen as a disloyal act. Maggie the younger sister has always stayed true to their traditions and her heritage compared to Dee, who like explained before, was educated and stirred away from her heritage. Maggie and Mama continued to take on the roles
Dee believes she is more cultured than her family. She may have more knowledge about different cultures and religions that she learned in school, but she does not know as much about the family heritage as she thinks she does. For example, when Dee changes her name to “Wangero Leewanika Kemanjo” she destroys important links to her heritage that she will never understand. Her mother tries to explain to her that her name is significant because it belonged to particular beloved ones. However, Dee seems to reject the names of her ancestors, yet she is eager to seize their handmade goods. When Dee realizes she is not going obtain possession of the quilts, she storms out of the house without saying a word. It is apparent that the only reason for her visit is to get the family heirlooms, not to see the house, her mother, or Maggie.
Maggie the younger sister lived with her mother and liked the life of her living with her mother. Dee didn't like that poor old-fashioned life and she wants to be rich and to forget about this poor family and to live her actual way of life as an African-American. Mama liked their way of life and didn't want to change it and also Maggie liked it and didn't want to change it.
While the two sisters perspectives on heritage contrast each other, Walker employs a case of dramatic irony to prove that Dee's perspective is wrong, which automatically proves that Maggie is right, considering their opposite characteristics. Dee
In Alice Walker's short story "Everyday Use" Mama is the narrator. She speaks of her family of two daughters Maggie and Dee. Through the eyes of two daughters, Dee and Maggie, who have chosen to live their lives in very different manners, the reader can choose which character to identify most with by judging what is really important in one’s life. Throughout the story three themes consistently show. These themes show that the family is separated by shame, knowledge, and pride.
Dee on the other hand, represents more of a modern, complex, materialistic way of life. She moves to the city to become educated. She is ashamed of where she comes from. In a letter mama receives, Dee writes “no matter where we ‘choose’ to live, she will manage to come see us” (Walker 281). Furthermore, when she comes home to visit she tells mama that she has changed her name to Wangero Leewanika Kemanjo because “I couldn’t bear it any longer, being named after the people who oppress me” (Walker 282).
Mama decided to keep her word and give the quilts to Maggie because she understood what these quilts meant, “ You will not understand. The point is these quilts, these quilts!” The representation of the quilts is the symbol of the family and Dee couldn’t understand it, even with her education. Mama had more life experience and understanding of her culture then Dee would ever learn in a
The African heritage plays a major role in the story, “Everyday Use”. Alice Walker emphasizes the meaning of heritage by having Dee come visit her family and contradicting her heritage. As Dee go off to college, she meets new people and finds her a boyfriend, Asalamalakim. Alice Walker adds attention onto Dee’s new name, Wangero, because Dee changes her name, not understanding the true root of her original name. “No, mama,’ she says. ‘Not Dee, Wangero Leewanika Kemanjo!’ ‘What happened to ‘Dee’?’ I wanted to know. ‘She’s dead…” (160). However, Dee truly believes that her heritage lies way back to Africa. The African clothes and name gives an understanding that Dee thinks that she is from Africa and that is where her heritage originally lies. In addition, Mama and Dee have different point of views on what heritage truly is. Mama tells Wangero (Dee) that her name comes from a line of ancestors, yet Wangero believes that her new name has more roots in it. “You know as well as me you were named after your aunt Dicie,’ I said. Dicie is my sister. She named Dee. We
The beginning of the story involved a lot of characterizing on the youngest sister Maggie. Before her older sister Dee arrived at the house, her actions showed that she was scared to see her sister. “Maggie will be nervous until after her sister goes: she will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eying her sister with a mixture of envy and awe. She thinks her sister has held life always in the palm of one hand, that "no" is a word the world never learned to say to her” said the mother.
Dee is a selfish and bossy person she act like she hold the life in her hand. She is a showy person and that's present of her friends as he befriend those who praised her. She rarely visits her mother and her sister's and even if she visited them she never brought her friends with her as she is ashamed of her house. Dee is educated reverse her Sister Maggie as Mama’s church provides the money for Dee’s education. When Dee visited her mother she told her that she changed her name to Wangero. She said that she do that cause Dee the name that she was called remembered her of people who oppressed her. Dee has always wanted something. Dee wants to take things that have come from her relatives and shows her heritage. Dee wants the quilt because they are "priceless" as cultural items. The mother reused to give it to her cause she promised Maggie that she is the one that she will have them, but Dee was angry and told her that Maggie will not appreciate the quilt as she will but the mother refused and she give the quilts to
The story 'Everyday Use', written by Alice Walker, is a story of heritage, pride, and learning what kind of person you really are. In the exposition, the story opens with background information about Dee and Maggie's life, which is being told by Mama. The reader learns that Dee was the type of child that had received everything that she wanted, while Maggie was the complete opposite. The crisis, which occurs later in the story, happens when Dee all of a sudden comes home a different person than she was when she left. During the Climax, Mama realizes that she has often neglected her other child, Maggie, by always giving Dee what she wants. Therefore, in the resolution, Mama defends Maggie by telling Dee that she cannot have the
Dee?s character in the story is a direct relation to any number of people in society that do not know or are confused about their heritage. She is struggling to create an identity for herself, and is confused as to what it encompasses. She grasps at African tradition and culture, yet fails to acknowledge her own African American culture. This happened all over America, particularly in the North, in the 1960?s, following the civil rights movement. Dee is misconstruing her heritage as material goods, as opposed to her ancestor?s habits and way of life. This may be due in part to her leaving her hometown and becoming an educated, sophisticated young woman. Dee?s direct heritage is that of African Americans.
Dee is clearly distancing herself from her mother and sister. She goes so far as to change her name from Dee to Wangero Leewanika Kemanjo, saying, "I couldn't bear it any longer being named after the people who oppress me." Yet, she wants the quilts that are made by the very people that she despises. Mama is uneducated but not so ignorant as to realize Dee's unrooted, superficial motivation to have the quilts. "For her, heritage is something to be displayed on the coffee table and on the wall." Dee blatantly disrespects her mother's authority and free will.
People hold on to pieces of jewelry, furniture, and other symbolic collectables that is passed through generations. These things can remind a person of a loved one that is seen as being priceless.
Dee however, always thought she was too proud to live with what her Mother provided for her. She still loved her Mother, no doubt, but she said things like "She wrote me once that no matter where we "choose" to live, she will manage to come see us" (415). Another way that Dee thought she was too proud for what her Mother provided for her was when she changed her name. She felt that it was too below her, and that it did not even deserve to be associated with a living person. After she tells her Mother her new name, and her Mother asked her what happened to her old one, she said that "She's dead I couldn't bear it any longer, being named after the people who oppress me" (416). With this statement, Dee sums up everything she thinks about her history and her Mother. She feels that the only way that she could change herself and her background is by changing her name, or killing her other
In the story “Everyday Use,” by Alice Walker, the plot is greatly influenced by Maggie and Dee, the two daughters of the narrator. The sisters have been raised together and grew up in the same environment all their lives, but they are very two different women. They think and act distinctly. Moreover, their conflicting characters serve as symbols to convey the overall theme of the story. In the beginning of the story, the narrator makes it clear that the girls have differences, which makes it difficult to find similarities. But we do know the girls both wanted to make their mother proud. The girls appreciate their traditions, roots, and their background in different ways. Apart