Arguably the most politically controversial and influential women in Argentine history, and Spiritual Leader of the nation, Maria Eva Duarte de Peron (1919-1952) and much of the history of her life is subject to substantial bias due to a myriad of anti-Peronist propaganda during the Peron’s regime, as Marysa Navarro states “you were either for her, or against her”. Although there is a consensus to a monumental sum of the facts apropos to Eva Peron’s life, the subject of discourse is rather in the interpretations and perceptions of her life, such as her reasons for the creation of the Eva Peron Foundation, how she came the her prominence, and her purpose and goals. The orthodox view of Eva was formed directly after her death and entails an image of promiscuity, manipulation, greed, and hunger for power and revenge. However, towards the end of the twentieth century, revisionists refined this interpretation, diminishing the negative portrayal; creating a less biased presentation.
The orthodox interpretation may be accredited to the Argentinian historian and author Mary Main (1903-1998) in her book 'Evita: The Woman with the Whip' in 1952. Main was born in Buenos Aires to upper-class British parents,
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however, must be read and analysed with substantial scepticism and vigilance. Keeping in mind that Main was born to an upper-class family in Argentina, it is likely that this influenced her perception of Eva before she began writing her book. This is due to the Eva Peron Foundation, through which Eva and Juan taxed many of the luxuries only available to the middle and upper-classes of Argentinian society, also known as the oligarchy. This inevitably caused substantial resentment for the socialist views of the Peronist movement and its leaders, Juan and Eva. Additionally, it is likely that this is also the cause of Mains extreme criticism of the Eva Peron Foundation and her targeting of Eva, deeming her as promiscuous as an attempt to of
Doña Josefa grew to loathe Spaniards born in Spain who exhibited a very arrogant attitude toward creoles. She has an anti-Spanish attitude which came about from her engaging in “literary societies.” Writings from varying from Voltaire to Rousseau and Descartes were
In analyzing portrayals of women, it is appropriate to begin with the character of Margarita. For, within the text, she embodies the traditionally masculine traits of bravery, resilience, and violence as a means of liberating herself from an existence of abuse and victimhood. Even more, the woman plays upon stereotypes of femininity in order to mask her true nature. The reader witnesses this clever deception in a scene where the character endures a “wholesome thrashing” from her huge, violent, and grizzly bear-like husband, Guerra (81). Although Margarita “[submits] to the infliction with great apparent humility,” her husband is found “stone-dead” the next morning (81). Here, diction such as “submits” and “humility” relate to the traits of weakness, subservience and inferiority that are so commonly expected of women, especially in their relationships with men. Yet, when one
Perpetua was a true woman of faith. Perpetua was a twenty-two-year-old, a Christian, a mother, a daughter, and a martyr. The story of The Passion of Perpetua and Felicitas is the story of the execution of Perpetua and her Christian companions. This story reveals the difficulty Christian’s went through during this time, the chasm between the Roman and Christian communities, and the experience of Christian persecution for going against the Roman cultural norms. Perpetua’s personal prison diary expresses her extremely deep faith in Christianity. Perpetua and her Christian companions were prepared to be tortured, publicly humiliated, and in the end, lose their lives for their faith. Perpetua had a young baby still nursing her and Felicitas was
In Spain and the Spanish colonies in South America in the late sixteenth and early seventeenth centuries, gender roles were distinct and the opportunity gap was enormous. Catalina de Erauso compares the two roles through her memoir, “Lieutenant Nun,” where she recounts her life as a transvestite in both the new and old world. Through having experienced the structured life of a woman as well as the freedom involved in being a man, de Erauso formed an identity for herself that crossed the boundaries of both genders. Catalina de Erauso’s life demonstrates the gap in freedom and opportunity for women, as compared to men, in the areas of culture, politics and economy, and religion.
“Perpetua’s Passion” is one of the only few records of the life of a female martyr Vibia Perpetua. This record is very special because it contains Perpetua’s own narrative of her last days before her execution, along with an editor’s comments. Most of Perpetua’s narrative is about her experience after the capture, and her dreams, or visions, or the “revelations” of the divine to Perpetua. In this paper, I will discuss the presentation the symbols in her dreams, in order to exam the power balance of female and male presented in her voice, and reveal the struggle of Perpetua’s voice under the editor’s manipulation.
Sor Juana established herself not only as a feminist voice in Colonial Mexico but also as one of the most influential writers of her time. Her writing continued to be controversial and, while she wasn’t silenced by the convent, the threatened patriarchy eventually took action. While it is believed that her “writing was an act of defiance” (Bergmann), she also “struggled against the ecclesial authorities that tried to silence her voice” (Gonzalez 102). Sor Juana was not only brave in her publication of her work and going outside of Mexican printing to do so (Kirk) but her work was also a direct commentary on the dominant patriarchy of the time. In response to a bishop who wrote under the disguise of “Sor Filotea,” Sor Juana attempted to defend a woman’s rights to education for the last time. However, she ultimately faced
“The moment I understood her hatred, my family had not been personally hurt by Trujillo just as before losing my baby. Jesus had not taken anything away from me. There was the Perozos, not a man left in that family and Martinez Reyna and his wife murdered in their bed and thousands of Haitians murdered at the border. Making the river they say still red. I had heard but not believed. How could our all loving father let us suffer? I looked up challenging him and the two faces merged” (Alvarez 53).
In “Lieutenant Nun: Memoir of a Transvestite in the New World” by Catalina de Erauso, a female-born transvestite conquers the Spanish World on her journey to disguise herself as a man and inflicts violence both on and off the battlefield. Catalina discovers her hidden role in society as she compares herself to her brothers advantage in life, as they are granted money and freedom in living their own lives. Erauso decides to take action of this act of inequality by forming a rebellion, as she pledges to threaten the social order.The gender roles allotted to both men and women in the Spanish world represent the significance of societal expectations in order to identify the importance of gender in determining one’s position in the social order in the Spanish World.
In colonial Latin America, one aspect of life that was constantly under attack and had to be guarded at all costs was the ideal of one's Honour. Women in colonial Latin America had to especially be on their guard to protect their honour, as an unanswered attack to their honour could ruin a family's honour. But if a woman's honour was attacked there were ways for her to protect it. The honour women possessed at the time was said to be not as important as the honour of a man, but it is, in fact, more important then the man's. By using Richard Boyer's document Catarina Maria Complains That Juan Teioa Forcibly Deflowered Her and Sonya Lipsett-Rivera's document Scandal at the Church: Jose de Alfaro Accuses Dona Theresa Bravo and Others of
Salomé Ureña de Henríquez is one of the most influential poets of the Dominican Republic in the nineteenth century. Her roles as a daughter, writer, patriot, teacher, wife, and mother blended throughout her life, and inspired her acclaimed poems. As an advocate for women’s education, she opened the doors of higher education to the women of her period and then on.
“The Myth of the Latin Women” was writing by Judith Ortiz Cofer, a women born in Puerto Rico. Ortiz is a person who seems really Passionate about this specific subject. “The Myth of the Latin Women” points out the many stereotypes Latin women go through in their day to day lives. The things that upsets Ortiz is that there are so many people who are not a Latin background that don’t realize the importance of this issue. The main purpose of “The Myth of the Latin Women” is to get people to understand that their words will hurt someone and Ortiz convey this throughout the essay with the use of logos, ethos and pathos.
In “The Myth of the Latin Woman: I Just Met a Girl Named Maria” Cofer shows the reader that Latin women are misrepresented in society and in the media, using the rhetorical appeals ethos, logos and pathos as well as allusions to popular culture and personal experience.
Not only did these women find a place in society other than by the stove, they won the appreciation and respect of men and women around them. Two of the most extraordinary of these women were Dolores Jimenez y Muro, who was an important political writer, and Hermila Galindo, who was a political speaker and advocate for Carranza’s campaign and regime. Dolores Jimenez y Muro's importance is evident in how she was able to have her voice heard and listened to by high-ranking revolutionary officials. Hermila Galindo's prominence is shown by her distinguished political career and feminist movements.
In this essay, female oppression in La Casa de Bernarda Alba will be discussed and analyzed. However, in order to be able to understand the importance of this theme and the impact it has had on the play, one must first understand the role of female oppression in the Spanish society in the 1930s.
Growing up in Iran exposed Satrapi to numerous atrocities. She experienced first hand the realities of war, death, and oppression. Formative and influential on Satrapi’s outlook on life, these experiences will sculpt her opinions and world views. As a result of her arduous childhood, Satrapi gained a unique comprehension of difficult concepts such as war, death, and freedom. On the other hand, the same experiences that gave her early maturity and compassion early on, might result in turning into an isolating factor when she moves and is engulfed by a foreign culture without anyone to guide her through it. The events of her childhood could create a cultural barrier and the people she is surrounded by probably will not be able to relate to her or understand her struggles. The experiences she went through as a child leave her completely unprepared to leave her family behind and venture into an entirely different world by herself.