Examples Of Abusing In Rappaccini's Tale Beatrice

One of the risks Elisa takes is trusting the repairman, also by telling him her thoughts and feelings, and by giving him the “Chrysanthemums” plant. At the end of the story, it shows that Elisa feels sad and betrayed because. When she told the repairman about how she feels he said, “a woman can't live the life he lives.” Then he describes how it feels and she felt even worse. The second way she got betrayed was when she gave him the “Chrysanthemums plant.” Later on in the story when she was going out for dinner on the way there she sees the “Chrysanthemums” holder. She makes up excuses to make herself feel better but it did not work.

In literary works, cruelty often functions as a crucial motivation or a major social or political factor. In the play Othello by Shakespeare cruelty functions as a crucial motivation, creating a theme of being careful with who can be trusted because, you never know if they’re telling the whole truth. Throughout the play, diction, dramatic irony, and characterization were used to further emphasis the theme.

In Shakespeare’s play, Much Ado About Nothing, written in the early 15th century, the relationships between Benedick and Beatrice and Hero and Claudio are the key to the play and create a lot of tension and comedy. The two relationships are interesting in different ways, and this essay will explore this in terms of the language used, the plot, characterisation and how the two relationships stand thematically.

“The Book Thief,” is a No.1 International Best-selling novel by Markus Zusak. In the two chapters: “The Long walk to Dachau” and “Peace,” the themes of cruelty and kindness are strongly portrayed through many literary techniques and other ways. My analysis on this question is to see how and why these two themes are illustrated in the two chapters, and under what circumstances they chose to behave like that.

The abuse that was inflicted upon African American slaves can be considered cruel, dehumanizing, intimidating, and scarring. These slaves were considered more property than human and were brutally, sometimes excessively punished for varying reasons. Not only were the slaves well marked with varying scars across their bodies, but they were also mentally altered, or psychologically damaged, by this unusual system of punishment and life. The psychological effects of torture on these slaves, although completely different from the physical ones, were also very traumatizing.

Unfortunately, there are children everywhere who endure a form of abuse. Some experience emotional abuse while others experience physical abuse. Other children, like Dave Pelzer, are faced with both. Dave had to grow up in a family of two alcoholic parents. He was severely beaten and tortured by his mother and was neglected by his father. Dave had to spend his childhood in fear of his life. Although sad, his story gives others hope that they too can experience an abusive childhood and live to tell about it.

In Othello, Act IV, scene ii and iii, Emilia, Iago’s wife, reveals her opinion about relationships to the reader as she attempts to comfort Desdemona. She indefinitely believes that many men, as well as women, are frequently guilty of deception and betrayal of their partner. By this part of the play, Othello’s suspicions of Desdemona’s unfaithfulness have greatly increased, and he begins to accuse her of cheating on him. When Desdemona persistently denies his accusations, Othello becomes enraged. He sarcastically asks for her pardon and claims that he took her to be the “cunning whore of Venice” (Act IV, scene ii, line 88). Desdemona is heartbroken by her

In society, there is a lot of violence, in particular, violence against women. Women are very often murdered, far more than is discussed. We never hear about most of these cases, simply because there are so many of them. 25% of women have experienced some sort of domestic violence, and 20% have faced sexual violence, making having faced violence almost normal. The notion that violence is something normal is very dangerous, as it is not only harmful to survivors of violence, but it also makes it more likely that more people will be victims of violence as perpetrators can get away with it more easily. Though violence against women is not talked about enough, our flaws as a society are reflected in literature. An example of an instance in which violence against women appears in literature is in John Steinbeck’s novella Of Mice and Men. Said instance is the death of “Curley’s Wife”. She is blamed for her own death, and she is clearly not valued as a whole person, no one reacts emotionally to her death. Victim blaming leads to the normalization of violence and the devaluing of women.

Two types of violence—Character violence and Narrative violence—Character violence is injury the author causes the character to have but narrative violence is used to enhance the plot

The novel shows the degrees of people’s kindness and cruelty from the modest to the greatest examples. The small acts of kindness that occur in the Book Thief like Rudy putting the teddy bear on the pilot’s chest. “From the toolbox the boy took out, of all things, a teddy bear.He reached in through the torn windshield and placed it on the pilot's chest”.This is another example of the kindness displayed in the Book Thief small and large.Another example is Walter taking in Max into hiding and aiding Max to help him find Hans. “ Bring nothing,”Walter said.Just what you're wearing. I’ll give you the rest.” This is another act of kindness of Walter risking his life to help Max who was a Jew and we terminated throughout Germany. The Hubermanns commit an act of kindness by hiding and caring for Max. They keep him alive at great danger to themselves and always treat him with the highest respect.

Certain rumors spread into town characterize her as a highly educated young woman. We find evidence in that sense from Doctor Baglioni, another character in the story: "Rappaccini is said to have instructed her deeply in his science, and that, young and beautiful as fame reports her, she is already qualified to fill a professor's chair"(Hawthorne 878). But the truth is that, as she confesses later in the story, she knows nothing about the science of botany that her father is involved in; actually, she is only familiar with the flower's "hues and perfumes"( Hawthorne 883). She practically knows as much as a child of small age would; her education also lacks any form of interaction experience with the society. Hawthorne presents her father, Doctor Rappaccini, as her only companion of life. Her reason for isolation is related to her father's overprotective attitude towards his only child. Rappaccini raises her in the neighborhood of poisonous flowers, making her immune to them, but also transforming her into a source of poison. Beatrice is aware of the poison that she exudes; thus she becomes indirectly isolated from the rest of the world by her father. The deadly attribute Beatrice possesses places a social safeguarding wall around her.

In the play the audience is also told in so many words that there has

Whilst the Greek and Roman predecessors of revenge tragedy showed little compunction in gruesome on-stage violence, the Elizabethan spectators were, by the time of publication and performance of Shakespearian plays, a more educated audience who would appreciate the poetic style and subtle references to classical literature. This is not to say that the sixteenth century public were sensitive to acts of startling brutality; public executions and bear baiting were frequent occurrences that no doubt permeated the psyche of a nation. It has been argued that Shakespeare, conscious of his contemporaries' efforts in this genre decided to `out-do his predecessors' but a far more probable explanation is that Shakespeare, accommodating the

One of the most intriguing characters from Shakespeare’s Much Ado About Nothing must be Beatrice. An intelligent, well-spoken (and, perhaps more interesting, outspoken) young woman, she is an almost exact opposite of her cousin, Hero. What makes Beatrice so different than what one expects of a woman during Shakespeare’s time? Why did Shakespeare decide to make her such a strong female character? It begs the question of what women were actually like in the Tudor era, and if she was really so radical a character.

In the Oresteia there seems to be a continuing cycle of revenge. Someone is murdered and then a relative must kill the murderer, therefore becoming a murderer himself. A new chosen one is then selected to take revenge on that person who killed before him and the cycle goes on and on. The furies also play a part in this cycle of revenge. They seek out those who kill their blood relatives and haunt them and torture them for eternity. So basically they also take revenge for the ones that have been murdered. Revenge is a continuing theme throughout the play until Athena has a hand in making it come to an end.