Hello Everyone! In today’s vlog I would like to talk about misogyny in the BBC Sherlock Tv Series. For those who don’t know this already; BBC’s Sherlock is based off the Sherlock Holmes books written by Arthur Conan Doyle in the late 1800s. The show and the books are about Sherlock Holmes who is a detective mastermind and solves crimes with his friend, Doctor John Watson. Steven Moffat is one of the two main writers for BBC’s Sherlock, and he is also the writer for the episodes I will be discussing today. In this vlog, I’ll be focusing on the first two seasons of the show as they have better examples.
While Arthur Conan Doyle’s original Sherlock Holmes stories prominently featured Holmes and Dr. Watson, with hardly any mention of women (excluding A Scandal in Bohemia), this was due to the context in which the series was written and placed, in the Victorian Era. The
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The caters to the whims of the pathetic emphasises her lack of control; she is almost seen as a servant to others, fulfilling their desires when needed. In the TV series, she is under Moriarty’s thumb, which deviates from the books where she at least had power over what she did for a living. All of these factors in Moffat’s version of Irene Adler reflect his attitude towards women and how they are not equal to men, and are somehow lesser.
While in the book, Irene Adler is her own character with her own intellectual prowess, she loses all of this agency in the show. Her character is almost entirely rewritten to show viewers the complexities of her and Sherlock’s relationship, but by doing this, Moffat failed to give her character depth. It’s explicitly mentioned that she is a lesbian, but somehow she finds herself obsessed with Sherlock by the end of the episode, and that crush on Sherlock is what ultimately leads to her
Rather than surrendering to the trickery of Sherlock Holmes, Irene Adler outsmarts him using his own tricks and makes her escape right under his nose. The narrowly defined roles of women were evident for the only means to discuss women in this story is through their relations with men. No woman, not even Irene Adler, has her own story. After all in the end, even Irene Adler runs away with a man. Out of the five female characters mentioned or referred to in this story, only one is given a name and a personality. This lack of female representation shows how dominant males were in the society of the story and in the society of the real world.
When Irene finally realizes that this woman is Clare, someone who chooses to “pass” and hide all traces of her black heritage, Irene’s opinion of her changes. She no longer wants to be involved with Clare in any way, and “had no desire or intention of making the slightest effort about Tuesday. Nor any other day for that matter. She was through with Clare Kendry.” (p. 31) Irene is appalled that someone can so easily throw away her background just for the sake of gaining privilege over another race. When Clare asks her if she had ever thought of passing, Irene replies, “No. Why should I? You see, Clare, I’ve everything I want.” (p. 28) She is happy with what she has, not even having to give up anything to get there. Or at least that’s what she convinces herself to believe. Irene is again hypocritical in her beliefs. Even when she opposes Clare’s view of passing, she is still very interested in the idea. “The truth was, she was curious. There were things she wanted to ask Clare Kendry. She wished to find out about this hazardous business of ‘passing’…” (p. 24) She even admitted that she held for her “a fascination, strange and compelling.” (p. 28) Irene doesn’t seem to be able to decide if she accepts passing as reasonable. She forces herself to disagree with passing, allowing her to hate Clare for doing it. This shows us that sexuality and race are two matters that conflict with each other, at least in Irene’s opinion. She uses race to
Jane Austen’s Pride and Prejudice was first published in 1813(Gary vii) a time when women had “few legal and economic rights or even receiving little respect, women can be seen as oppressed victims of a patriarchal society, subordinate first to their fathers and, then, to their husbands who had, of course, been selected by their fathers” (Swords, 76-82). At first glance one might think that Pride and Prejudice reinforces sexist stereotypes, however upon further examination of Jane Austen and her heroine Elizabeth it is clear that Pride and Prejudice in fact erodes the sexist stereotypes of women.
Irene is in an all but loveless marriage with a husband who seems to be asexual at best and apathetic at worst. Her judgement is clouded by her own blind envy of the supposed life of Clare Kendry. Irene convinces herself after being absorbed into the whirlwind of Clare Kendy’s life that she is inferior to the white black-girl. She then convinces herself that her husband is having an affair with Clare, and that everyone knows about it so she must pretend not to know. This is all the culmination on a psychotic break that Irene has that ends with the unclear death of Mrs.Kendry (Larsen,113-114). Irene can be safely assumed to have pushed Clare out of the window due to a bizarre coloration envy that developed from Irene, the woman who passed as a form of getting a control high, and Clare, the girl who passed as a form of escapism and
Unplanned, Irene saw Clare in Chicago and was disturbed by her. After dropping Clare out of her mind, she turned her mind to her lovely family, “To home, to the boys, to Brian. Brian, who in the morning would be waiting for her in the great clamorous station. She hoped that he had been comfortable and not too lonely without her and the boys” (Larsen P1 4). It seems that she has found a destination where she can find her own peace and comfort solution for all her troubles she has. This quote reveals the message that the women should be expected to find their love and their solutions to their problems. This also shows the expectations society has for women. Home is where the women should be at. Throughout Passing, Larsen starts to unveil pieces of her complicated mind and thoughts of Irene. For example, when Larsen brought up how women think about their husbands – “That craving for some place strange and different, which at the beginning of her marriage she had had to make such strenuous efforts to repress, and which yet faintly alarmed her, though it now sprang up at gradually lessening intervals” (Larsen P1 4). Even though she made Brian stay in New York for his job, which showed some power over
“Pride and Prejudice”, a novel written by Jane Austen represents eighteenth century English women as illogical, domestic individuals who economically depend on male members in their household. Major decisions in their life are decided by their fathers and brothers. They perform subordinate roles, and are considered inferior to men. This novel reinforces the sexist stereotypes of women.The female characters in the novel possess these virtues in varying degrees depending on their role. Marriage is considered essential to secure a woman’s future ,they are expected to behave in a certain manner to earn the respect of the society, and are treated unfairly by the social and justice
King’s Mary Russell series aimed to update the Sherlock Holmes cannon to the modern feminist era. However, King’s The Beekeeper’s Apprentice undermines its own feminist views through Mary’s approval seeking behavior, society’s restriction of women’s access to professional roles, and Mary’s tendency to react emotionally.
Although Irene feels that there is "nothing sacrificial in Clare's idea of life, no allegiance beyond her own immediate desire," it is apparent that Clare's desire to return to her African American race is honest, even if the motives seem rather one-sided (Larsen 144). Irene considers Clare to be "selfish, cold and hard" (Larsen 144). Irene also feels that Clare does not have "even in the slightest artistic or sociological interest in the race that some members of other races displayed…[She] cared nothing of the race, she only belonged to it" (Larsen 182). This may be true, but it does not diminish Clare's own pain at having to deny her African American heritage, and her desire to return to it. Irene represents a portion of society who feel that people who pass must have a morally acceptable reason to return to their African American roots such as a desire to rebel against a white society that has forced them into the role of a white person. Just because Clare feels "no permanent allegiance to either the black or white worlds or any of the classic anguish of the tragic mulatto" does not mean that she is not a tragic mulatto (Washington 48). In her own way, "Clare Kendry belongs with that group of tragic mulattos…emerg[ing] as an individual, not as a stereotype" (Davis 98). Because she wants to return to her own race on her own terms illustrates her individuality in the face of the
Irene’s strange attraction and jealousy toward Clare is reveal throughout the novel, which started at the Drayton Hotel. She felt a peculiar attraction when she saw Clare, “ an attractive-looking young woman… with those dark, almost black eyes and that wide mouth like a scarlet flower against the ivory of her sin” (14). Irene can’t help but be compel over her sexuality. In later assessing of Clare, Irene always go back to describe Clare with fascination, “the eyes were magnificent dark, sometimes
Even the most casual reader can note the fact that there are very few female characters present in Robert Louis Stevenson's 19th century novel, The Strange Case of Dr. Jekyll and Mr. Hyde. Those that are found within the work hardly constitute as substantial ones none of the women have more than a few lines of dialogue and appear within the tale for longer than a chapter or two. A bevy of critics have pointed out the fact that such an egregious omission is hardly coincidental in fact, more than a few have cited the fact that this piece of literature functions as a protest regarding the degree of women's liberation that the New Woman possessed near the turn of the 20th century in Victorian England (Reed 2). When considered through this feminist lens, it becomes easily discernible to the prudent reader that Stevenson portrayed no female characters in a positive light and simply used them to reinforce negative aspects of femininity, which he believed were rapidly changing for the worse.
In detective fiction stories of the 19th century, the detective is a detective male and the victim is always female. Which means that the image of female detectives or even all females did change over time in detective fiction. But even then, women were still
In British Victorian society, women were the nurtures and the protectors of the children, and what some deemed as only monetarily valuable items. This female instinct to nurture is one stereotype that is greatly reflected in the personality of Irene Adler. Adler’s willingness to help is a quality that Watson, as well as other men in society, felt all women should possess. Watson acknowledges this nurturing tendency when he says, "but I know that I never felt more heartily ashamed of myself when I saw the beautiful creature against which I was conspiring, or the grace and kindliness with which she
Irene wants to control her relationship with Clare and seems frustrated as she loses control when Clare is around. One occasion, Irene tries hard not to accept Clare’s invitation to meet her but ends up going. Later, Irene’s anger goes away just by the power of Clare’s smile, "And under her potent smile a part of Irene's annoyance with herself fled”. This constant loose of power makes Irene vulnerable and the possible affair between Clare and Brian gives Irene a motive for hating her instead of admitting her lesbianism and losing the life she has worked so hard to build.
The leading role in “Doctor Who” being changed from male to female caused a big outburst in sexism. The role is made for a male and it being twelve out of thirteen of the lords being male we were expecting to see a male. The role is not for a female and all the women are catching backlash for the way the show took turns. They switched roles to keep the show from being cancelled. Fans are feeling like women are trying to take over and during the show. Showing signs of sexism. Critics and all the ugly parts of the world. There’s no non-sexist reason to be upset about the lead role being changed to a female bringing more conflict and distribution to fans. We as people are very opinionated which only makes matters worse. Having that mindset of we have freedom of speech for a reason meaning I’m going to say whatever I feel to voice my input whether it's good or bad. Positive or negative we are going to say it. This could put maybe over half the world in the sexist category just because we can have our opinion. We have to have some type of negativity some type of wrong in us or around us. There are two different categories: Feminist or Sexist. Feminism meaning Women are equal to Men no matter the category, and sexism meaning being a particular situation, attitude and or behavior towards one gender. i think we don't know the meaning of these words or the differences of these two loosely used words. Then we have this controversy of calling ourselves feminist with the definition of a
Before there was Batman, the man who knows everything, there was Sherlock Holmes. Sherlock Holmes was a fictional character created by Sir Arthur Conan Doyle in 1887; Doyle had created Sherlock to be the world’s greatest detective, along with his partner Dr. Watson. Watson and Sherlock had met when Watson’s friend Stamford introduces him to Sherlock, at that time Sherlock was trying to find someone to share the rent for a room with. Watson in the stories is portrayed as the writer of the Sherlock Holmes adventures, and embodies Conan Doyle’s persona the most, having his medical expertise and sharing a similar rough background. Sherlock is the embodiment of that which Doyle wishes to be the most, cocky and adventurous. Doyle’s Sherlock Holmes stories were beyond his time; Doyle had a knack for being extremely adventures in his works, and was one of the first works of science fiction, delving into multiple forms of medical practice, forensic science, and methods of philosophy. The Sherlock Holmes novels were so popular that it was in demand in other countries but due to the publisher’s hold on the rights to the stories, did not have them printed or shipped to other countries, particularly countries to the west; leading to countries making pirated versions of the stories. Throughout all novels Doyle makes it his mission to attack as many social, political, and medical issues that he can think of. Doyle uses his own adventures and experience to model his characters, environment,