preview

Existentialism In In The Waiting Room And The Daydreams Of A Drunk Woman

Better Essays

In both Elizabeth Bishop’s “In the Waiting Room” and Clarice Lispector’s “The Daydreams of a Drunk Woman”, we are exposed to speakers who, through an epiphany of their role in existence, discover a sense of self. With the geographic difference between Bishop and Lispector, and yet such similar themes, it could be contended that their writings are evidence that both existentialism and exploration of the image of one’s self are major themes in twentieth century literary writing and thought. Existentialism, a philosophical ideology conceptualized by Jean-Paul Sarte, encapsulates most thought processes where “the individual is obliged to make a choice as though he were choosing for all mankind” (Arnold, “Jean-Paul Sarte: Overview). Put simply, Sarte’s concept of existentialism is the thought process by which humans find themselves existing, and the analysis of their existence itself (Tulloch, Sartrian Existentialism). This analysis of existence found itself in many writings during the twentieth century, and acts a driving force in both Bishop’s “In the Waiting Room” and Lispector’s “The Daydreams of a Drunk Woman”. Elizabeth Bishop is a poet native to Worcester. Her mother was widowed when Elizabeth was merely eight months old, and as a result, slowly fell into a string of mental issues that would cause her to be institutionalized until the end of her life. This resulted in Elizabeth moving in with her grandparents in Nova Scotia at the age of eight before briefly moving back

Get Access