Analysis Of Facing It By Yusef Komunyakaa

“Facing It” by the American black poet Yusef Komunyakaa of Shreveport is written with the use of visual images. Yusef Komunyakaa writes about one of his many trips to the Vietnam's Veteran's Memorial in Washington DC. This Memorial is a long polished slab of black reflectant granite with the names of all the US soldiers who lost their lives in Vietnam. Yusef says “my black face fades, hiding inside the black granite”. Here Yusef uses his reflection in the wall to bring the reader back to the war and how he feels standing at the wall now. He makes his feeling ambiguous and give the reader the opportuntity to decide what he is feeling through his use of viual images.

“Facing it” by Yusef Komunyakaa and “Dulce et Decorum Est” by Wilfred Owen, are two powerful poems with the graphical life like images on the reality of war. It is apparent that the authors was a soldier who experienced some of the most gruesome images of World War I. In “Ducle et Decorum Est” Owen tells us about a personal experience in which he survived a chemical warfare attack. Although he survives, some of his fellow troops do not. As in “Facing It” Komunyakaa is also a soldier who has survived a war. Komunyakaa response to his war experience is deeply shaped by his visit to Lin’s memorial. Inspired by the monument, Komunyakaa confronts his conflicted feelings about Vietnam, its legacy, and even more broadly, the part race plays in

Whether it’s war or terrorism, children who want to grow securely is living amongst the affected nation. War is obliterating those talented individuals in their childhood who can radically transform the world itself. The two disputed countries may also have justifications to protect the welfares of their own people. There can be wealth and nuclear weapons to demolish this world as a whole. However, peacefully negotiated approach is coveted to compromise on each other. No country can rationalize weapons of mass obliteration and debacles. Often, it is a foolish decision of the pioneers of the country, making it a pretext for the combat. It’s the upright soldiers and their families who need to survive the demise and serious injuries from the weapons. For the last centuries, the spontaneous overflow of poetry has portrayed human emotions concerning wide range of universal issues. Both the poets Donald Bruce Dawe and Wilfred Owen exemplify this cataclysm of losing your families and the conditions the soldiers face, through their notable poems Homecoming and Dulce et Decorum Est.

Cruel and terrible events forever leave a mark on our memory. Especially, when these events are directly related to person, the memory reproduces every second of what happened. Unfortunately, humanity fully cognized the term of "war". "Facing it" by Yusef Komunyakaa reveals another several sides of the war. Poem tells the reader about which consequences, the war left and how changed people's lives. The hero identifies itself with the Vietnam Veterans Memorial, mourns all those killed and who did not return. That is why the poem is dramatic. War has become a part of the hero's life, even after the ending.

Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing

In his poem, “Facing It”, Yusef Komunyakaa describes his ambivalent emotions towards the Vietnam War of which he was a veteran. Reflecting on his experiences, Yusef expresses his conflicting feelings about the Vietnam War and his feelings about how racism has played a part in America’s history. By using visual imagery and metaphoric language throughout the poem, Yusef is able to reflect the sad and confused emotions he felt while visiting the Vietnam memorial.

This is the poem that Jim Northrup wrote about war. I am going to Explicate the poem and

“War is hell, but that’s not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.” (80)

The text, ‘The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. ‘The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war

Two authors, Yusef Komunyakaa and Stephen Crane, created deep and moving stories about what the feelings are to be in a American war. Even though both stories are very different they both can also be related very easily. Yusef Komunyakaa wrote a poem called ‘Camouflaging the Chimera’ while Stephen Crane wrote a novel excerpt called ‘The Red Badge of Courage.’ One of the major differences are that TRBOC takes place in the American Civil war even though he was born 6 years after. While CTC takes place in the vietnam war. Going over the writing style, theme, and context figuring out the differences and similarities.

Yusef Komunyakaa, born in 1947, wrote both February in Sydney and Facing it. These poems were written as a way of “talking around an idea or question,” this idea/ question being that of growing up during the civil rights movement. His poetical technique makes his opinions stand out, being affluencial because although poems contain less words they often have a more powerful appeal. Komunyakaa was especially influenced by jazz and the time that he served in the Vietnam War. He creates his poem February In Sydney to mimic that freedom that he felt through jazz similar to that of meditation. In Facing it he bases the poem on flashbacks of the war while visiting the Vietnam Veterans Memorial.

The book Leading From the Second Chair discusses what it is like to lead from the second chair. This was a semi-new concept for me. I have always heard of leadership and know that it is something special, however, I never thought of leading from the second chair. This phrase means being a leader but not the person in charge. This is something that is foreign to me. I have always though that a leader is in charge of their section and other leaders are in charge of their section and eventually they come together to put it all together. However, though going through the experience of my internship and going through this book and leadership class I have learned that this is not the case. When you lead from the second chair you are

War is not one of the most pleasant images this world has seen. Usually it is regarded as one of the most

This internal war starts the second that you set foot in this unknown word as a baby, all the way up to the last step you take to say your last goodbyes to this world. The poem begins with a life of a child in whom people around him tended to call the child “...crybaby or poor or fatty or crazy and made [the child] an alien…”(Sexton), and the child “...drank their acid and concealed it.”(Sexton) illustrating how painful it is, not react and take actions,but counseling is the best method the child seemed fit. Furthermore, courage in a person can also cause a war, in which the author shows the imagery, how the child’s “...courage was a small coal that [the child] kept swallowing.”(Sexton) and encouraging to society to make his own future. As an adult, the person endured many difficulties, such as the of enduring “...a great despair…”(Sexton), but you didn’t do it with a companion but rather “...did it alone.”(Sexton) and endured that suffering within yourself. Being an adult is not only passing a time with your loved ones and remembering the ones that sacrificed their time to make you who you are now, from your teachers to your peers to your parents, but to actually live your life the fullest and make each day worth living.Until the last moment that has been waiting since the beginning in which the death “...opens the back door...” and “...[the adult will] put on [his] carpet slippers and stride out.”(Sexton), exemplifying how all you have done, from engulfing the pain given by the society to living your whole life just to see a tear of happiness from seeing your grandchild, will not be taken with you at the moment when you really need it the

The collection of poems “Theater”, “Water”, and “Safe House” by Solmaz Sharif shows the varied viewpoints of how war affects the speakers and how death is all too common in the midst of warfare. The author uses a spectrum of literary techniques to enhance the experience of the reader, so we can fully grasp the severity of each speaker’s plight. All of Sharif’s poems differ in form with the use of white space and indentations in “Theater”, colons in “Water”, and a style of abecedarian using the letter S in “Safe House”. While her diverse use of forms generate different emotions from the reader, they share the same notion of how violence is problematic. Each poem has a unique outlook to the sight of war: “Theater” being in the position of a victim and an assailant of war, “Water” explaining a war mission and fatalities in terse terms, and “Safe House” as an observer of an activist against war. Sharif’s strategy to exemplify the effects of how war affects the victim and the civilian is particularly critical because mass media tends to hide the collateral damage of war and only illustrates why we should attack the “enemy”. Another approach the author uses to critique the speakers central conflicts is by arranging words from the US Department of Defense 's Dictionary of Military and Associated Terms, to concur with the message of the several ways war influences the lives of those who are unwillingly encompassed by it. Sharif uses poetry as an outlet to show the underlying tone