Federico Fellini is one of the most important film directors of all time. He created multiple films that expressed the true reality of a Fascist Italy. Italy at the time was under Fascist control, which was similar to that of the Nazi take over in Germany. In his movie 8 ½ Fellini casts Marcello as the lead role, some say that Marcello was portraying a younger version of Fellini. Marcello plays the role of Guido in the film. Guido is a young man who is struggling through a sort of directors block on his recent film. Throughout the movie Guido’s past life unfolds before his very eyes as the women of his life return and many other memories unravel. This movie is a great example of the mastermind that Fredrico Fellini really is.
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One of the scenes from his early years was Saraghina. Saraghina was a prostitute that Guido’s friends encouraged him to call out so that she could dance and sing for their entertainment.
The dream version of this comes into play when Guido is taken back to his Catholic School for punishment and his future dead mother is seen crying in a corner chair and scolding him for what he has done. Another image that represents Guido’s guilt is a picture of Dominic Savio, who was a symbol of purity for the time period. The size of the portrait represents the amount of guilt that hangs over young Guido’s head. As Guido continues through his dreams they all seem to be giving him messages of mistakes that he has made and tasks that he has to do to correct those mistakes. Guido has no idea what he needs to do next and he thinks that calling up his wife (Anouk Aimee) will be a sort of inspiration for the block he is experiencing. What he does not think through is that both his wife and mistress will be in the same town that he is in while directing, this poses another problem. When his wife arrives she seems distant almost as distant as Guido is. One of the first things that she notices is Guido’s interactions with a lady named Carla. She yells at him and lets out her anger. But then decides that she needs to corporate with Carla and almost stoop down to her level so that Guido does not leave her. She soon realizes that her husband is terribly distant
behind and follow the love of her life in Guido. Dora’s bravery came at a cost of embarrassing
She returns to discussing the match with Francesco’s daughter and states that she likes the fact that Francesco has participated in government, even if his positions have not been important ones. This statement conveys how much of a factor status and power were when considering a spouse and the spouse’s family.
The madrigal is a distinctive type of secular song that originated in Italy. It was an aristocratic form of poetry and music that flourished at small Italian courts. In the piece, Cruda Amarilli, Monteverdi uses many musical devices that are typical of a madrigal. The lyrics in this song are repeated, the music accompanies the text in interesting ways, and there is a wide range of vocal notes. After listening to the piece just once you can immediately feel the unrequited love Monteverdi is displaying through his words and music. The music and instrumentation in this piece aid the voices to establish form and mood through word painting. He uses word painting and cadences to develop a theme of unrequited love.
Rossini snuck out of the Teatro Argentina and went home, retiring for the evening without so much as a word to anyone. The following evening, however, was a stark contrast. The composer did not attend the performance, but he heard a crowd with torches in the street following the show. He fully expected an angry mob, but was greeted by an adulatory audience shouting “Bravo!” Almaviva became immensely popular, and the title was eventually changed to Il Barbiere di Siviglia. This alteration established Rossini’s work as the ultimate expression of the story, and the work is now considered widely as one of the greatest comic operas ever written.
In addition, one can also argue about Paulina’s love-hate relationship with Gerardo, as she is clearly very emotionally attached to him, yet seems as though she treats him with a sort of disrespect or harsh manner. Paulina’s strange relationship also brings the audience to question this woman’s sense of judgment, and maybe even her past. Ironically, later she refers to him as ‘my little man’, contrasting with how he called her, and making sure that Gerardo knows that he is her husband, and she’s in charge.
Florence- Florence is one of Atonio’s friends. Although he does not believe in God, he attends catechism lessons with his friends. Florence’s mother died when he was three. Afterwards, his father slowly killed himself with alcohol. His sisters are now prostitutes at Rosie’s house. He asks Antonio insightful questions that point out the gaps in the Catholic Religion. When Antonio becomes
One of the most speculative experiences of conquest and dictatorship in the history of Latin America has been the socialist and dictatorial regimes in Chile. Chile has gone through multiple times of dictatorship, lead by the military, and also had lapses of a socialist government. The film “Machuca” by Andres Wood provided an insight of the series of social events in Chile in 1973, ranging from inter personal experiences to political issues and the Chilean nation. “Two dictators, Salvador Allende and Augusto Pinochet, both brought tremendous suffering upon the Chilean people -- one through his socialist policies and nationalization of
Congresswoman Suzanne Bonamici was elected in 2012 to represent Oregon’s first district, which is located Northwest of the state. Bonamici is currently on two committees which are Education and Workforce and Science, Space and Technology. Her main priority as Congresswoman is to advocate for federal policies that can benefit working families a chance to succeed in the economy. Bonamici has been a big advocate in not only helping workers to become financially secure but also saving up for their retirement. Congresswoman Suzanne has been a strong supporter of raising the federal minimum wage, giving workers the opportunity to voice their opinion in their jobs, paid family leave and giving women the opportunity to have access to family
Rossellini balances this theme of renewed hope with trauma and tragedy, in particular the death of the main female character, Pina. The audience is first introduced to Pina as both a bride-to-be and mother-to-be. The “to-be” attached to mother and bride suggests that there is a future. However, Rossellini brings this “future” to a tragic end in the closing scenes of the film. As Pina pushes her way through the apartment complex courtyard, through a barricade of Nazi soldiers to run after her fiance Francesco who has been captured. As she is running through the streets, she is tragically shot down and dies in the middle of the street. Francesco manages to escape Nazi custody, making it a senseless and pointless death. Not only is this the tragic death of an Italian woman, but also a pregnant one. It has been said that Rossellini’s style is a way of seeing. There is no other visual quite like the one Rossellini leaves the viewer with in the final scenes of this film. It is in this way that Rossellini is once again able to highlight characteristics of neorealism in his films. With Pina’s death, the characteristic of revealing the
Wassily Kandinsky was a Russian-born artist, whose contributions to the world of modern art are innumerable. On an artistic level, Kandinsky's maturation process from representational art to abstract art is fascinating. From his earliest work, with an impressionistic flair, to his later work, which was pure abstraction, Kandinsky was an innovator and a genius. He bridged the gap between reality painting of earlier decades and the fantasy pastime of the twentieth century.
La Primavera is set in a grove, with fruit trees and many types of flowers blooming on the ground. The figure in the center is that of an elongated woman, her head tilted to the viewer’s left and her right hand held up as if she is indicating something on that side. Her gaze comes out of the painting, as if to entreat the viewer to step into the scene. Her form divides the space into two sides. The greenery around her creates a circular shape. Given the subject matter of Botticelli’s other paintings in this collection and the other figures represented, the woman is interpreted to be Venus. At the top of this circle, the figure of a blindfolded male toddler with wings has notched an arrow from the quiver on his back and points it to the left of the painting. His position over Venus and possession of the bow designates him to be Eros, the son of Venus. Following the point of the arrow and the right arm of Venus, there are three dancing women, draped in wispy white with their fingers interlaced. These figures are the Three Graces, identifiable by the way they connect with each other and their dance – in mythology, the Graces
Film 8 ½ by Italian director Federico Fellini was one of the most influential film of the post-war 1960´s. Nevertheless, this film is an Italian comedy which was based on Guido Anselmi a famous Italian film director. Guido Anselmi has a mental block when it comes to his film, (“director‘s block”) and struggles with his flash backs, dreams, and reality. Guido desperately tries to find an inspiration to help him finish his film. However, with the wife, mistress, and friend’s pressure it becomes much harder for Guido to focus on his film production. This film was shot in black and white and yet of the depletion of technology and the un-discovery of color, Fellini still as a filmmaking director portrays the
After spending a good amount of the semester discussing and learning about Robert Cialdini, it is safe to say that no good discussion on influence and persuasion can go very far without talking about the man who wrote the book on influence. After learning about Cialdini, we now know what he identifies as the six weapons of influence. The six weapons are reciprocity, commitment and consistency, social proof, liking, authority and scarcity. By weapons, what Cialdini really relays, are the six behavioral triggers that tend to create habitual and expected compliance. To see if these influences really exist in the real world, we made trips to places where we were going to be potential customers, being sold a product or service by someone. We
At the beginning of the story, Hawthorne establishes a dark mood when describing the ancestors who were occupying the mansion “pictured by Dante as a partaker of the immortal agonies of his Inferno” (Hawthorne). This allusion refers to the “Divine Comedy” and the Inferno, which tells Dante’s journey through hell. This story also alludes to the tale of Adam and Eve in the Garden of Eden, in which the prominent figures disobey God and they end up being cast out of Eden, the paradise. One of the parts in the story of “Rappaccini’s Daughter” that alludes the tale of Adam and Eve in the Garden of Eden is when Giovanni thinks “was this garden, then, the Eden of the present world?” about Rappaccini’s botanical garden (Hawthorne). In addition, Beatrice can be associated with Eve because, despite the fact that her body is corrupted by her father and becomes poisonous, her soul always remains pure and clean. With her beauty, Beatrice enamors Giovanni and poisons him slowly unintentionally with her breath and essence of the violet flower. Beatrice does not know that she can poison Giovanni because she is imprisoned in the garden, as Beatrice says to Giovanni, “the effect of my father’s fatal love of science, which estranged me from all society of my kind” (Hawthorne). Giovanni is not really in love with Beatrice because he convinces her to drink the
In the Romano Pitesti case, Tickton-Jones’ Management Team is faced with a situation that is not altogether uncommon in the business world, in that some employees feel that members of the Sales staff are being given “special” treatment by the company. Romano’s actions have probably not been as bad as what has been described to Management, but due to the fact that employees are still trying to find their place in the new, combined company, any hint of “unfairness” is immediately put under a microscope by other employees, and therefore, Management will have to take some sort of action, in order to show the other employees that their concerns are being taken seriously.