Fences By August Wilson: Literary Analysis

The author reveals that untruthful behavior can result in permanently damaging predicaments. After cheating on Rose, Troy finally explained to her, "Then when I saw that gal [Alberta]...she firmed up my backbone. And I got to thinking that if I tried...I just might be able to steal second” (45). The phrase “... I just might be able to steal second” shows how desperate and thoughtless he was. Troy lied to Rose for a long time, and it hurt both of them very much when he finally had to confess. Through this event, Wilson showed

Troy’s family also can be represented by the yard and fence. The Troy’s family can signify by three parts opened fence, fenced and cornerstone of fence. Troy’s has five dependent as a member of family, including himself: Lyon’s, Corry, Rose, and Raynell. Lyon’s and Troy represented in the play as decomposed part of a fence. “Though he fancies himself a musician, he is more caught up in the rituals and “idea” of being a musician than in the actual practice of the music” (Wilson 9). Lyon’s was Thirty-four years old, but he does not want to work another kinds of job expect music. He did not practice music and does not work another job, so he decomposes

Troy makes himself appear to be more of a suave, debonair gentlemen to Rose by fabricating events from their past. Despite Troy’s attempts of romancing her, Rose knows better than to believe Troy’s mendacity. In Act One, scene one, Troy tells the story of how he met Rose. ”Baby, I don’t wanna marry, I just wanna be your man” (1333). Rose says, “Troy, you ought not talk like that. Troy ain’t doing nothing but telling a lie” (1333). Troy tries to make himself appear more engaging than he really is. Troy's lying makes him seem more gallant than he really is. He also talks about how he defeated Death. In Act One, scene one, Troy says to Rose and Bono, “I wrestled with Death for three days and three nights and I’m standing here to tell you about it” (1336). Every story Troy tells, he emphasizes the fact that he is such a stout and audacious man. Troy assumes that people actually believe his over embellished stories.

Troy is the son of an abusive father. His father was hardly around to raise him. When he was around, he made him do chores and if he didn’t do them he would beat him. One time, after Troy tied up the mule, just as his father told him to, he went off to the creek with a girl to “enjoy himself.” The mule got loose, and his father found out. His

Troy: I don’t care what nobody else say. I’m the boss . . . you understand? I’m the boss around here. I do the only saying what counts.

Throughout the play, readers see an incomplete fence which symbolizes Rose (Troy’s wife) and Troy’s drifting relationship. Rose wants Troy and Cory to build a fence to keep her loved ones protected. This is evident when Rose is seen singing the church hymn, “Jesus, be a fence all around me every day. Jesus, I want you to protect me as I travel on

The utility of the epigraph is two-fold. First, it can be applied to the father in the sense of the family as in the three generations represented in the play, but it can also be read as commentary on the father as in the historical meaning. When Troy is discussing Cory’s desire to play football, he says “The white man ain’t gonna let him get nowhere with that football” (8) and when he responds to Bono’s comment that Troy was just too early, with the remark “There ought not never been no time called too early!” (9), he is referring to the sins of “our fathers.” Instead of heeding Wilson’s advice to forgive and erase the power of racism, Troy decides to perpetuate the sins of our fathers by boxing Cory in with his own experience with racism. While Wilson uses Troy’s dialogue about baseball to showcase the racism of the past and its effect on the present, he also imbeds key moments in the play as a way to make the audience identify with the characters.

When Troy sheepishly says, “...we can figure it out” (Wilson, Fences, 68) when it comes to him impregnating another woman, she boldly fires back, “All of a sudden it’s ‘we.’ Where was ‘we’ at when you was down there rolling around with some god-forsaken woman? ‘We’ should have come to an understanding before you started making a damn fool of yourself.” (Wilson, Fences, 68) Rose is a strong woman whose definition of a Good Life is one dedicated to protecting her family so even though she can boldly tell Troy everything he has done wrong she still puts family first and helps raise Troy’s baby and lets Troy live in the house.

As Bono says, “Some people build fences to keep people out…and other people build fences to keep people in.” This is why Rose wants the fence to be built. When faced with Troy’s infidelity she gets only a cursory, self-serving response from Troy. It’s hard to decipher why exactly she stays with Troy, but a very simple, valid reason would be that she has no other place to go, and feels a strong responsibility to try and care for her children. Eventually her compassion leads her to make an unspoken ultimatum to Troy: I can either take in this bastard child, or I can take in you. Troy misses this ultimatum and sees the well-being of the child, Raynell, as the only option.

Rose does all she can to keep Troy in good situations and not let him make a fool of himself. “Troy what is wrong with you this

Through Troy’s perspective, he sees the fence as a barrier between his enemy known as; death. If death gets through the fence, it would have to come through Troy himself, since he believes that instead of loving his family; protecting them has more worth. It is clear Troy starts to build the fence to keep those who are mistreating his family out; although he himself grows distant. We can infer that Rose and Troy’s perspective of the fence had started to collide. Rose had viewed the fence to keep those she values and cherishes within the fence; while after Troy confesses he is cheating on her with Alberta a division with his family is shown. Division with their family occured due to Troy mistreating Rose and not realizing his mistake sooner. This is to show that Troy’s trait of responsibility reinforces the main symbol. Troy had acknowledged his mistakes resulting in a mental and emotional separation between the couple. “[...] A motherless child had got a hard time…. From right now this child got a mother. But you a womanless man. [...]” (Wilson,122) This confirms that even with the presence of Raynell; Rose will not acknowledge Troy for what he used to mean to her. Further into the play it is revealed that even with this rift, Rose continues to communicate with him to keep order within the house, although emotionally her ties have been severed with Troy.

In the opening of the play, the main characters are developed to be very stereotypical archetypes. Troy is the money earning, hard-assed, head of the house and Rose is the gentle and caring mother. Through metaphors, Wilson can contradict these initial character developments and reveal the character 's true intentions. In the opening of the play, Troy 's character is “... fifty-three years old, a large man with thick, heavy hands; it is this largeness that he strives to fill out and make an accommodation with” (1.1.1). His appearance implies that Troy has an ego larger than himself and strives to fill up the missing space in every way possible, but is not showing his struggles. In a heated argument with Rose Troy says, “It’s not easy for me to admit that I been standing in the same place for eighteen years” (2.1.70). In other words, Troy is perceived to be a self-sufficient and progressive man, until now. He reveals his vulnerabilities and says that although he puts on a front of accomplishment, he has felt

Troy becomes so wrapped up in his own misfortunes and bitterness that he fails to realize what strength his family really has (Zirin). They are trying and willing to help him but he is unable to fathom the possibility of that because he is so far gone. Troy says “…Come on! It’s between you and me now!

Further on, when Troy reveals his affair to Rose, she finally becomes irate. However, once Troy dies, she immediately becomes apologetic again (Roberts and Jacobs). Rose is a central character to analyzing how Troy causes suffering in other characters. As David Galens states in the book, Drama for

" Troy realizes that his battle with death is going to fall apart and that his only result would be building a fence. He builds this fence in hope that it protects his family and him. The fence is used in describing Rose and Troy. It describes their personalities and the way they see things. Rose sees the fence as a symbol of keeping the family together whereas Troy sees it as keeping out.