The symbiotic relationship between man and religion has shaped numerous cultures and nations. During the Renaissance, the church, and various monarchies worked hand in hand to rule over their people. Kings and Queens were no longer ordinary. Instead, they were chosen by God to lead their respective nations, therefore, becoming something more than human. The differences between Feros and Monod is that despite their shared acknowledgment that religion played a monumental role in empowering the monarchy, Monod seems to think religion was more powerful than the monarchies, while Feros hints that it was possible for Kings and Queens to become just as important as religion. In the "Sacred and Terrifying Gazes" by Antonio Feros, he begins by discussing three steps Spanish royalty achieved their position as monarchs empowered by God. Originally, they would promote their royal authority through symbolism in royal images. However, the portrayal of the monarchy began to change after the conquest of Mexico. Hernan Cortez noticed that the Aztec ruler was viewed as a deity …show more content…
Philip II was able to gain power by becoming the Church’s knight in shining armor. However, was just a stepping stone in accumulating power within the Church. In the print “Christ and Philip II” Jesus and Phillip are portrayed side by side. It mentions biblical references of royal power comes from God. It also encourages the people to serve the King faithfully because to serve the King is to serve God. Vice versa to disobey the King is to disobey God. While the image does not blatantly say the King is God, it does encourage the viewer to notice the physical similarities between Jesus and Philip
Restall, Matthew. Seven Myths of the Spanish Conquest. New York: Oxford University Press, Inc., 2003
The legacy and impact of the Spanish conquest is continually discussed and analyzed. The struggle in finding native identities while also acknowledging Spanish heritage is a continuing process in Latin America. Modern film and art, such as Salvador Carrasco’s La Otra Conquista and Diego Rivera’s mural the arrival of Cortés speak about the conquest and its effects on Mexico identity. The film challenges myths about the conquest by arguing against the greatness of Cortés, showing power in native agency, and Spanish dependency on interpreters. The mural upholds myths of the conquest like the black legend, minimizes
Any student of history has come to recognize the fact that history is written by the victor and in lieu of this, research becomes essential to uncover where the truth lies. The True History of the Conquest of New Spain, so ironically named, is a personal account for historical events leading up to the conquest of New Spain, formerly known as the City of Mexico. The author, Bernal Diaz, was a soldier of the conquering army who composed the document well after the events took place sometime between 1552 and 1557. Though the document did provide insight in regards to the victor’s perspective, it also served as a tool to rewrite the account of the conquered people.
countries' sole authority was at once the state and religion. Although during the Renaissance state rulers were religious, there had always remained two separate powers. By unifying the two, there was no longer a relatively secular authority. The state monopolized the power and made it a religious one.
The Aztecs, part of modern day Mexico, were once the epitome of fine culture. They began their rule of southern and central Mexico during the 14th century and practiced an incredibly wealthy lifestyle. Nonetheless, this rule began to deteriorate when Spanish explorers disembarked at Tabasco and Vera Cruz on April 21st 1519. When the Spanish voyagers first arrived, they were welcomed warmly, respectfully and received Godlike treatment. Montezuma, the ruler at that time, believed that the Spanish military leader, Hernán Cortés, was the great god Quetzalcoatl. The Spanish took advantage of this Aztec belief and conquered Mexico within two years. By 1521, the Aztec culture was officially eradicated and a new culture, consisting of a
The letter written in 1524 by the Aztec Priests in response to the Spanish was mainly for the Aztecs people to “defend the legitimacy of their own customs and how most Aztecs did not want to renounce their own religion in favor of Catholicism.” Also, if they did listen to the Spanish king’s rule, they would be going against their own God. The Aztec Priests made sure to list numerous of examples to why they went against the Spanish who were trying to change their religious believes. For instance, in the letter the Priests stated, “you say our gods are not true gods. The new words that you put utter are what confuse us; due to them we feel foreboding. Our makers [our ancestors] who came to live on earth never uttered such words. They gave us
The reading “An Aztec account of the Spanish Conquest” is mainly about a story when Hernan Cortes came for the first time at Tenochtitlan (nowadays Mexico City). The Aztecs believes that when Hernan Cortes arrive they believe the he was Quetzalcoatl, the main god in the Aztec culture. Cortes were friendly invite to the Aztec city as the most important guest, the Aztec people made a big party to celebrate the return of their god, but the Aztec people did not know Cortes intentions of conquer the empire. Later the Aztecs were betrayed by Hernan Cortes. Cortes’s army began to attack the city and at the end they take over the city.
Cortés also made sure to describe the Aztecs as primitive people who worshiped false gods and viewed the king as a "barbarous monarch". As a result, Cortés placed himself in a strong position to be the symbol of the crown that could bring a stable Christian society to save these people.[4: Cortés, and Pagden, In Letter from Mexico, 11][5: Arkenberg, Hernan Cortés: From Second Letter to Charles V, 1520][6: Arkenberg, Hernan Cortés: From Second Letter to Charles V, 1520]
The author argues that the Spanish were completely at fault for the total destruction of the Aztec Empire. In Broken spears, the author explains how many factors other than Spanish power contributed to the downfall of the Aztecs. Not only did the Spanish have many advantages over the Aztecs, but also they also exploited them and took advantage of the cultural difference. The main key aspects to the Spanish victory, is that the Spanish were viewed as gods at first because of their appearance, the Aztecs welcomed the Spanish with gifts and festivities, which showed the Spanish had total control of people. The Aztecs also held a ritual ceremony for the arrival of the “god” that included a human
During the sixteenth century Spain had control over land in the Caribbeans and America that was ten times the size of Spain. One of the most famous conquerors was a man by the name of Cortes. His first target was the Aztec Empire one of the richest empires in America. After a very bloody battle Cortes successfully conquered the empire “converting” its people to Christianity and taking their gold. From this Cortes became on of the richest men in the world. This event inspired many others to do the same with many choosing the life of a conquistador to find their riches in the new world. The amount of conquistadors started to make Spain worry if they were to try and rule New Spain and that they were killing more Indians instead of converting
Miguel Leon-Portilla author of Broken Spears- The Aztec Account of the Conquest of Mexico, tells the story of the Spanish conquest over the Aztecs from the Aztec point of view. It is more familiar in history that the Spanish led by Hernan Cortez defeated the Aztecs with a powerful army and established an easy victory all while having intentions to gain power and greed. However, Leon-Portilla focuses on the Aztec Empire and their story. Leon-Portilla does a great job giving readers the real occurrences and events from Aztec members. This paper argues that history must be told from all sides. It is more common to hear about the Spanish conquest
If religion was a guiding principle in the lives of the conquerors, as Todorov points out, so too was it for the conquered, especially in the case of the Aztecs. Baffled by the paradox of the famous story concerning Cortes and his several hundred Conquistador's ability to defeat the entire Aztec empire, which numbered at least several million, Todorov reveals that it was primarily due to Montezuma's belief that Cortes and his party were Gods, which led to his reluctance to raise an army in opposition.
Because Schreffler is arguing that Díaz, López de Gómara, Solís and González created a misconstrued view of Aztec painting, imagery is a vital component of this essay. The visuals strengthen his argument by giving viewers a clear sense of the difference between typical Aztec panting and the painting that the accounts describe. For example, Schreffler includes two images of paintings done by the
In order to gain control of the whole of New Spain, Cortés must manipulate the hierarchal traditions of the Aztec people as well. As in wealth, Castillo makes no lapse of detail here as well. He documents the way Montezuma his treated and revered by those who are under him. "Not one of these chieftains dared even to think of looking him in the face, but kept their eyes lowered with great reverence…" (World History: Castillo, 247). Montezuma
People faced the rise and the fall of the Catholic Church during the medieval time. The Popes used to hold the final authority for the church and over the state. Pope Gregory VII asserted the Pope had granted the divine power from God because Saint Peter was the first of getting this