Fight Club By Chuck Palahniuk

Raging Bull, released in 1980, is a sports drama portrayed in black and white that tells the story of Jake LaMotta and the fluctuation of his boxing career and the personal relationships in his life. This movie is referred to as one of the greatest films ever made. It is extremely significant in film-making because it was nominated for several Oscars, and solidified Martin Scorsese as an amazing director. The movie was directed beautifully and uses many innovative techniques that were not used in your everyday boxing movie. Instead of showing the action from outside the ring, Scorsese puts the audience in the ring (Snider).

The young man does not know what is in store for him. He goes to the hotel ready to show his dexterity, but is humiliated by having to participate in a battle royal, which is a boxing match between multiple participants. Young men in the fight are blindfolded, “I had no dignity. I stumbled about like a baby or a drunken man” (244). The boy shows great inner strength when he chooses to stay in the fight for amusement of the white businessmen, which demonstrates his fulfillment to his grandfathers words. If in fact he does get thrown out he many not have a chance to give his speech.

The character Rocky Balboa’s speech to his son in the film Rocky Balboa is a cultural example relatable to the phrase, “Times of terror are times of eloquence.” In this particular scene of the movie, Rocky faces a major upcoming fight of which he admits he is scared to death. Meanwhile, his son is struggling at his job and reveals that he blames his father for it. In this moment, Rocky delivers a passionate speech, in which he encourages his son to persevere when he encounters obstacles, and to

or this project we viewed the original 1957 version of Twelve Angry Men, an American Drama, adapted from the teleplay written by Reginald Rose with the same name starring Henry Fonda as the lead role.

He burns all of his money and talks of all of people needs in life and how he doesn’t want them.

(An emotional appeal to the audience) We are all a prostitute to something in this world doing things we don't want to do just to continue in life dealing with the forces that are constantly in our way. This is a relentless reality to the African-American people throughout the history of the United States. How much is one willing to let white men abuse and torment themselves as they dangle the keys to success right in front of oneself, all the while laughing at this “animal” that they see as nothing more than an inferior human to that of themselves as they believe that their skin color makes them superior to all of those unlike them. Ralph Ellison's Battle Royal is a story of just that, as a young, black man yearns to learn who, and what, he is in this world. He takes his grandfather's dying words to his soul of “I want you to overcome ‘em with yeses, un-determine ‘em with grins, agree ‘em to death and destruction” (Ellison 278) even then feeling uncomfortable and guilty. Through this young man's journey to find himself in this world that still laughs at the notion of racial equality, Ellison uses a viscous cast of society's highest “class”, along with men, who are both like and unlike him, who scrap at the scraps of leftovers from these white men to show this young, black man how worthless he is to white men and teach him an important lesson in his first step forward in his dive to the heart to find himself as person and the start of his journey in life as he faces racism

The narrator delivers a well-received discourse at his graduation, which he describes by saying, "On my graduation day I delivered an oration in which I showed that humility was the secret, indeed, the very essence of progress. (Not that I believed this -- how could I, remembering my grandfather? -- I only believed that it worked)" (Ellison 938). The acceptance of the narrator's speech affords him the opportunity to address an assembly of prominent members of the white community, but first he must survive the Battle Royal, a boxing war in the ring against fellow African Americans. The Battle Royal is symbolic of the fight that many blacks wage against themselves to gain money, position, and prominence. The narrator is forced to participate in a battle against blacks before he speaks. This conflict illustrates a powerful tool used by the southern white man, by encouraging infighting, the African American community is kept from uniting, in unity, freedom could be gained.

The novel-based American drama movie Rumble Fish was directed by Francis Ford Coppola in 1983-the author of the novel S.E. Hinton also co-wrote the screen play. The cinematographer is Stephen Burum, the music is by Stewart Copeland, and the editor is Barry Malkin and the. Zoetrope Studios produced the movie with a 10-million-dollar budget (Clarke).

Using the analogy “take a punch on the chin”, Murphy draws attention to the similarities between Adam Goodes and Muhammad Ali, how they were both fighters and held much respect from their fellows and well as their opponents. To further demonstrate the comparison between the two, Murphy utilizes the alliteration “hardest hits” to emphasize the strength and resilience of both Adam Goodes and Muhammad Ali and their unwavering belief in their heritage and culture and how they would always stand up against the emotional hits they would receive. Through this, Murphy is able to point out the similarities between Adam Goodes and a universally acknowledged fighting legend such as Muhammad Ali and get readers part of the booing crowd to view him as a

The feeling of superiority and disgust felt by Invisible Man before the bout serves as a metaphor reinforcing the main undertone of the entire scene, the lack of black unity against the horrifying sins of white oppression. Invisible Man shows it best when he thinks, "I had some misgivings over the battle royal, by the way. Not from a distaste for fighting, but because I didn 't care too much for the other fellows who were to take part... No one could mistake their toughness. And besides, I suspected that fighting a battle royal might detract from the dignity of my speech. In those pre-invisible days I visualized myself as a potential Booker T. Washington. But the other fellows didn 't care too much for me either...I felt superior to them in my way, and I didn 't like the manner in

The literary element setting includes the time when the story happens and location where the story takes place. Some stories use variety of settings to initiate an interesting beginning. However, the 12 Angry Man has only one fixed setting – the jury room, which is not commonly used in a novel. The author, Reginald Rose, overcomes the limitation in setting by describing changes in weather, initiating different types of character and imitating the events of the murder.

Fight Club does an excellent job at revealing many examples of social conflicts between the two classes. The whole basis of the story is centered on attempts to overthrow the upper class. In the scene where the

In the movie, Karate Kid made in 2010 directed by Harold Zwart. Dre Parker is played by Jayden Smith. Dre is a recalcitrant character, who dislikes authority and never gives up. The director has succeeded at constructing Dre’s character. They demonstrate this by using different relationships he has, his actions and the costumes he wears.

Fight Club is a unique film that has many different interpretations consisting of consumerist culture, social norms, and gender roles. However, this film goes deeper and expresses a Marxist ideology throughout; challenging the ruling upper-class and a materialist society. The unnamed narrator, played by Ed Norton, represents the materialist society; whereas Tyler Durden, played by Brad Pitt, represents the person challenging the controlling upper-class. Karl Marx believed that the capitalist system took advantage of workers, arguing that the interests of the upper-class class conflicted with that of the common worker. Marx and Durden share the same views about the upper-class oppressing the materialist, common worker. By interpreting Fight Club through a Marist lens, the viewer is able to realize the negative effects a capitalist society has on the common worker by seeing the unnamed narrator’s unfulfilled and material driven life in contrast to the fulfilling life of Durden who challenges the upper-class. The unnamed narrator initially fuels the upper-class dominated society through his materialistic and consumeristic tendencies; however, through the formation of his alter ego—Durden—the unnamed narrator realizes the detriment he is causing to himself and society. He then follows the guide of Durden’s and Marx’s views and rectifies his lifestyle by no longer being reliant on materials. Also by forming fight club, which provides an outlet, for himself and the common worker,

For years David Fincher has directed some of the most stylish and creative thrillers in American movies. His works include: Aliens 3, Seven, The Game and Fight Club. Each of these films has been not only pleasing and fun to watch but each has commented on society, making the viewers think outside the normal and analyze their world. Fight Club is no exception, it is a multi-layered film with many subplots and themes, but primarily it is a surrealistic description of the status of the American male at the end of the 20th century. David Flincher’s movie, Fight Club, shows how consumerism has caused the emasculation of the modern male and tells a tale of liberation from a corporate controlled society.