In Billy Collins’ poem, Neither Snow, the speaker shows a reflective tone towards the idea that every individual has their own perspective on any given situation through figurative language and choice of detail.
The speakers’ reflective tone is visible through a shift in the diction choices he uses and a rhetorical question he presents. Early in the poem the speaker compares snow to krill with the words “looked like”, the connotation behind these words which are repeated suggest and emphasize uncertainty in thought as well as a belief that the image can be interpreted in more than one way. As he thinks more about the events of that Sunday afternoon however, he comes to the conclusion that “it was a run of white plankton”. This change in thought follows after the speaker presents a crucial rhetorical question: “Who was in a better position to say what looked like what, which thing resembled some other?” This question serves as a form of reflection and support for the speaker’s thoughts and ideas of what the snow that he saw was to him.
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His extended metaphor of New York City as an ocean, as seen through comparisons of snow to krill/plankton and the taxi to a sea creature also supports this idea. These unusual comparisons, that include an immense level of detail, come from his perspective and would not likely be replicated by another viewing the same scene. This also elludes to the argument the speaker presented in the rhetorical question, that since he is at the center of the universe he has to ability to interpret his surroundings. Those viewing the common New York snow can also have their own images because they are at the center of their
Analyse (tell me how the poet creates this image - choice of words, literary devices, implication etc)The idea of a freezing, harsh climate is emphasized with "winter's city" and "winter's leaves". The poet uses words like "death" and "terrible" to highlight the freezing, barren winter.
The appreciation of nature is illustrated through imagery ‘and now the country bursts open on the sea-across a calico beach unfurling’. The use of personification in the phrase ‘and the water sways’ is symbolic for life and nature, giving that water has human qualities. In contrast, ‘silver basin’ is a representation of a material creation and blends in with natural world. The poem is dominated by light and pure images of ‘sunlight rotating’ which emphasizes the emotional concept of this journey. The use of first person ‘I see from where I’m bent one of those bright crockery days that belong to so much I remember’ shapes the diverse range of imagery and mood within the poem. The poet appears to be emotional about his past considering his thoughts are stimulated by different landscapes through physical journey.
Small details are instrumental in seeing the bigger picture. This is apparent when reading “The Fish” by Elizabeth Bishop. Most often the reader experiences visual imagery in poetry. In this poem the reader encounters visual, auditory, and sensory imagery. “The Fish” is filled with minute details that paint a picture for the reader. With each new element that is introduced, it becomes easier to visualize the fish. The speaker is able to show the reader the beauty as well as the ugliness of this creature with her vivid imagery. The imagery used is so distinct that the reader can envisage being the fisherman and catching this fish. Another important element involved in this poem is irony.
In the second volume of “The Collected Poems of Weldon Kees” by Donald Justice, it’s convenient to read different types of theme in multiple poems. It grabs the audience attention for reading and understanding the lines that reflect the poem itself. The collection of the poem reflects on his adventures and the places he lived. The two poems I’m focusing on is “Robinson” and “That Winter.” Both of the poems are making a key reference for the readers to understand. Readers will understand about defining poetry line terms, poetry elements matches the theme, and how both poems relates to the author’s activity.
“It was one of those bull’s-eyes in history, one of those points where everything comes together, where, if you were at that place at that time, you were part of something big. It meant that we weren’t going to get picked up, not on that day and maybe not ever” (Northrop 1). The mood created by Northrop in Trapped is displayed to the readers as negative vibe. Being trapped at a school in a blizzard is obviously not a good thing. So, as a visual representation to the teenagers situation, the snow is described negatively too. In the book Trapped, Michael Northrop uses the snow to symbolize dreadful times and loneliness.
He uses this imagery in this poem to emphasis this dark place in which he now lives. Deep sea can be a cold and scary place. This would capture a human experience because deep in the sea would be a dark and lonely which is something a human can feel and relate to.
“The rain this mourning pours from the gutters and everywhere else it is lost in the trees. You need your glasses what you know is there because doubt is inexorable; you put on your glasses. The trees, their bark, their leaves, even the dead ones, are more vibrant wet. Yes, and it’s raining. Each moment is like this—before it can be known, categorized as similar to another thing and dismissed, it has to be experienced, it has to be seen. What did he just say? Did she really just say that? Did I hear what I think I just heard? Did that just come out of my mouth, his mouth, your mouth? The moment sinks. Still you want to stop looking at the trees. You want to walk out and stand among them. And as light as the rain seems, it still rains down on you.” (page 9)
“Ink smeared like bird prints in snow” is the first simile that appears in the poem and serves multiple purposes. The most obvious one is the creation of imagery, where it compares the black words the persona writes on paper to the bird’s foot prints that are left behind when a bird walks on snow. The imagery alludes that the persona will leave a “footprint” in the form of a note that people can use to trace her path but she will never be there anymore. From line thirty-six to forty, the poet creates another imagery of a sparrow (a tiny and a delicate bird) flying in windy snowing weather. The sparrow is dizzied and sullied by the violent wind; it encounters a lot of difficulties and fear. In this imagery, the persona compares herself with the delicate bird. She compares the challenges that the sparrow goes through to the suffering she encounters relating to her parents.
We do not deliberately associate ‘poetry’ and ‘advertising’ as related concepts nor do we acknowledge these mediums to be of equal significance. Universally, poetry is identified to be one of the greatest accomplishments of the creative arts, attributable to the complex diction and manipulation of figurative language presented in the nature of these literary works. Conversely, advertising is measured as far from being an independent art - it is frequently represented as abundant in deceptive connotations to persuade a specific audience through the use of wheedling subject matter to promote a product or company’s commercial image. Despite that, it is advertising which surrounds us today through modern day technology, while the presence of poetry
“Snow,” a short poem fantastically written by David Berman, takes on the theme that tragedy can affect the world of innocence for kids immensely. The poem uses various literature devices, such as simile, symbolism, and imagery, just like countless other poems. However, many poems’ theme stands out clearly in the text, whether it is marvelling at the beauty of nature, or the splendor of childhood. Instead, readers are required to think thoroughly to correctly decipher the meaning of this poem. “Snow” may seem like an innocent poem at the beginning, but as it continues, it takes an ominous tone.
“Those Winter Sundays” written by Robert Hayden, depicts the ungratefulness that a young boy has towards his hardworking father. Later in the poem, as he matures, he begins to realize everything his father has done for him, and his feelings suddenly change. Throughout the poem, Hayden uses numerous examples of imagery, personification, and foreshadowing to show how the speaker’s attitude regarding his father transforms from the perspective of a child to the perspective of an adult.
In the poem “Those Winter Sundays” by Robert Hayden, the speaker is reflecting on his past with his father, but mainly the Sunday mornings he experienced during his childhood. Throughout the poem, there also happens to be a very dark and possibly even somber tone, which is shown by using several different types of literary devices. Hayden utilizes strong imagery supported by diction and substantial symbolism comprehensively. Furthermore, there are various examples of both alliteration and assonances. The poem does not rhyme and its meter has little to no order. Although the father labors diligently all day long, and he still manages to be a caring person in his son’s life. The poem’s main conflict comes from the son not realizing how good his father actually was to him until he was much older. When the speaker was a young boy, he regarded his father as a callous man due to his stern attitude and apparent lack of proper affection towards him. Now that the son is older, he discovers that even though his father did not express his love in words, he consistently did with his acts of kindness and selflessness.
In the poem “A Considerable Speck” by Robert Frost, Frost uses figurative language, imagery, and diction to describe the speck in the poem and also to show what that reveals about the speaker and his relationship to his writing.
Within the collection of fairy tales, one of the most prominent is Snow White. The tale conjured up by the Brothers Grimm keeps to what one would expect with fairytale stereotypes. However it also plays the part of ancient myths of Aphrodite. The fairytale is simplistic in reasoning, and holds to the ancient goddess’s petty reasoning. Thus, other authors have taken it upon themselves to rewrite it with different plots, once such author being Angela Carter. In her story, The Snow Child, the queen is transformed into a Hera figure. This change rewrites the story’s meaning as well as one’s view point on the villain.
In the case of “Snow in Midsummer” we may notice a somewhat paradoxical view on