Film Analysis : ' Citizen Kane ' Essay

As old and new reporters alike engage in merry conversation, the beloved publisher Mr Kane stands to make a toast. As all eyes fall on him, he envisions a beautiful future for the newspaper. After his old friend Mr Bernstein heckles him, Kane just smiles. “You don’t expect me to keep these promises, do you, Mr Bernstein?” Although this exchange is quite brief, it is quite telling about the personality of Kane, who is a man who will say (and do) anything to reach his personal aims. A drama brought

Citizen Kane incorporates a well-rounded variety of shots and angles that make the film more entertaining. This movie is significant because the American people will always be able to relate to it. There will always be a rich politician who wants to change things for the better. Sometimes, scandal and broken promises ensue. The American people will always want someone that they can trust to make their lives better. It is interesting to note that this film combines multiple genres, giving it a factor

The 1940s film industry favored films that were based on reality, such as Citizen Kane. Orson Welles is the director of the 1941 film, Citizen Kane, which uses the cinematic techniques of long takes and deep focus shots. Long takes and deep focus shots are associated with space and time. I will be writing about scene D where Susan, the second Ms. Kane, is in the middle of a singing lesson. Scene D contains examples of long takes, deep focus takes, and camera movements. Firstly, a long take is

The number one film, “Citizen Kane,” was directed by Orson Welles in 1941. Although it is not boldly stated in the film, the story was about William Randolph Hearst. Welles defied tradition with this film. He made it about a powerfully, well-known man, who upset him, and the film’s opening was a dead screen. By utilizing the dead screen, Welles demonstrated that his film would be different and unique than the rest. The film begins with the camera moving vertically as it shows the fences changing

The 1941 classical masterpiece, Citizen Kane, written, directed and produced by Orson Welles, was ahead of its time. Welles plays the protagonist, Charles Foster Kane. The plot of Citizen Kane follows a journalist as he tries to make sense of the tycoon's dying last word, “Rosebud”. The film is considered one of the greatest of all time, not only for the story, but also for its many cinematic advances. There are many reasons why the movie challenged the traditional techniques and elements of

Citizen Kane (1941) by Orson Welles broke the mold for films when it came to classic Hollywood cinema. The film has numerous ground breaking ideas, such as, the order of narration starting from the death of the main character, Charles Foster Kane (Orson Welles), and retelling his story in non-chronological order (Barsam & Monahan, 2016). This was accomplished by having newspaper reporter Jerry Thompson (William Alland) interview the other characters who were involved in Mr. Kane’s life. Each interview

many reasons as to why Citizen Kane has been lauded as one of the best, if not the best, film of all time. Orson Welles's Citizen Kane has had a lasting impact on cinema and continues to influence directors to this day. Visually striking, Citizen Kane helped to usher in a new era of cinema through its innovative techniques and use of mise-en-scene. From the film's onset, it is evident that it is going to be a tale of woe. The film begins very ominously, much like a horror film, and immediately begins

Welles’s Citizen Kane: The Blackmail Scene (Definite Version) “There’s only one person in the world to decide what I’m going to do – and that’s me.” – Charles Foster Kane from Orson Welles’ Citizen Kane. Orson Welles’ 1941 classic film Citizen Kane tells the story of Charles Forster Kane. The turning point of the film is when Jim Gettys attempts to blackmail Kane. The scene demonstrates Kane’s fall from grace through pride. His reactions to the other characters in this scene (Mrs. Kane, Susan Alexander

history in 1941 when he produced, co-wrote, directed, and starred in the revolutionary American mystery drama Citizen Kane. The movie follows Kane’s pursuit of power, and the dangers that lay beyond it, as well as Kane’s loss of innocence and the resonating effects that it has on he and his life. Welles’ co-writer Mankiewicz based the outline of the protagonist,

Citizen Kane is a 1941 American drama film by Orson Welles, who was its producer, co-author, director and star. The film is about news reporters following the death of a publishing tycoon, they scramble to discover the meaning of his final word that he spoke: “Rosebud”. Citizen Kane won the title as the greatest film ever made when it topped the 1962 Sight and Sound poll. It held the top spot for 50 years until it fell to second behind Vertigo (1958). The film is commonly praised for its intricate