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First Movement of Beethoven's Symphony No. 3 Essay

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First movement of Beethoven's symphony No. 3 Eroica Beethoven's Symphony No.3 also known as the Eroica consists of four parts, namely, allegro con brio, adagio assai, scherzo and allegro, which is the standard structure of a symphony. In this work, the analysis focuses on the first movement so as to show how Beethoven enriched symphony. The first movement has a distinctive sonority and texture. It is considerably long as it takes about 14 minutes (it may depend on the version). Some complete symphonies from the classical period are about the same length as this first movement, so Beethoven's work set aside from the traditional symphony. It tells other composers that there is no such thing as a standard length of symphony's movement. In…show more content…
The resonant sound of brass generates some tension in the form of dissonant chords. The combination of unusual sounds, vivid dynamics and rhythm changes, are incorporated in the symphony by Beethoven. However there is more as the first movement goes on. Beethoven uses a minor key for a short passage. The agitated sound of strings adds some tension and drama in the movement, which is finally resolved by the woodwinds. The clarinet and flute return music to a major key and a state of calm. The minor passage is a new concept which stands out the traditional symphony. It adds a different texture that clearly departs from the leading motive. This brief minor passage is also repeated so it may be thought of as a second motive. Another striking quality of this first movement is the use of a set of chords played by the whole orchestra. It serves as a bridge to connect the major and minor motives. Towards the end of the first movement, there is a brief passage embellished by the strings while the horns and trumpets remind us the sounds of the leading motive. The lively sound is interrupted by a brief minor passage. Then, the leading motive is repeated by the clarinet and flute. Strong and bright sounds prepare the audience to the conclusion of the first movement. One can conclude that Beethoven's unique expressiveness and passion are reflected in every note of the Eroica's first
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