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Flappers In The 1920's

Decent Essays

The 1920’s were years spent throwing out old traditions for sparkly new changes. With them they brought new dance moves, new fashion, new attitudes, a new way of life. Stevenson wrote about a style that came about in the 1920’s that carried something along with it; an entire new breed of women. These women were independent and outspoken, they were whoever they wanted to be, and it was all thanks to the flapper. Stevenson describes this flapper as “a new American girl, a new women, a new arrangement of the elements of sex and love”. Her use of auxesis builds from the simple “American girl” to a women emanating sex, something totally new until this time. The flapper didn't last long but her effect on society stayed. Women were always made to …show more content…

In the first example, a painting done by Norman Rockwell, a girl is portrayed as “more kittenish than hoydenish” the girl and her appearance are described as “soft and tentative”. She is with a boy who is awkward, she touches just his hand and that is only to tell his fortune. The girl “looks into his eyes with confidence and no assumption of consequences to her boldness”. The girl described, was the first step away from “Mary Pickford” yet is still far away from “Flapper”. In the cover the next year, the boy and girl are shown again, this time already contrasting from the Mary Pickford type; the boy and girl share a closeness - “he is standing close in an attitude of embrace” where last time there seemed to be a line drawn in-between them. The girl’s appearance is beginning to change as well, “her dress is beginning to be tomboyish” she wears a sweater and a skirt opposed to a one piece dress and it is no longer soft and delicate. The girl has a “glance backward at the young man- awkward boy no longer- is more conscious of possible consequences of this exciting intimacy”. The stark differences in the looks that each girl is giving is enough to show the changing behavior of this new generation …show more content…

In a cover a “Mary Pickford girl who has long corkscrew curls trailing down to a soft and modest neckline” is shown. However, in the same issue a totally different girl is portrayed, “a bold girl in a hosiery ad… She is perched carelessly but gracefully upon a glossy mahogany table, dangling on silken leg off the edge. Her hair softly waved and bobbed and her dress is sleeveless and short”. This new girl is free from all traditions, she is bold and sexy. Long gone were the long corkscrew curls, they were replaced by a haircut as fiery as the flapper themselves. Flappers were drenched in confidence and concerned only with good times, leaving their days of holding back

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