Fly Like A Bird In Jane Eyre

Four have already left home, one will leave soon and the other three still dwell in the house with her. She then begins to express the dangers of the world around her in a bird’s point of view. For example, she is afraid that her young will fall in a fowler’s snare, be caught in a net or by birdlime on twigs, or hurt by a hawk. In a human world a fowler’s snare might be fallings into the hands of trickery, robbery, or any other type of crime. Caught by net or birdlime might represent being in the wrong place at the wrong time, and a hawk-inflicted injury might symbolize being wounded or killed by an Indian or criminal.

In Jane Eyre, Charlotte Bronte uses many types of imagery to provide understanding of the characters and also to express reoccurring themes in the novel. Through bird imagery specifically, we are able to see Jane develop from a small, unhappy child into a mature and satisfied young woman. "The familiarity and transcendence of birds have given them a wider range of meaning and symbol in literature than any other animal. The resemblance of their activities to common patterns of human behavior makes them exceptionally suitable for anthropomorphic imagery that links man to the common forms of nature" (Lutwack xii). Through the use of birds such as doves and sparrows Bronte enables the audience to gain insight into the type of person that Jane

Throughout Charlotte Brontë’s Jane Eyre, the symbols of fire and water shape the novel and support the novel’s main theme. Jane Eyre continually struggles to find a middle ground between ‘fire’ and ‘water,’ as she is both aggressive and submissive. In Eric Solomon’s critical analysis, “The Symbolism of Fire and Water in Jane Eyre” Solomon accurately describes this struggle. It is important to note that Jane conflicts with authority, defeats the struggle by her inner confidence, and progresses into separation. Although Solomon clearly describes Jane’s struggles in her journey to find an equal balance between ‘fire’ and ‘water,’ other examples highlight crucial moments in the novel, by adding symbolism that enhances the struggles that Jane faces.

There is a single symbol that encapsulates the majority of these notions throughout the entirety of the book: the bird, the bird in the house, the bird "caught between the two layers of glass" that so changes Vanessa's life. Birds make too frequent and deliberate an appearance throughout the collection of short stories to be mere haphazard additions to the background; instead, they, along with the images and concepts associated with them, serve to alert the aware reader to what Margaret Laurence, through older-Vanessa, through child-Vanessa, is trying to tell us. The birds, and their associated images, are central and representative of the novel as a whole.

Birds are a common sight in most places people tend to be. These winged creatures are seen in bustling places like the pigeons that are in urban and suburban areas, the woodpeckers in rural regions, the crows on farms, and even in cages within buildings. In fact, these elegant creatures are so common a sight in society that they are often overlooked and underappreciated. This is similar to how women were and sometimes still are treated within society; they are given little appreciation when they are present and doing as they are told, but when they do not do as they are told they become a problem. This parallel that can be drawn between women and birds is used throughout Kate Chopin’s novel, The Awakening, in which its main character Edna Pontellier is often likened to and symbolized by a bird. Throughout the novel, the bird acts as a theme and symbol of both Edna and women in general.

Violence is the most recurrent gothic convention used in Jane Eyre, which is prominent in Charlotte Brontë's effective development of the novel and the character of Jane Eyre, who, throughout this novel, is searching for a home in which she would have a sense of belonging and love which would ultimately resolve this exact unfulfilled need she had as a child. The neglect she experienced in her childhood is manifested in the way she is treated by her aunt, Mrs. Reed, as in the first page of the novel Jane Eyre admits: ‘Me, she had dispensed from joining the group, saying, 'She regretted to be under the necessity of keeping me at a distance’’. This opening shows how there is a clear line of separation drawn between Jane and her relatives due to her complicated family background which consequently results in their reluctance to accept her into their environment. These complications lead to her maltreatment, which also adds on to the violence she experiences acting as a catalyst for the development of the character and her subconscious quest.

Birds are shown throughout our culture as symbols. Simply by their appearance, they can spark feelings of love, freedom, or wonder in the hearts of people. Birds are creatures that have attributes similar to the beings on earth that are so fascinated with them. Humans are full of constant bewilderment and curiosity, so it is no epiphany that they are entranced by such graceful creatures of the sky. People tend to use birds as symbolism, given the stark similarities between the creatures in the sky and humans. Each can fly with the desire to soar above in the sky and see all that is hidden down below. Both humans and birds can sing songs of revelation to their neighboring friends. Additionally, birds and humans can find themselves being restrained by something. Although such a comparison seems bizarre, Anthony Doerr captured the essence of birds and its connections entirely in his novel, All the Light We Cannot See. Almost every character that is spoken of has an aspect of freedom and flight deep in their story. Doerr’s novel follows the life of two teenagers as they travel through life during the disaster of World War Two. Many characters in the novel exhibit actions and situations in which a bird might find itself in. Werner finds himself fighting restraints, as a bird would to its cage. Marie-Laure is a young birds stretching her wings for the first time. The surrounding friends and characters also face the issues of the war, similar to which a bird struggles with the

Throughout Charlotte Brontë’s novel, Jane Eyre is afflicted with the feud between her moral values, and the way society perceives these notions. Jane ultimately obtains her happy ending, and Brontë’s shrewd denouement of St. John’s fate juxtaposes Jane’s blissful future with St. John’s tragic course of action. When Jane ends up at the Moor House, she is able to discover a nexus of love and family, and by doing so, she no longer feels fettered to Rochester. Moreover, Rochester is no longer Jane’s only form of psychological escape, and thus Jane is in a position to return to him without an aura of discontent. At the end of the novel, Jane is finally able to be irrevocably “blest beyond what language can express” (Brontë 459) because she is “absolutely bone of his bone, and flesh of his flesh” (459).

Mrs. Wright lived her entire marriage alone, confined to a tiny house in the outskirts of town, with her only true companion a bird who sung to her, she loved that bird like it was her child. Mrs. Wright blamed her husband for her loneliness because he wouldn’t allow her to sing in church, have friends over, or have a telephone to even call people occasionally. Mr. Wright made her feel as though she was in solitary confinement in a prison this was not a home. At least she had her canary to keep her company, well until he took that away from her too.

A key aspect in writing an interesting story is forming symbolism. As the result of symbolism, readers can dive just a little bit deeper into the meaning and core of the work. Birds are a moderately frequent emblem, serving as representations of freedom, independence, and not afraid to be loud or to speak their minds. In Kate Chopin’s novella, “The Awakening,” birds were used to express Edna’s true feelings and desires, to explain the courage required to defy the standards, and to show Edna’s final defeat.

Edna is isolated and trapped like those birds in the cage, by her husband, and she does not have any freedom to leave as she pleases. “You are burnt beyond recognition,” he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage” (Chopin p.24). Edna could not escape from her husband anywhere, even when they were at the ocean; “ I thought I should have perished out there alone”… “ You were not so very far, my dear; I was watching you,” he told her (50). Birds are the major symbol in this novel; they are mentioned through out the novel. In the beginning of the novel birds were saying;”Allez vous-en! Allez vous-en! Sapristi! Thant’s all right!” (Chopin p.22); this means go away, go away, for God’s sake, in Spanish. It is clearly seen that the birds represent Edna’s unspoken words and feelings toward her husband. The author mentions a bird at the end of the novel as well; “A bird with a broken wing was beating the air above, reeling, fluttering, circling disabled down, down to the water” (Chopin p. 138). This bird was free from the cage but had broken wing. This bird represents that no matter how Edna tried to fulfill her desires; she did accomplish them; however, Edna did not have strong wings to fly high enough in her life to maintain her freedom, her desires, and her independence in the society she lived.

Brontë brings the buoyant sea theme and the bird theme together in the passage describing the first painting of Jane's that Rochester examines. This painting depicts a turbulent sea with a sunken ship, and on the mast perches a cormorant with a gold bracelet in its mouth, apparently taken from a drowning body. While the imagery is perhaps too imprecise to afford an exact interpretation, a possible explanation can be derived from the context of the previous treatments of these themes. The sea is surely a metaphor for Rochester and Jane's relationship, as we have already seen. Rochester is often described as a "dark" and dangerous man, which fits the likeness of a cormorant; it is therefore likely that Brontë sees him as the sea bird. As we shall see later, Jane goes through a sort of symbolic death. Therefore, it makes sense for her to represent the drowned corpse. The gold bracelet can be the purity and innocence of the old Jane that Rochester managed to capture before she left him.

    Charlotte Bronte wrote the novel Jane Eyre in the mid-eighteen hundreds. In her novel she expresses her views on many important factors present during this time including social problems such as race, class, gender, and the role of religion. Each of these factors affects the way that the protagonist, Jane Eyre, grows as a person. Throughout the novel Charlotte Bronte uses images and symbols that either influence or represent Jane's growth. Bronte uses a common imagery throughout the novel reflecting images of "fire and ice." She also uses symbols in Jane's life such as the red-room, from her childhood, and the character Bertha Mason Rochester, during her time at Thornfield. Other characters who

“I am no bird and no net ensnares me; I am a free human being with an independent will” (Bronte, Jane Eyre 293). In the Victorian time period Charlotte Bronte lived the unequal life as a woman, like many others. The only difference is Bronte did not believe in living in inequality, and she wrote about her hardships in her literature. In her book, Jane Eyre, the reader can see many similarities in her main character’s life and her own. Jane Eyre has many ways of showing how Victorian women were expected to be and act, included in the life of Jane. Bronte also continues her portrayal of the inequality of women and the decision of love versus autonomy through two of her poems, “Life” and “The Wife’s Will.” Charlotte Bronte displays the inequality in life of women in the Victorian era by taking her life and revitalizing it into themes of her works, by providing a journey of discovery of love or autonomy.

Jane Eyre is a story of a quest to be loved. Jane searches, not just for romantic love, but also for a sense of being valued and belonging. However, this search is constantly hindered by her need for independence. She starts of as an unloved orphan who is desperate to find love and a purpose. For example, Jane says to Helen, “to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest”. However, over the course of the novel, Jane learns to gain love without harming herself in the process. Although she is despised by her aunt, Mrs. Reed, she finds parental figures throughout the book. Miss Temple and Bessie care for Jane and give her love and guidance. However, Jane does not feel as though she has found