“For That He Looked Not Upon Her” written by George Gascoigne, a sixteenth century poet, is a poem in which the speaker feels like he cannot look upon the one he loves so that he will not be trapped by her. In this poem, Gascoigne uses closed form, visual imagery, and miserable diction to tell why the speaker cannot look upon the face of the woman he loves. Gascoigne follows an English sonnet form that is iambic pentameter. The iambic pentameter makes the poem sound conversational, serious, and strong which is significant because the speaker is having to stay strong to resist getting hurt by the girl he loves again. The English sonnet form allows the reader to understand all the pain that the speaker has endured quatrain by quatrain. Each one …show more content…
The speaker uses words such as “louring” (line 2), “deep deceit” (line 8), “grievous” (line 11) and “bale” (line 140. All of these words have sorrowful and despairing meanings to them which gives the whole poem an unhappy tone. The third and fourth lines discus that the speaker cannot even look at the beautiful face, which appears to grow more attractive daily, of the woman he loves. Moreover, the couplet tells the readers that the sorrow in the speaker’s eyes is there because of the pain he has felt due to his faulty relationship. The mouse that “lies aloof for fear of more mishap” (line 7) shows the misery felt by the speaker by using the words “aloof” and “mishap”. “Aloof” means to be stand-offish or reserved, which the speaker is because if he gets too close, he will be hurt again. “Mishap” means disaster or unfortune which altogether sounds miserable. Had the speaker used diction that was lighter or less depressed, the reader truly would not understand the misery the speaker has went through. The miserable diction depicts the deep wounds the speaker received from his love, shedding light to how much he really loved her and how bad she really hurt
Secondly, the author uses word choice to show the speakers overall sorrow. Throughout the whole poem there are word scattered everywhere that describe the general emotion of sorrow, some of those word being “restless” (19), “torment”, and “troubled” (4). These words instantly give the connotation of feelings like despair and sadness. The speaker also uses literary elements such as simile to express sorrow, like when she says “These troubles of the heart/ are like unwashed clothes” (27, 28). Everyday people usually do not pay much mind to unwashed clothes, and usually look at it as something unimportant or irrelevant. When the speaker compares her internal troubles to something that holds little importance to everyday life and is also seen as unpleasant, the readers really get a look into the sorrow and sadness that the speaker is truly feeling. The speaker also uses word choice to help show the readers the true intensity of what she is going through.
When a reader grasps a theme throughout any piece of literature, he or she never clearly understands the intent without knowing where the theme came from. The theme that is portrayed in the poem is, often times reconnecting with a loved one cannot only bring happiness, but it can also bring sorrow. This theme was emphasized throughout the poem and without knowing the historical context of the poem, one could not necessarily understand where it came from. In the text it
The poem is structured in a way which follows the proper metre for a sonnet, however, it is unusual in a sense that it is free verse and has no rhyme scheme. The sentences are broken to fit the iambic pentameter. This creates pauses, and a choppiness in the flow
The author of “For That He Looked Not Upon Her” uses several literary techniques such as form, imagery, and diction that develop the complex attitude of the poem. The situation of this poem is a couple having problems that causes them to question their relationship. The further we read into the poem the more we learn of the fear and doubt between the two individuals. The authors use of melancholy diction contributes to the tone and the complex attitude of the poem. The complex attitude of the poem is lack of trust that the couple has in their relationship. The man loves his partner even though she has hurt him. He is confused and unsure of whether or not he should continue
In For That He Looked Not upon Her, George Gascoigne uses several literary devices to bring his poem together in a way that makes the point of it clear. He also uses these devices to show the deeper meaning behind his words. Of many, three of the devices used prominently throughout his work is form, diction, and imagery. All pulled together the author is able to clearly portray a betrayed tone towards the subject of the poem.
Poetry written in the sixteenth century is not very different from modern-day poetry. Poets seem to continue to craft work based upon love and heartbreak more than any other topic. In Georgia Giscoigne’s 1573 poem “For That He Looked Not upon Her”, the speaker comes off as distraught over a girl, but actually has a more conflicting attitude towards her. The speaker feels desire towards this girl, but his desirer comes off as ambivalent at times. He shows indecisiveness about his feelings towards her, and at times comes off as regretful towards his past with her. Gascoigne presents a desiring, ambivalent, yet regretful attitude through his choice of title, diction, and use of metaphors.
The use of symbolism and imagery is beautifully orchestrated in a magnificent dance of emotion that is resonated throughout the poem. The two main ideas that are keen to resurface are that of personal growth and freedom. Furthermore, at first glimpse this can be seen as a simple poem about a women’s struggle with her counterpart. However, this meaning can be interpreted more profoundly than just the causality of a bad relationship.
As for the form, there are a number of poetic devices which serve to fill the poems with the necessary diction. As Lovelace’s poem is easier and lighter by tone, there are not so many devices, but still the figurative language is romantic and eloquent. The imagery is delicate and beautiful. The innocence and pureness of the protagonist’s beloved woman is described by the words “the nunnery of thy chaste breast and quiet mind”; the lover’s attitude is shown by the words “Sweet” and “Dear”; the rush and aspiration of the hero is underlined by the metaphors of “flying” and “chasing”. There is no place for regret or fear; on the contrary, it seems that the hero relishes his fortune, his obligation and the
George Gascoigne’s poem “For That He Looked Not upon Her” discusses the misery of love by exploring speaker’s internal conflict between the his romantic desires and his fear of betrayal. After leaving a difficult relationship, the speaker refuses to look his former partner in the eye even though he is still deeply attracted to her. He justifies his action by explaining how his desire for her will only continue to bring him distress. The speaker uses the poem’s form and diction in order to establish a dismal yet cautious tone in the poem. Furthermore, through various instances of imagery, he reveals his fear of being deceived in the future. By employing these literary devices, Gascoigne highlights the theme of human desire and how it consequently leads to the speaker’s emotional suffering.
Furthermore, Nemerov also employed alliteration to the poem, reflecting the widower’s constant sorrow and agony. “And still the hungry, angry heart/ Hangs on and howls, biting at air.” (lines 14-15). The repetitive use of ‘h’ in words ‘hangs’ and ‘howls’, as well as the similarity of pronunciation in words “hungry” and “angry” adds emphasis to the suffering of the widower.
In George Gascoigne’s “For That He Looked Not upon Her”, the English poet emphasizes in his poem using a variety of intense images and diction to show that he can’t look at the one he loves. He structures his poem to have a rhyme scheme, so he can show readers the emotional experience he had with his problems and express it throughout the poem.
The theme exhibits a lot of ignorance since it does not work in the interests of everybody thought, it brings a lot of meaning considering the author’s point of view. The tone bears a significant similarity to that of a teenager who is oblivious to reality. However, the mood is wondrous and happy following that the diction gives a great sense of positivity and success. The poem indicates that life seems to be a bit easy in the childhood provided that the in the childhood one has no responsibilities to worry about unlike in the old age where one has a lot of responsibilities to worry about. For example, in the sentence "cotton candy torches, sweet as furtive kisses" , it rises thoughts of huge cotton candy that tastes wonderful but furnishes as soon as a furtive kiss. The poet has used very descriptive words and numerous poetic devices to make the description in the poem very clear and effective. The tone only changes in the last line “Tossing a glance through the chain link at an improbable world.” In fact, it is the only instance where the author brings reality to light.
Nothing to Envy by Barbara Demick provides insight into the lives of North Korean defectors while in North Korea. Their accounts give inside information about the North Korean regime which makes it possible to analyze to what extent society was an egalitarian utopia. The interview reveals that people were discriminated by social class as evident by those who were richer, and thus in a higher social strata, having more opportunities for success. There was also economic inequity which was apparent by people having different degrees of struggle. However, the problems North Koreans faced was similar, which showed there was some equality from their struggles. Overall, the interviewees give accounts which contradict the idea that the North Korean regime was promoting egalitarianism through their accounts which give counterexamples regarding social class and economic status, so their claim of egalitarianism is mostly false.
The poem, “For That He Looked Not upon Her” by George Gascoigne exemplifies how the speaker suffered from love, something that many people believe one should feel positive about. The title delivers a despairing tone by allowing the audience to believe that the speaker can no longer look the woman he loved in the eye. Conflicting with the despairing tone, the speaker develops a complex attitude with the use of structure, metaphors, diction, and desire.
This piece has several “mini” themes given to almost each stanza, emphasizing reminiscing, grief, and isolation. Appearing to be from the point of view of a man (apparently the writer himself) profoundly grieving the departure of a lover who has passed on. He starts by calling for quiet from the ordinary objects of life; the phones, the clocks, the pianos, drums, and creatures close-by. He doesn't simply need calm, but be that as it may; he needs his misfortune well known and projected. Its tone is significantly more dismal than earlier versions, and the themes more all inclusive, despite the fact that it talks about a person. There is almost an entire stanza demonstrating a bunch of analogies that express what the speaker intended to his lover. The style in the piece readers typically perceive it as a dirge, or a mourning for the dead. It has four stanzas of four lines each with lines in