Frankenstein : Born Evil Or Evil In Mary Shelley's Frankenstein

It was simply born and tried to see the person who made him come, the one who needed him and loved him. But when it saw the world did not see anybody who at least gave him an arm to stand up. Victor Frankenstein wanted to give life to a creature, but when he managed to do it “the beauty of the dream vanished, and breathless horror and disgust filled [his] heart…”(p.57). He was scared of what he had created and ran away from his creature, leaving it all alone and hurt. Victor Frankenstein made the first step into making the Creature a real monster by running away from it, not even welcoming it into this world. Victor ran away for the Creature was ugly, but the Creature did not have any cruel intentions for being as a newborn it was evil-free. The Creature did not do anything bad. All it did was it came into the world, or it would be more honest to elaborate that it did not come on its own will but was brought to life. He came looking for love and the first thing he met was rejection. How does it feel for any living being to be rejected?

The above quote portrays the few moments after Frankenstien had given life to his creature. He had spent a few years working on this project. It can be compaired to a person giving birth to a child. By nature he wanted his creation to be beautiful. When he realizes that his creature is not a beautiful sight, but in actuality a grotesque looking being, he runs away. He does not spend any time nuturing his "child" , because the abnormal apperence of the creature has scared him away. From this point on the creature is doomed to receive this type of reaction from any one who sees him, because human nature is to fear the unknown. The creatures creator is afraid of him. This is like a

In Mary Shelley’s Frankenstein, the theme of nature versus nurture is seen throughout the novel. Freud and many psychologists state that nature and nurture influence development because genes and environment, biological and social factors direct life courses, and their effects intertwine. Through the Creature 's continual rejection by society and Victor, Mary Shelley shows that social rejection altars the Creature’s attitude towards society and pushes him to be vengeful. In Frankenstein the Creature experiences more nurture than nature in the novel due to his knowledge gained from his experiences this is seen with the continual rejection from Victor and the Creature teaches how to survive.

In the infamous novel, Frankenstein or the Modern Prometheus, by Mary Shelley, there have been a variety of recurring themes throughout the book, one of them being good versus evil. Good versus evil is a popular theme that appears in several movies, TV shows, as well as literature itself. According to Wikipedia.com, it means: “[...] the battle between ideologies, with one side Good, and the other Evil. Another variation is the inner struggle in characters (and by extension, humans in reality) between good and evil.” This theme is specifically crucial to the plot because it ultimately asks the readers what it means to be “human.” Shelley supports her representation by manipulating society’s behavior, questioning the limits of humans, and

While Creature is full of humanity and has a thirst for knowledge, his longing for acceptance in society is met with constant rejection. Through this rejection, it sparks anger into the Creature for his irresponsible creator, Victor Frankenstein. Creature’s anger leads to greater tragedies for Victor. The greater of the tragedies are the murdering of innocent people including Victor’s family that is seen to be the fault of Creature since he is the one who murdered them. If Victor did not abandon the Creature and had taught him murder was not morally correct, Creature would not have committed the heinous acts.When Creature was first theoretically born, he was introduced into the world in a very harsh way. Metaphorically, Creature starts out into the world as a newborn, needing a parent 's guidance and teachings. Victor abandons him immediately with no sense of direction. Creature, after his “birth”, approaches Victor with a hand of longing for compassion. “He held up the curtain of the bed; and his eyes, if eyes they maybe called, were fixed on me...He might have spoken, but I did not hear; one hand was stretched out” (Shelley 35). Victor instead of showing acceptance immediately runs away at the sight of him.

Now the creature knows that it is not only his creator, Frankenstein, who rejects him, but an entire village. He was left “miserable …. from the barbarity of man”. He is not only learning that society dislikes him, but that it is ‘normal’ to attack others. He hasn’t known kindness in his entire life. He doesn’t even know that it exists. The second contact he has with humans, they are being violent. They are not demonstrating any sort of reason, teaching the creature that it is normal to be violent and impulsive.

For as long as man has encompassed this world, the divisive enigma of humanity has prevailed. Seeping its way into each generation, while sparking heated conversations, it has become evident that there is much we do not know about what truly makes us human. Regardless of our genetic composition, philosophers often ponder the deeper meaning of humanity. We know that, biologically, recreating the genetic makeup of a human does not yield humanity, so what is the missing aspect? Humans -have the ability to contemplate their own existence in this world. Awareness of existence. This driving force enables us to analyze situations while placing ourselves within them. Our involuntary ability to understand the impact of our actions and the affect they have on others causes us to be inherently human. Our actions evoke strong emotions within us that allow us to learn through our experiences. We retain the resonated feelings of certain occurrences and apply them to others in order to deduce outcomes. Often this facet of mankind is taken for granted, yet we are reminded, through both literature and hypothetical scenarios, of its importance. Frankenstein, by Mary Shelley, constitutes as one of these profound reminders. Shelley develops a theoretical story in which the humanity of Frankenstein’s monster is questioned. Despite having the accurate organs and framework of a human, Shelley causes the reader to seek the missing aspect that is preventing the monster from being human. Likewise,

monster avoid pain again and how he is able to sit and think about how

As shown in Frankenstein, by Mary Shelley people grow evil without the presence of others with which they can relate. If someone feels they are alone, their actions will stray from their good intentions, and soon their intentions will not be so good either. The awful deeds done by humans, including those done by Frankenstein’s Monster, are done because isolation drives people to malicious actions. Frankenstein, Walton, and the monster would all be better people if they had a companion to help them through their troubles. The actions of these characters in their solitude’s contrast to their previous actions shows that being alone is what make them evil.

The creature witnesses the worst in humanity when his creator and every person he encounters, abandons him and leave him isolated from the rest of society. Desertion leads to the conflict because no one accepts and stand by the creature which in turn, fuels his need for revenge. Frankenstein lives to create this new, glorious discovery, however the very person he gives the creature life, leaves him companionless. The creature curses his creator and asks “why did [Frankenstein] form a monster so hideous that even [he] turn[s] from [the creature] in disgust” (130). In this situation, the parent abandons his son. The one person who is there to support and love one throughout all, leaves his creation due to the regret and revulsion he associates the creature with. Moreover, the creature stands alone with no understanding of where he comes from and where to go next. He is “absolutely ignorant [of his creation and creator], but [he] kn[o]ws that [he] possess[es] no money, no friends, no kind

endure the aspect of the being I had created, I rushed out of the room

The creature once says, “All men hate the wretched; how then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, they creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us” (Shelley 83). He wonders himself why, in all of his suffering, he has been created at all. He was not even granted the bride he was promised by Victor. This unfortunate existence led the creation to turn to anger and rage. Blind ambition drove his creator, who could not foresee the level of destruction he would give when the reality of his plans was finally realized.

Tragic hero’s can come in all shapes and sizes. They may appear as a villain in multiple works of literature. In the novel, Frankenstein, by Mary Shelley, the tragic hero is the creature. He is a main character whose faults led to his overall downfall. Often, the creature is misinterpreted by people to be named Frankenstein because he is such a prominent character. While the creature is able to identify the faults in mankind it is only after extreme suffering on his own part.

Mary Shelley's Frankenstein is very much a commentary on the Enlightenment and its failure to tame the human condition through reason. The human condition can be defined as the unique features which mold a human being. The creature is undoubtedly a victim of this predicament. He grapples with the meaning of life, the search for gratification, the sense of curiosity, the inevitability of isolation, and the awareness of the inescapability of death. These qualities and his ceaseless stalking of his master conjure up the metaphor that he is the shadow of the Enlightenment. Indeed, the Enlightenment is represented through Frankenstein whereas the creature is the embodiment of everything it shuns. These include nature, emotion, and savagery. The two characters are understood as counterparts and yet strikingly similar at the same time. The creature is considered a monster because of his grotesque appearance. Frankenstein on the other hand is a monster of another kind: his ambition, secrecy, and selfishness alienate him from human society. He is eventually consumed by an obsessive hatred of his creation. Both characters also commit primordial crimes. Although rationality pervades through Frankenstein's endeavours, it can be argued that he becomes less human the more he tries to be God. The secret of life lies beyond an accepted boundary from which none can return. By creating life Frankenstein ironically sets the stage for his own destruction as well as that of his family. The

It is vital that you know who the real monster in the Frankenstein book, Victor Frankenstein is the number one contender for this position. He creates a monster, but who knows if the actual monster he created is the true monster in this story. In later chapters the true monster is revealed, Victor Frankenstein takes fault for the deaths of Justine, William, and Henry even though he wasn’t the actual cause of their death. Although the monster was created by Victor, he is still horrid and disgusted by how his monsters look and abandons his creation because of his unpleasant demeanor. Victor didn’t accept the monster and decided to avoid coming into contact with the monster, woefully the monster later commits an evil act and kills Justine