Frankenstein the True Monster

What is a monster, really? Is it really a Creature that has three eyes instead of two, with pus seeping out of every crevice in his face and an abnormally large form? Or is it someone with a mind so corrupt it rivals that of Satan? Mary Shelley’s Frankenstein is a story within a story that centers on the tale of a man with an immense thirst of knowledge and a fetish to imitate the Creator. Mary Shelley’s Frankenstein is a lot like the Greek mythological tale of the Greek God, Prometheus, and his brother, Epimetheus, who were assigned the task of creating man. The story captivates the theme of monstrosity. Mary Shelley wrote the novel in a form so the reader’s opinions never stray far from sympathy for the monster and apathy for Victor

Frankenstein follows Victor Frankenstein’s triumph as he reanimates a dead body, and then details his guilt for creating such a thing. When the creation realizes how he came to be, and is rejected by mankind, he seeks revenge on his creator’s loved ones. In the novel Frankenstein, Mary Shelley portrays Victor Frankenstein as the true monster of the story through the use of literary devices revealing the characteristics that Frankensteins and monsters share, and shows how Frankenstein’s irresponsibility leads to his monstrous labeling.

Victor Frankenstein worried about everyone else and playing God, rather than trying to do right, morally. Victor had to go through a lot of steps and difficulties to create the monster. After the creation of the monster, everyone including Victor abandoned him. Victor refused to create a girl creature to avoid a lot of problems, but he did not realize the hell the monster would end up causing him. Victor regrets trying to play God because his action would cause him great troubles and consequences.

In Shelley’s Frankenstein, the monster is portrayed as a grotesque abomination. However, as Hopkins states in Contending Forces, the cultural and geographical situations, or lack thereof, in which one matures in play a crucial role in the proper development of one’s mind and brain. The monster is simply a product of circumstance. The lack of social interactions alongside geographical isolation propelled the daemon to be alienated from society, ultimately resulting in a lack of morals and an underdeveloped psyche. By being a culmination of his surroundings and experiences it is revealed that the true monstrous entities are the factors that leave the daemon predisposed to fail in a modern society. Arguably, Victor created a being, while the circumstances that said being was placed in “created” a monster. Shelley purposefully terrorizes the monster with such intensity to provoke and justify the overarching theme in this novel which states that people should not be judged on their physical appearance.

In Mary Shelley´s Gothic novel, Frankenstein, the Monster once claimed, “The fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.” Frankenstein, since the 1910 film adaptation, has known a series of several adaptations that changed drastically, not only the plot but one of the main characters, the Monster, from stealing its creator´s name to being portrayed as a cold villain. Though, in the original storyline, the biggest threat to society is the creator itself, the one pretending to play as God, Victor Frankenstein. This essay will discuss the nature of the main characters of the novel and conclude who is the “real monster” in the end.

Throughout Frankenstein, Victor proves to be quite an egotistical person. Victor’s actions will sometimes be selfish and not as noble as he would like others to believe. He creates the monster with a desire to obtain awe and fame and to make sure that his name will be remembered throughout history. “… a light so brilliant and wondrous… that I alone should be reserved to discover so astonishing a secret” (Shelley 37). While this discovery of Victor’s may be groundbreaking, he fails to think of the negative consequences, only thinking of himself and what this could potentially

Next, Frankenstein is not a hero because after creating the monster, he wants to destroy it because it has taken so much from him as revenge. Frankenstein is unable to kill his creation and dies after his life is destroyed completely. Why would Victor want to live his life trying to kill off something that he made? Because the monster he created was not what he wanted it to be. Why would he want to create life? Because he was mourning the loss of his wife-to-be. Frankenstein was overall a good man, he just didn't thoroughly think out his

Who is the real monster?” acts as the dominant question throughout the novel “Frankenstein” written by Mary Shelly as the reader explores the protagonist Victor Frankenstein and his nameless creation. As the novel progresses, the reader notices how the relationship between the two characters goes far beyond a neglectful creature and resentful creation, for the two influence the thoughts, actions and emotions of each other. Furthermore, the creature’s physical appearance acts as his purpose throughout the novel as well as a mirror of Victor Frankenstein’s true identity. Additionally, the creature’s lack of identity begins to initiate Frankenstein’s shame towards his own identity, revealing the flawed character of Frankenstein and determining the resolution to the question “Who is the true monster? Who is the true catalyst of destruction?” During the novel, the reader is able to identify the creature as the most effective foil for Victor Frankenstein because the creature causes: Frankenstein to view the action of the creature as his own work, the shift between pride and shame in Frankenstein, and his physical appearance demonstrates his purpose to reveal the true character of Victor Frankenstein.

Tragic hero’s can come in all shapes and sizes. They may appear as a villain in multiple works of literature. In the novel, Frankenstein, by Mary Shelley, the tragic hero is the creature. He is a main character whose faults led to his overall downfall. Often, the creature is misinterpreted by people to be named Frankenstein because he is such a prominent character. While the creature is able to identify the faults in mankind it is only after extreme suffering on his own part.

Despite how extravagantly different the creation scene is in Shelley’s novel compared to what is presented on screen, there is little to say on the subject. As already mentioned in the introduction, the tradition of exuberant, showy creation scenes didn’t begin with the ‘original’ \textit{Frankenstein} (1931), but with the 1910 edition, where it lends half of its runtime to the conjuration of the monster. Each iteration of Frankenstein thereafter copies this extravagant method of portraying the creation scene, and as they do so, knowledge of Shelley’s minimal description is lost. First, we must explore why her version of events isn’t inclusive of the embellishment and indulgence on screen. \\

Victor Frankenstein, a complex character created by Mary Shelley, experienced a complete change in attitude and perspective on the scientific world as he knew it. Between the deaths of his close family and friends, to the constant fight for survival as his own creation stalked him, Victor was under straining circumstances that allowed for his evolution as a character. Pre monster, Victor had strong morals and close relationships with his family. His family was his priority. Victor’s dedication to science was always a constant nagging in the back of his mind, but it did not mean more to him than his family dead. During the formation of his creation, he began to block off his family, especially his fiancee, Elizabeth. His dedication to science was his only priority, above food and hygiene. He was driven by the creation of his monster. After creation, his family members were killed off, eliminating any type of relationship he had with them, he rejected all science and moral values.

Discrimination is treating someone differently, often unfairly, because he/she is a part of a specific group, class or category of people. For instance, a girl named Wu Qing in China was discriminated against and could not find a job because how her body was a bit chubby and the scars in her face from an accident in her early childhood. Even though she was kind and used to be straight-A student, she had no friends. Now, she is looking for selling her kidney in order to pay the plastic surgery fee. Discrimination can change a person from innocent to evil is an important theme in the novel “Frankenstein” by Mary Shelley. Even though

His father then explained it to him - electricity.  Victor's interest was again sparked, this time literally. Victor turned seventeen and went to attend the University of Ingolstadt in Germany, studying Natural Philosophy.  At Ingolstadt, Victor met with a professor who said, "The ancient teachers of this science promised impossibilities, and performed nothing.  The modern masters ... have acquired new and almost unlimited powers; they can command the thunders of heaven, mimic the earthquake, and even mock the invisible world with its own shadows."  This quote, which could indeed be interpreted as man "playing god", very much intrigued Victor.  He was fascinated - spending every waking moment in the presence of his professors and his science.  Victor read and absorbed as much information as he possibly could.The major turning point of the novel then begins; Victor endeavors to create a human being.  If he would have been unsuccessful, the novel would have ended, but the question of whether it was moral to even attempt to create life would have still remained.  Thus, the single most important and prominent theme in the novel begins - morality versus scientific discovery.

It is vital that you know who the real monster in the Frankenstein book, Victor Frankenstein is the number one contender for this position. He creates a monster, but who knows if the actual monster he created is the true monster in this story. In later chapters the true monster is revealed, Victor Frankenstein takes fault for the deaths of Justine, William, and Henry even though he wasn’t the actual cause of their death. Although the monster was created by Victor, he is still horrid and disgusted by how his monsters look and abandons his creation because of his unpleasant demeanor. Victor didn’t accept the monster and decided to avoid coming into contact with the monster, woefully the monster later commits an evil act and kills Justine

There was a feeling. You weren't exactly sure what was causing it, but it was a nice feeling. As you came to, you began to feel more of the feeling and it started to manifest itself to a physical point on your body. It almost felt like...someone was stroking your hair.