Free Will vs. Fate in The Winter's Tale Essay

On the other hand, Laertes wants to revenge his father’s death. Therefore this mistake murder leads Hamlet to his downfall as Claudius and Laertes want to kill him.

Throughout the play A Midsummer Night's Dream, Shakespeare uses both fate and free will to present his philosophy towards the nature of love. The characters struggle through confusion and conflicts to be with the one they love. Although the course of their love did not go well, love ultimately triumphs over all at the end of the play. The chaos reaches a climax causing great disruption among the lovers. However, the turmoil is eventually resolved by Puck, who fixes his mistake. The confusion then ends and the lovers are with their true love. Throughout the play Shakespeare's philosophy was displayed in various scenes, and his concept still holds true in modern society.

Laertes response to the death of his father is immediate. He is publicly angry and lead a public riot. His actions are rash, being based on his anger. He is not concerned with punishment.

When Laertes learns that Hamlet has killed his father, he immediately goes along with the king's plan to kill Hamlet. Laertes agrees to "be ruled" by the King so that Hamlet "shall not choose but fall; / And for his death no wind if blame shall breathe, / But even his mother shall…call it accident" (4.7. 69, 65-68). Laertes has lost all form of conscience because of his anger towards Hamlet, he even wants "to cut [Hamlet's] throat i' the church" which is a grave offense that would surely send Laertes to Hell (4.7.127). Hamlet, on the other hand, spends much of his time plotting how he will gain his revenge. He has "heard / That guilty creatures sitting at a play…have proclaimed their malefactions…/ Before mine uncle, I'll observe his looks…If ‘a do blench, / I know my course" (2.2.589-90, 593, 597.598-9). Hamlet chooses to show the King a play, very like that of Claudius' own murderous deed, in order to cause a reaction. When "the King rises" unexpectedly, Hamlet gains some evidence of the King's guilt, beyond the word of a ghost.

3. Hamlet guilt stems from watching an actor portray more emotion than he has in his quest for vengeance. Like Hamlet, Laertes wants to avenge his father, but does it in a much more passionate way. Laertes demonstrates his passionate response through “That drop of blood that’s calm proclaims me bastard,/ Cries cuckold to my father, brands the harlot/ Even here, between the chaste unsmirched brows/ Of my true mother.” 4.5.117-119 Laertes essentially that by not avenging his father he is not fit to be a son. He would become a bastard or a man with no birthright making his mother a harlot. He views revenge as a noble duty to his father. Laertes passionate revenge further makes Hamlet’s revenge appear weak and hesitant.

fate or determinism and say this was all planned out from the beginning of time knowing some things in nature happen randomly--

    In Shakespeare’s play, Hamlet, the characters of Laertes and Hamlet both display impulsive reactions when angered. Once Laertes discovers his father has been murdered, he immediately assumes the slayer is Claudius. As a result of Laertes' speculation, he instinctively moves to avenge Polonius' death. "To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation: to this point I stand, that both worlds I give to negligence, let come what comes; only I'll be revenged most thoroughly for my father." Act 4 Scene 5 lines 128-134 provide insight into Laertes' mind, displaying his desire for revenge at any cost.

3. What does the following quotation tell you about Léonce’s attitude toward his wife? He looked “at his wife as one looks at a valuable piece of personal property which has suffered some damage.”

The tragedy of Hamlet, Shakespeare’s most popular and greatest tragedy, presents his genius as a playwright and includes many numbers of themes and literary techniques. In all tragedies, the main character, called a tragic hero, suffers and usually dies at the end. Prince Hamlet is a model example of a Shakespearean tragic hero. Every tragedy must have a tragic hero. A tragic hero must own many good traits, but has a flaw that ultimately leads to his downfall. If not for this tragic flaw, the hero would be able to survive at the end of the play. A tragic hero must have free will and also have the characteristics of being brave and noble. In addition, the audience must feel some sympathy for the tragic hero.

"But I am very sorry, good Horatio, /That to Laertes I forgot myself; /For, by the image of my cause, I see/The portraiture of his" (V.2). In seeking to revenge, Hamlet accidentally stabs Polonius, the king's advisor, thus killing the father of Laertes. Hamlet acknowledges, with his sense of higher justice and objectivity, that Laertes has a reason for hating him, given that he is also a parricide. There is a sharp, circular irony to this cycle of revenge. Similarly, Ophelia is driven mad by the death of her father and kills herself. Hamlet, while much of his madness is assumed, is also driven to a state of emotional distress. Laertes, Hamlet, and Ophelia all act irrationally in ways that bring about their death because of the extremity of their grief.

Laertes does not think about his actions or reason through them as Hamlet does, but reacts indecisively and quickly to his father’s death with no concern for the results. For instance, when Laertes finds out about his father’s death, when he barges into the castle Elsinore, and demands to see the king, when Claudius convinces Laertes that he did not kill Polonius, answering Claudius’ question whether Laertes would kill even a friend to avenge his father, Laertes answers, “None but his enemies.” (IV, v, 165) The fact that Laertes would kill his own friend to avenge his father shows that he does not care for the consequences that would follow murdering your friend. He is hot headed and does not stop to think, so he does not realize he is being manipulated. Another instance, following the discussion between Claudius and Laertes aforementioned, Claudius starts to flatter Laertes into killing Hamlet for him, as Claudius questions Laertes commitment to avenging his father, Laertes declares, “ To cut his throat i’ th’ church.” (IV, vii, 144) Laertes confesses with this line that he does not believe in the consequences of the after life. He has no regards for the eternal condemnation that taking a life results in.

Fate, as described in the Oxford English Dictionary, is “The principle, power, or agency by which, according to certain philosophical and popular systems of belief, all events, or some events in particular, are unalterably predetermined from eternity.” To the western world, fate is perceived as “a sentence or doom of the gods” (Oxford). They often sought prophecies of the gods, especially from Apollo, the god of knowledge. The Greeks would seek prophecies usually when they had doubts about something, or if they were afraid or in despair. When the gods made a prophecy, the Greeks put all their faith in it and believed that it would happen. When their prophecies did come true, was it really fate that

Everything they loved was taken from them, a mother has lost a daughter and a son has lost a father the only way to grieve is to avenge their deaths. Looking Shakespeare's tragic play, Hamlet, and Aeschylus' tragic play, The Oresteia the theme of revenge is significant, and Victor L. Cahn defines revenge as a single figure who is inspired by one transgression to pursue a path of destruction that becomes more damaging than the act provoked it (305). He also adds that the story must end with the revenger's downfall, which in the case of Hamlet and The Oresteia is true as Hamlet and Clytemnestra both expire. The story of Hamlet revolves around Hamlet who has lost his father, the king, due to actions executed by Hamlet's uncle, Claudius, who gained

Laertes, a foil to Hamlet in the play, faces similar problems as Hamlet. Laertes learns Hamlet is responsible for the death of his father, Polonius by Claudius. But, in Act III Scene iv, Polonius was hiding behind the arras of the Queen Gertrude’s room and Hamlet killed him accidentally. Claudius took the opportunity to use his manipulative skills and convince Laertes he should kill Hamlet for what he did (Cruttwell). Claudius’ speech to Laertes implies that not acting would show no love for his father, “Not that I think you did not love your father, but that I know love is begun by time, and that I see in passages of proof”(IV. vii. 111-113). Claudius’ tone influences Laertes to immediately seek revenge on

Claudius is a coward when it comes to murder. Claudius finds the most indirect way to kill someone: usually with poison. The King also manages to get Laertes to be the one to fatally injured Hamlet– showing hs manipulative tendencies. “Thou art slain./ No med’cine in the world can do thee good./ In thee there is not half an hour’s life./ The treacherous instrument is in the thy hand,/ Unbated and envenomed… The King, the King is to blame” (5.2.344-51). Here, Laertes is explaining that the king poisoned his fencing sword so he could impart the fatal blow on to Hamlet. It is not Claudius that takes the credit; Hamlet has to find out from Laertes that he is dying. Even as Hamlet is dying, Claudius still chooses to remain a coward. As the antagonist, Claudius is meant to embody evil, condemnable traits that make readers hate him. Shakespeare is