Gender Studies in Emily Bronte's Wuthering Heights
Gender played an important role in the style of writing known as "Gothic". Traditional stereotypes were often broken. Men were not always portrayed as dominant, strong, rational or masculine. Likewise, women were not always portrayed as weak, submissive, irrational, or feminine. This essay will take a look at the relationship between Catherine and Edgar Linton in Emily Brönte's Wuthering Heights. We will take a look at how their characters are portrayed, how this affected their marriage, and how each character retained some of the traits attributed to their gender.
Catherine's character will be examined first, since she is one of the main characters in the book. Catherine was
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On our first glimpse of Edgar, we see him and his sister, Isabella, crying over some ridiculous issue. Ellen describes him as a mama's boy and a wimp, but he is also quite frank, as we see on page 45 when he buts in on someone else's conversation. To get to the point, Edgar was a very sensitive, emotional, frail child, not at all portrayed as masculine.
After Catherine and Edgar meet, it is obvious they will be married. One incident in particular seemed to set the tone of their marriage. On page 55, we see an example of Catherine's horrible temper and how it manifested itself through physical violence. Edgar, shocked at seeing "his idol"(p.55) commit such a deed, became very emotional and decided to leave. As we all know, he did not get very far before he came back.
In this scene, Catherine became physically dominant, as shown by her use of force on everyone around her. Her use of manipulation to get Edgar back showed a very rational and intelligent mind at work, but the fact that she truly cried over the situation shows emotion, even if it was embarrassment. While Edgar was emotional during this scene, he was determined to leave, at first. He ultimately proved to be submissive by coming back and giving in to her.
Catherine and Edgar's relationship mirrored the future relationship between Heathcliff and Isabella. Catherine was no longer physically abusive to Edgar, but emotionally and mentally abusive. We see a glimpse of this when she blackmailed
In this passage, Edgar is described as a ‘sleepless guardian’ of Catherine’s body, and stays with her until the point of exhaustion, when he finally leaves for a few hours to sleep. During this time, Heathcliff lingers outside and waits for Edgar to leave; when he finally does, Heathcliff sneaks inside to say goodbye to Catherine. This directly shows the contrast between the two men.Similarly, Edgar grieves by isolating himself in his library, while Heathcliff grieves by taking out his anger on
The culture of set societal rules and conventions urges Catherine to be with Edgar, compelling her to be ‘the greatest woman of the neighbourhood’ due to them being relatively firm in their gentry’s status. This suggests the importance of her social status against the nature of her love for Heathcliff stating, ‘we would be beggars’, through employing the word ‘beggars’ the reader crafts the idea of her belief that she won’t survive without her status. Catherine admits ‘It would degrade me to marry Heathcliff now; so he shall never know how I love him’ Thus implying a swelling sense of her vanity and pride; enough to enjoy the position she gains from being married to Edgar despite her admiration for Heathcliff, being ‘more than (herself) than (she is)’and
Edgar Linton, normally gentle, also uses physical violence when he fights with Heathcliff over Catherine Earnshaw, now his wife Catherine Linton. Like Hindley, Edgar does not realize that violence cannot produce love. His fight with Heathcliff results in Catherine’s insanity and her eventual death. Catherine, too, is not flawless. When Nelly, under Hindley’s orders, chaperones Edgar’s visit with Catherine Earnshaw, Catherine is furious and strikes Nelly. When her nephew Hareton weeps at this abusive display, Catherine seizes the child and shakes him. She then strikes Edgar when he tries to stop her. The root of Catherine’s violence is not the same as the one that plague Hindley and Edgar: she does not physically hurt her family because she wants to be loved. She feels that she is already loved by everyone, but she
After Catherine died, Heathcliff beseeched her to stay with him and haunt him. He is a self-centered human being, and desires Catherine to be with him even after death. Edgar on the other hand didn't beg for Catherine to haunt him, for he was looking forward to their time together in the afterlife. This proves Heathcliff’s selfishness to needing Catherine with him, and also confirms the fact that Edgar is the one that would unconditionally love Catherine forever. Heathcliff selfishly only wanted Catherine for himself, he visited Catherine’s coffin and removed the blond lock of hair which belongs to Edgar and threw it to the floor, then taking his own and placing it in.
Heathcliff resents her scorn. He desires to regain her approval. He attempts to be “decent” and “good” for her sake (Brontë 40). However, his attempt to be decent fails miserably. He resents the attentions that Catherine gives to Edgar. Catherine would rather wear a “silly frock” and have dinner with “silly friends” than ramble about the moors with him (Brontë 50). Heathcliff keeps track of the evenings Catherine spends with Edgar and those that she spends with him. He desperately wants to be with Catherine. When Catherine announces to Nelly her engagement to Edgar, Heathcliff eavesdrops, but leaves the room when he “heard Catherine say it would degrade her to marry him” (Brontë 59). Catherine has spurned his love, choosing Edgar over him. Heathcliff cannot bear this rejection. The love he possesses for her transcends romantic and filial love (Mitchell 124). He feels that he is one with her (Mitchell 123).
As a consequence of Heathcliff's visit to the Grange, Edgar's sister Isabella falls in love with him, and her feelings seem to be sincere. In this one-sided love affair Heathcliff takes advantage of the innocent girl's infatuation to foster his obsession for revenge. (Isabella is her brother's heir). Catherine's reaction is very hard to interpret. It is natural that she is jealous, if she still feels the same for him as before, and that may be the reason why she dissuades Isabella from marrying Heathcliff. But the words she uses, telling her what an abominable creature Heathcliff is, are not the sort you expect to hear from someone talking of a sweetheart. Later on when her husband and Heathcliff are having a quarrel, she stops Edgar from hurting her friend . There is an excess of emotion, and her explanation to this behaviour is that she wants them both, Edgar and Heathcliff: "Well, if I cannot keep Heathcliff for my friend - if Edgar will be mean and jealous, I'll try to break their hearts by breaking my own" (109).Her love for Heathcliff has not cooled down, instead it seems to be a stronger obsession than ever considering the torments she goes through, when she becomes seriously ill.The last time Catherine and Heathcliff see each other is a very heart-rending meeting. Their love for each other is as strong as ever, and Heathcliff
Though he has always been portrayed as wily and somber, he is more so in the latter half of the book than ever. Because of his refusal to change, he causes himself to become nothing more than a remorseful, bitter man. Lastly, Edgar is the one who is demanded to change. While the other characters are given a choice as whether to become someone else, Edgar is forced to change because of his surroundings and involvement with Cathy. At the beginning of the novel, he is described as cheerful and kind; he is also Cathy’s only window into a life that she wishes to have. For instance, the author states, “… he was too good to be thoroughly unhappy long… he recalled her memory with ardent, tender love, and hopeful aspiring to the better world…” (p. 180). In this statement, it is quite clear that Edgar is grieving. He is forced to change his outlook because of Cathy’s passing, and because of this, he changes for the better. Though his mourning may alter him, he finds himself in a better state than before. This is shown by how he is able to move on and accept that he must change to move
Catherine’s crisis starts with her decision to marry Edgar Linton. “Yes, and it worries me, and I must let it out! I want to know what I should do. To-day, Edgar Linton has asked me to marry him, and I've given him an answer. Now, before I tell you whether it was a consent or denial, you tell me which it ought to have been.”(77) Catherine starts to worry about the decisions she made because she realized she loves Edgar but not nearly as much as she loves Heathcliff. Cathy went on to admit this saying “Whatever our souls are made of, his and mine are the same; and Linton’s is as different as a moonbeam from lightning, or frost from fire.” (80) She knows she shouldn't marry Linton because she loves Heathcliff more than anyone else, but she does
During his multiple visitations to her new residence, Thrushcross Grange, he meticulously tries to make her feel ashamed of her marriage to Edgar Linton. For example, in his second visit to Thrushcross Grange he states that “[she has] treated [him] infernally” and that she should expect “[his revenge] ... in a very [short] while” (105-106). Correspondingly, Catherine responds saying that she is in shock by “his [new phase of character]” and is curious as to how he will get his “[so called ‘revenge’] ... [on her supposed ‘infernal’ treatment]” (106). Infuriated by her calling his sense of judgment, and revenge a bluff, he starts his master plan by aiming his affections at Edgar’s sister, Isabella Linton. Wantonly, Heathcliff manages to win Isabella’s heart and as such “[takes her away on horseback]” for Catherine to find out (122). Once again at hearing the disappearance of Heathcliff, this time with another woman, Catherine slips into another round of hallucinations. Yet, unlike the last time, her condition becomes life threatening. Catherine, in the time of her ailment, believes that “[her old life, and self are gone because of how Heathcliff treats her now]” (151). At the same time of when Catherine thinks this, Heathcliff, returns once again, to inform that “[he has not changed in how he treats her, but she has changed in how
Another aspect which is relevant today and forever it shall remain relevant is selfishness. Catherine's selfish character was depicted when she wanted both Edgar and Heathcliff at the same time. In the beginning, she was introduced as a 'high spirited' character who was wild. However, she drastically changes throughout the book. When she hurts her leg and is forced to stay at Thrushcross Grange, she returns to Wuthering Heights as a well dressed and dignified lady. She was easily swayed to the superior lifestyle of the Lintons and began to look down upon Heathcliff. She even laughs at his rough and dirty appearance and says "I didn't mean to laugh at you. I could not hinder myself Heathcliff. Shake hands at least! What are you sulky for? It was only that you looked odd. If you wash you face and brush your hair, it would be alright. But you are
Edgar did not think well about Catherine. The way she is Edgar did not like so much. Edgar thought of her in a bad way. Edgar only thought she was a bad type of person and he did not like that very much. He thought she only liked to trick people to get what she wanted. He knows that she has a powerfull intellect but only uses it to get what she wants from people.
Edgar plays a major role towards the injustice brought upon him by Catherine. They were supposed to marry and live together forever; however, a man, Heathcliff, entered her live and her heart grew to love him even more than what she adored Edgar.
Furthermore, when Heathcliff returns, Catherine should take no interest in trying to rekindle her feelings for him as Edgar had been putting in effort to make their marriage work 'Mr. Edgar had a deep-rooted fear of ruffling her humour' Up until this scene the couples were getting along and if Catherine had concealed her zealous behaviour towards Heathcliff then the calm atmosphere would have remained. Catherine rudely ignores her husband's presence to the extent that he demands the disrespectful behaviour to be stopped and a decision made 'Will you give up Heathcliff hereafter, or will you giver up me? It is impossible for you to be my friend and his at the same time…' Indeed, Edgar is right to put Catherine's in this difficult situation because any other typical husband at the time would have been less patient with Catherine or banned Heathcliff from the house at an earlier stage. Catherine struggles because the two men in her life represent two types if world and she cannot have both at the same time.
This leads to him running away from the heights entirely, leaving Catherine to marry Edgar. “He had listened till he heard Catherine say it would degrade her to marry him.” (81). Upon his return (two years later), Heathcliff marries Isabella to get back at Catherine, and her speech about how marrying him would degrade her. Isabella is also taken against her and her family’s will. Heathcliff kidnaps her and locks her away at the heights. In a letter written to Nelly, Isabella confirms that it was truly against her will for her leaving, and that she cannot return in the time of crisis in her brother’s life. “… an entreaty for kind remembrance and reconciliation, if her proceeding offended him: asserting that she could not help it then, and being done, no power to repeal it.” (140). In the act of kidnapping Isabella, Heathcliff’s intent is to hurt Catherine. Catherine would develop almost a jealous-like temper towards the whole situation, as Heathcliff knew it would. Even on Catherine’s deathbed, there is a constant push and pull (in almost a literal sense) of the cruelty that goes on between the two of them. Between the crying, the vexing, and the constant apologies, comes the brutal cruelty of the words Catherine speaks to Heathcliff. “I shall not pity you, not I. You have killed me – and thriven on it, I think.” (164)
While at Thrushcross Grange, she grows infatuated with Edgar, despite her love for Heathcliff. Edgar came from an upper class family as well and took care of her when she was in a dog accident. This leads to her acceptance of Edgar Linton’s marriage proposal despite her statements regarding her love for Heathcliff. Heathcliff overhears unfortunate passages of Catherine's discourse and disappears for a period during which he mysteriously makes his fortune and changes irrevocably from the person he was. Vengeance consumes him, and Heathcliff attempts to destroy the lives of those who wronged him, (as well as their children). Ultimately, Heathcliff’s bitterly executed vengeance is effaced by a love between Hareton and Cathy that mirrors Heathcliff’s own love for Catherine. Hareton is Catherine’s nephew and Cathy is Catherine’s daughter, which makes the two first cousins.