Georgia O'Keeffe Essay

Georgia O’Keefe was born on a small family farm near Sun Prairie, Wisconsin on November 15, 1887 as the second child of seven. Daughter of Francis Calyxtus O'Keeffe, Sr. and Ida Ten Totto; Sister of Francis Calyxtus O'Keeffe, Ida Ten Eyck O'Keeffe, Anita Ten Eyck Young, Alexis "Tex" Wyckoff O'Keeffe, Catherine Blanche O'Keeffe; and Claudia Ruth O'Keeffe. At a young age, she was encouraged to take art lessons from Sara Mann, a local artist, who taught her how to use watercolours. She married her mentor, Alfred Stieglitz in 1924. They lived in New York, though O’Keefe frequently visited New Mexico to paint the landscape. She took up permanent residence in Taos, New Mexico after her husband’s death in 1924. When she got older, she had a rapid

Georgia O’Keeffe created From the Lake No. 1 in 1924. It is an oil painting on canvas and measures 36 inches by 30 inches. In this painting, I see a gray cloudy sky at the top of the painting and sweeps of blue, green and brown that could represent the lake water, wind, trees, and mountains.

Georgia O’Keeffe was born to the parents of Francis Calyxtus O’Keeffe and Ida (Totto) O’Keeffe on November 15, 1887 near Wisconsin. Georgia was the second oldest child and by the age of ten she knew she wanted to become an artist someday. Her first aspiration was doing abstracts. She was selective about what she painted, but often times she would paint to please others and not herself. Her paintings were thought of as sexual paintings because of the way they were drawn and painted in which she would say is one’s own opinion. Georgia O’Keeffe was best known for her flower canvas and southwestern landscapes. Her husband who is a famous photographer by the name of Alfred Stieglitz used to paint nice portraits of her. She was very fond of him, they both liked what each other did as far as how they were making ends meet, and he just didn’t want her to sell any of her paintings. He would often times tell people “No” so they wouldn’t buy any of her paintings because he wanted them all to himself. She had an interest in nature and used bright colors in her paintings.

When she began creating beautiful artwork in school and was being commended by other teachers and students, she gained an incredible sense of self worth and put her painful childhood in the back of her mind. (19) She grew up to be a very strong, independent person and she did not care if she was judged, as long as she liked who she was. As a result of her father leaving when she was young, she felt that males were not good enough for her and she developed a strong sense of feminism. In fact, for awhile, Georgia explored her sexuality and dated predominantly women for a significant part of her life. This factor did effect her painting, but not in a sexual way. She painted images that were ‘close ups’, allowing you to see deep into them and to be close to them. She yearned to be close to someone but was afraid to be hurt again. Georgia’s non-traditional lifestyle did affect her life, but did not force her to create sexual female images. “It may be more accurate to read her drawings as intimations of a less literal and more profound view of reality.” (Peters 29)

Georgia Totto O’Keeffe was born on November 15, 1887 in Sun Prairie, Wisconsin. Throughout her long career, O’Keefe covered a wide range of subjects including landscapes, flowers, bones and skyscrapers using different medias such as charcoal, watercolor and oil paint. Having contributed many pieces of iconic and original artwork, she is considered by many to be the “Mother of American Modernism”.

Bessie Coleman was born on January 26, 1892 in Atlanta, Texas. She was one of thirteen children to Susan Coleman and George Coleman. Her parents were both sharecroppers. Her father later ended up leaving to seek better opportunities in Oklahoma. Her mother tried her best to support her family. Once the children were old enough, they would help contribute in sharecropping. At twelve years old Bessie decided to go to Oklahoma

Georgia collaborated with many other artists, journalists, and photographers to generate new ideas and inspire each other’s creations (“About Georgia O’Keeffe,” 2017). She

Mayella Ewell’s geraniums symbolize her hopes for a better future, one which is much more ordinary and beautiful. Despite Mayella Ewell’s situation, she wishes to be more than her surroundings. "Against the fence, in a line, were six chipped-enamel slop jars holding brilliant red

The first example in which Fitzgerald uses flowers to symbolize his idea of the 1920s is Daisy Buchanan. The daisy is a flower that represents beauty and purity, and yet it has some dark traits, like the fact that it can potentially be an invasive species. The same is true for Daisy Buchanan. She is beautiful and very popular, loved by many men, seemingly pure and innocent. At her roots however, Daisy Buchanan, whose voice is “full of money” (120), is corrupt and has a love for money and wealth.

The painting by Georgia O’Keeffe, Pedernal, was a landscape depicting a desert area with mountains in the background. The ground is a light brown over all with smaller areas of lighter still tan as well as somewhat darker areas streaked through the dirt.in the front of the picture, there are a few small plants grouped up on the right side with various shades of green, as well as a taller one in the center of the picture. The plants add a luscious look to the painting and contradict nicely with the desert dirt. Behind those fewer plants are more plants in a larger number, as well more colors. These plants are a beautiful variety of red, yellow, and green in what looks like a small valley. There are so many plants there that the dirt is actually

At first glance, the similarities between Vincent van Gogh and Georgia O’Keeffe appear minimal at best. A young van Gogh died penniless and largely unknown in a remote backwater in the south of France, while O’Keeffe lived out a long and illustrious life as one of the most famous artists of the early twentieth century. Where O’Keeffe was the object of admiration and fascination, van Gogh was the object of pity and derision. Where O’Keeffe was heralded in her lifetime for capturing the spirit of the desert landscapes of her beloved New Mexico, van Gogh was a was a man without a country, driven by destitution and illness to wander Europe in search of peace and some measure of stability. Despite their differences, however, O’Keeffe and van Gogh share vital similarities. Both van Gogh and O’Keeffe used art to advocate for the inclusion of the disenfranchised and the forgotten (namely, the poor and the ill in van Gogh’s oeuvre and women in O’Keeffe’s); both revolutionized how the natural world is seen; both are characterized by aesthetic styles which are highly sensory and sensual, representing psychological and physical states in such groundbreaking ways that they change the modern world’s understanding of what it means to be human.

Ms. O’Keeffe did not only publish artwork, she published two books and twelve short catalog introductions. She was a very successful woman and a great mother to her six children. The two books she published contained illustrations of her artwork. Georgia couldn’t really explain her work to the public; she would say something like “Colors & line & shape seem for me a more definite statement than words.”

The American artist Georgia O’Keeffe art work is consider abstraction although her art pieces have some real aspect to them. O’Keeffe wanted to make her art work unique and began using charcoal in some of her artwork which eventually leads her into using watercolors. She is most famous for using watercolor that portray the landscape and the sky. She was inspired by the landscape and sky of the state of Texas and New Mexico. The medium she used were charcoal, watercolors, and oil. Her artwork was made on canvases, and boards. O’Keeffe is also known for being part of the modernist movement which gave credit to American artist.

“I was beginning to learn that your life is a story told about you, not one that you tell.”

Her use of the bones of animals alongside the flowers creates the mirage of the womanly shape. Her selection of bright colors, lines and shapes help me to appreciate the beauty in everyday things that I normally don’t look at very thoroughly. It is apparent that she was her work, in anything that she created she incorporated feeling and emotion. When she painted, she painted according to how she was feeling whether it be a modern painting, an abstract painting, a landscape painting. She took simplified natural forms like clouds, plants, and waves and used them in charcoal drawings with exquisite abstracted, expressive lines and shapes. Without a doubt, Georgia O’keeffe was an amazing