II. Structure of the Globe
The theater that Cuthbert Burbage built for the Chamberlain's Men had a total capacity of between 2,000 and 3,000 spectators. Because there was no lighting, all performances at the Globe were conducted, weather permitting, during the day (probably most often in the mid-afternoon span between 2 P.M. and 5 P.M.). Because most of the Globe and all of its stage was open air, acoustics were poor and the actors were compelled by circumstances to shout their lines, stress their enunciation, and engage in exaggerated theatrical gestures. What would seem most striking to a modern (Broadway) theatergoer about the productions staged at the Globe is that they were completely devoid of background scenery. Although costumes
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Although condemned by London authorities, along with cock-fighting, bear-baiting and the bawdy attractions of taverns, the Southwark theater district operated outside the legal reach of the City's officials. But while the Globe Theatre, and indeed, the entire Elizabethan theater scene opened its doors to the low life of the pits, it also accommodated an audience of higher-status, well-heeled, and better educated individuals. As Harry Levin notes in his general introduction to the Riverside Shakespeare (1974), the "Globe was truly a microcosm or little world of man". With its logo of Hercules holding up the earth (as a temporary replacement to Atlas), the Globe Theatre constituted a "little world" in which the social elite rubbed up against a cross-section of common vulgarians, drunken idlers, and other shady, street-wise sorts. Yet, at the same time, the Globe was grand even in the eyes of Elizabethan society's most powerful and prosperous leaders. As Levin also observes in his prefatory essay, recently discovered documents indicate that reconstructions of the Globe as "a quaint little Tudor cottage" have been errant, since Burbage's house "may have had arches, pilaster, and other details of Baroque architecture". Contemporaneous accounts suggests that the Globe was far more impressive than the thatched and half-timbered models of it can capture, having a more spectacular look to its structure than is commonly recognized, one
He inspired others in Elizabethan Theatre, while also assisting in the construction of the well known Globe Theatre. He also was a very good friend of Shakespeare, and therefore collaborated with him in many of his plays. Richard Burbage also joined the Lord’s Chamberlain's Men, which was a theatrical company run by Shakespeare, and presented many fine plays in the timeframe. The Globe Theatre may not have stood for over 200 years, but it inspired the construction of a brand new theatre in 1997 named Shakespeare’s Globe. This particular theatre not only modeled after what the original Globe Theatre looked like, but it also introduced and hosted many plays over the years. Richard Burbage may not have done a whole lot for English Society, but he mainly contributed to the construction of the original Globe Theatre. Edward Alleyn however did many notable things in Elizabethan theatre. He assisted in the construction of the Fortune Theatre, which was constructed in a unique way that was much different than most Elizabethan theatres back in the day. The theatre was constructed in a rectangular fashion on the inside, which was very different and unusual for most Elizabethan theatres. Edward Alleyn also contributed to the English society in one specific way, which was the construction of the Dulwich College. This was significant as it provided an education and housing for the least fortunate scholars in
The Globe Theater was a theater that was built and owned by Shakespeare and the group he belonged to called the Lord Chamberlain's Men. Although it is not known exactly when the theater was built, the first record of it shows that it was built before the end of 1599. The Globe Theater was built using lumber from a theater that was not very far away. Even though the Globe Theater was built with wood from a dismantled theater, it was not the same as the previous theater. In fact the globe theater was much larger than the previous one. The theater was a great success for many years; nevertheless, it was burned down in summer of 1613 during a play of Henry VIII. During the performance something happened to a theatrical cannon to cause it to misfire
cost 1 penny, to sit cost 2 pennies and for a wealthy person to sit
Next, the performance at The Globe Theater help separate it’s self from the other theaters. “The plays at The Globe” article articulate, “As soon as a play had been written it was immediately produced and printed followed productions”(Alchin). Rival theaters would send out some of their workers to go to the plays to produce unauthorized copies, plays and they were copied quickly as possible. The fact that, other theaters copied The Globe Theater’s plays shows that the plays performed there had the other companies scared of losing their audience so they had to do something similar to The Globe Theater. It proves the plays performed were a huge success and very profitable. The plays and overall Theater had a tremendous influence on the people of England in several ways.
Shakespeare was at the height of creative powers, and his theatrical company, the King's Men, was the official royal acting company. He had the large Globe Theater, a large public playhouse on the south bank of the Thames. He would soon open the Blackfriars Theater, a small private
The history of The Globe Theatre comes from a building known as The Theatre. The Theatre, had been built by James Burbage, in Shoreditch (District in the East End of London) in 1576. The Burbage's had a 20-year lease of the land where the theater had been built. When the lease was up, the landlord intended on knocking the theater down. However, with the lease ending, James Burbage built the theatre in Blackfriars as a replacement. Unfortunately the wealthy people of Blackfriars persuaded the government to forbid its use for plays. James Burbage died in 1597. The members of the Lord Chamberlain’s Men had to rent a theater. In 1598, they decided to build a theater of their own. The Burbage’s sons got their fathers inheritance, Cuthbert and Richard, which were connected the Blackfriars, they formed an agreement with Shakespeare and a few other actors, who became partners for the new Globe. Each member had their own share, the two brothers, Cuthbert and Richard, got a bigger share than the others. Each person’s shares became smaller as
The Globe Theater was an octagon shape and had three different stories to it. Levels one and two were for dressing and storage. Level three was upper stage and balcony, resembling the courtyard, or a bridge of a ship. The Globe Theater was built with oak wood and timber, the walls were made with plaster. The stage had a canopy over it that represented “the heavens”, moon, stars, planets, sun, etc. There were two pillars supporting the canopy. The stage did not have a curtain either. There were trap doors, entrances and exits, underneath the stage were represented as “hell”. This theater was located in an area called Bankside.
h The form of Elizabethan theatre derived from the innyards and animal baiting rings in which actors had been accustomed to perform in in the past. They were circular wooden buildings with a paved courtyard in the middle. Such a theatre would hold around 3,000 spectators. The yards were about 80 feet in diameter and the rectangular stage 40ft by 30ft in height
The Globe Theater’s history behind being built was based off the period of life that it was built in. After the plague ended in the 1800s, there was a company of actors known as the Lord Chamberlain’s Men who needed a theatre to perform in. This group is where Shakespeare was first known to be part of. Many theatres were unable to reopen in England after the plague ended. The group performed in the Cross Keys Inn for a little while while looking for a theatre but there were restrictions for performing inside of the city’s limits. Shakespeare was the lead playwright for the group by the time the plans for the Globe came about. This group of actors were not the only actors that were struggling at the time because the Theatre, which was a main place for plays to be performed was closed after the lease for the land had expired and the owner refused to renew the lease. This sent Cuthbert and Richard Burbage, the sons of the original owner of the Theater who had died, into an outrage. They decided to build a new playhouse located in Bankside of London (Wright 71-76). The theater became famous for being the place where Shakespeare did
The project I did for the Shakespeare project was building The Globe Theater. I decided to do this project because I enjoy building different things with my hands. I worked on this project with a partner. I enjoyed working with a partner rather than alone because I like to have fun while I do projects.
Once plays started being written, the number of interested spectators increased. In order to satisfy the Greeks amphitheaters were constructed all over Greece. Three well-known theaters were the theater at Delphi, the Attic Theater and the theater of Dionysus built at the foot of the Acropolis in Athens. During their prime time, the plays attracted crowds of 30,000 and more. The stands were built around the orchestra and up hillsides; somewhat like a baseball stadium today. This made it possible to seat more than 17,000 spectators at a time.
Drama changed literature and theater into what it is today. I. History of Elizabethan Theater a. forming of theater 1. medieval church 2. mystery and morality b. actors 1. rogues and thieves 2. acting guilds II. Influences and people a. commanding actors 1. Shakespeare 2. Burbage b. other 1. wars of the roses (other historical influences) 2. laws restricting theater III. The theaters a. prices 1. seating 2. stage b. the theater and the globe 1. locations and characteristics 2. Burbage and other accomplishment Elizabethan Drama During the reign of Queen Elizabeth I, England underwent a dramatic change in priorities. The importance of art and literature became highly prevalent. The impact of the Elizabethan drama and
"The arts of the western world have been largely dominated by the artistic standards established by the Greeks of the classical period" (Spreloosel 86). It is from the Greek word theatron, meaning a place for sitting, that we get our word theater. According to James Butler, "The Greeks were the first people to erect special structures to bring audiences and theatrical performers together" (27). "The theaters were normally located near a populated area at the bottom of or cut out of a carefully selected, sloping hillside overlooking a seascape, a plain, or a city" (Butler 30). "They eventually with few exceptions consisted of three distinct parts: theatron
“In roughly built playhouses and cobblestone inn yards, an extraordinary development took place in England in the 1500s.” (Yancey, 8). At that time, an opportunity combined to produce literature achievement never before witnessed in the history of drama and theater. The renaissance, helped spark this movement by inspiring scientific and artistic creativity throughout the land. Models began writing dramas that portrayed life in both realistic and imaginative ways. This created work later captured the attention of the world that changed the English drama. The many aspects of Elizabethan theater helped to shape the acting and theater world forever.
There were other amenities that were lacking for the theaters. Almost all the lighting for the theater was natural light. This meant that most plays would have to be show during the daytime. The theaters did not have heating either. In the winter months they would have to shut the theater down and be transferred to indoor playhouses. This actually helped boost popularity because it gave the people something to do during the cold winter months since it was inside. There were no microphones or soundboards to be able to hear so actors had to speak loudly and clearly. Unfortunately, there were also no toilets at the theater. “But there were no toilets and the floor they stood on was probably just sand, ash or covered in nutshells” (Shakespeare Globe Education). During the summer hours when it would become real hot the pit would be called the “stinkards.”