Gloria Anzaldúa's How To Tame A Wild Tongue

Up to “half a year passed…” (Rodriguez, 287) until his teachers “…began to connect [his] behaviour with the difficult progress of [his] older sister and brother were making” (287). Note the fact that the teacher’s realization was because of his siblings and not because of his solitude, silent attitude. The message, as Anzaldua perfectly evokes in his short story, is that it’s our very “tongue [which] diminishes our sense of self” (298). A similar image Anzaldua depicts in ‘How to Tame a Wild Tongue’ – coincidently at the rather beginning of the text just like Rodriguez – is when the Anglo teacher said “If you want to be American, speak ‘American’. If you don’t like it, go back to Mexico where you belong” (295). On this occasion, Anzaldua’s mother also tells him off as she was “…mortified that [her son] spoke English like a Mexican” (295). Here, the pressure derives from the mom and the teacher, making Anzaldua feel out of place. He believes that “wild tongues can’t be tamed, they can only be cut” (295) emphasizing that one’s identity must be forgotten if he/she wants to learn another language (English), ultimately gaining a new identity. Another example of lack of identity recognition is when Kingston, in ‘Tongue Tied’, specifies that only the Chinese girls were left out when the class went to the auditorium. Kingston “…knew the silence had to do with being a Chinese girl” (284), hence, her self-esteem diminishes, she feels excluded from the class;

Gloria Anzaldua, author of the article " How to tame a Wild Tongue", expresses very strong views on how she feels her native Chicano Spanish language needs to be preserved in order to maintain cultural unity when used as a private form of communication. Her statement, " for a people who cannot identify with either standard (formal, Castilian) Spanish, nor standard English, what recourse is left to them but to create their own language?" suggests that despite the societal pressures of needing to learn more formal and ‘properly' accepted English and Spanish, the very nature of the Chicano language is a unique creation of acceptance, through language within the Mexican culture. She is opposed to assimilation on

Gloria Anzaldua, the author of “How to Tame a Wild Tongue,” expresses a very strong tie that she has to her native language. Anzaldua grew up in the United States, but spoke mostly Spanish. She did not speak the normal form of Spanish though; she spoke Chicano Spanish, a language very close to her heart. The text focuses on the idea of her losing her home accent, or tongue, to conform to the environment she is growing up in. From a very young age, Anzaldua knows that she is not treated the same as everyone else is treated. She knows that she is second to others, and her language is far from second to others as well. Anzaldua stays true to her language by identifying herself with her language and keeping

Anzaldua’s audience is everyone, ranging from immigrants to native United States citizens. In her text she uses examples that many people can relate to when English isn’t their first language or they have a unique difference from the majority. An example I chose to back up my claim is one from Anzaldua's past experiences, this takes place in her childhood dentist office where from the imagery she gives us shows she annoyed with some of the state the dentist is saying about her “strong [and] stubborn” (206) tongue. Even though the comments made by the dentist wasn’t directed towards her language and accent, the way she feels while he’s speaking to her show that she already has some insecurities with the way she speaks. She believes that her language is something that defines her, and if people have a problem with how she speaks they have made up negative assumptions about her.

Mother Tongue is a story that describes how Amy Tan’s mother was treated unfairly because of her “broken English”. As the second generation of Chinese immigrants, Tan faces more problems than her peers do. Her mom, who speaks “limited” English, needs Tan to be her “translator” in order to communicate with the native English speakers. Tan has felt ashamed of her mother “broken” language at first. She then contemplates her background affected her life and her study. However, she changes her thought at the end since she realizes things behind language might be more valuable than language itself sometimes. Through the various different literary devices and rhetorical strategies such as the ethos, pathos, and logos appeals, as well as a

Activist, Gloria Anzaldua’s narrative excerpt “How to Tame a Wild Tongue” She goes into depth of ethnic identity, while knocking down walls of linguistic and identity down. How one would identify themselves while broadcasting the struggles any person with culture has felt. She uses ethos, pathos, and logos alongside all five senses. Making the reader feel as though they witness the struggles she went through if not witness then actually experienced. Anzaldua’s thesis is that language is a part of one’s identity. It is what makes a person who they and connects them to their roots. People shouldn't let others try to tame their tongue or cut off their native language; because once they do and are given that power they can disconnect the person from their culture and roots.

Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.

In Richard Rodriguez's essay , “ Aria: A Memoir of a Bilingual Childhood ” he writes about how he struggled as a child who only spoke Spanish language but lives in a society where the “public” language is English . He believes that speaking proper English will somehow help him fit into society and find his “true” identity. Throughout the essay he contrast the Spanish language identity and English language identity. As a young boy, Rodriguez finds consolation and safety in his home where they only speak Spanish. He feels that he only has a true identity when he is at home surrounded by those who speak the same language as him . On the contrary , he becomes trapped and disoriented when not being able to speak / understand the English language . He feels as if he is not part of “their world” and has no identity in society. By comparing and contrasting Spanish language identity and English language identity . Rodriguez's essay is an example that speaking different languages should not make anyone choose an identity . In fact being able to speak and understand multiple languages in his case Spanish and English makes the language a part of his identity, but with two different sides .

“How to Tame a Wild Tongue” is published in Borderlands/La Frontera: The New MEstiza (1987), by Gloria Anzaldua and “the book talks about how she is concerned with many kinds of borders--between nations, cultures, classes, genders, and languages.” Anzaldua gives many examples of how she felt when being classified as a Chicana. Her thesis in this is that she is “arguing for the ways in which identity is intertwined with the way we speak and for

Language is an essential part of a person; through language, you will find a person’s culture and nationality. In “How to Tame a Wild Tongue”, Gloria Anzaldua, demonstrates her stance of language and how she proudly admits that language, to her, is an identity that makes her feel whole . She also expresses hardship growing up because some people are not willing to accept her for who she is and forcefully attempts to make her change.

In this Chapter I feel that Anzaldua is trying to get the reader to understand the differences and atruggles amongst cultures. The clash of cultures results in mental and emotional confusion. Living inbetween more than one culture, you often get opposing messages from these cultures. Sometimes when living within the Chicana culture common white beleifs conflict with the beleifs of the Mexican culture. They both hold beleifs of the indifinous peopel and their culture. It creates a problem that the dominant cultures views and beleifs are defiant to the others. This is very wrong because it creats the problem of one being superior to the other. This especially relates to the Mexican culture and white culture. This creates the assimilation problem when one culture is not accepted or considered below another.

In Gloria Anzaldúa article “How to Tame a Wild Tongue,” she shows us how different worlds so close can be so different. Anzaldúa shows that people have restricted freedom in society by the social norms set in them. Anzaldúa pressed her awareness and distraught on how people treat her depending on the type of language she uses. She also explains some of her emotions towards the way people are like with speaking and listening to accents. The article is how Anzaldúa explains how culture and accent shapes a person’s identity by being controlled and oppressed to fit into the social norms, which is how she creates cracks using language and code switching.

The passage How to Tame a Wild Tongue by Gloria Anzaldua exposes the difficulties that many ethnicities of immigrants are exposed to, when they recently migrate to the United States. Gloria Anzaldua stands up for the minorities who are underrepresented, as well as talks of her own personal experiences. Anzaldua does not let linguistic terrorism be a negative influence, resulting in her own language being robbed from her, and pridefully speaks the language, regardless of the situation that she is presented with.

Anzaldua takes great pride in her language, “So if you want to really hurt me, talk badly about my language. Ethnic diversity is twin skin to linguistic identity – I am my language” (p89). She states that her language is a part of herself so when you insult Chicano it’s like a strike to the heart of Anzaldua. Anzaldua goes on to explains that although Chicanos all over the US speak different dialects of Chicano Spanish, they are still all Chicanos. Just because the language varies a little does not diminish its authenticity. People who speak a variation on a language should not be ashamed because they speak a little differently. “There is the quiet of the Indian about us. We know how to survive. When other races have given up their tongue we’ve kept ours. We know what it is to live under the hammer blow of the dominant norteamericano culture. but more we count the blows, we count the days the weeks the years the centuries the aeons until the white laws and commerce and customs will rot in the deserts they’ve created” (p93). She strongly urges Los Chicanos to not give up their culture and endure. She believes that the will of their culture will outlast any obstacle they encounter and demands that they not give in to the temptation to conform.

One must learn to adjust themselves to the dominant culture while having their own cultural values, Anzaldua called it “plural personality”. Mestiza for her is possibility of thinking at border length. Rejection of binary thinking of border and it system of diffraction. All cultural identity is built in the story that is being told which passed down culture, identity and traditions. This encourages tolerance of ambiguity. There’s no Mestiza for her because it’s tainted and forged through power and domination. It’s a combination of inequality, rejection of traditional culture and the acceptance to create a new culture that gives rise to a new consciousness. Anzalua’s “new” identity is very significant to idea to a certain extent, other than defining herself according to society’s definition of what constitutes being Hispanic