Goblet to Commemorate: Love and Devotion

Nonetheless, during the 12th Dynasty, there was a temple built for Amun’s worship and toward the end of the 18th Dynasty, Amun’s status increased even more and he became known as “…the great royal deity who was “Father of the Gods” and ruler of Egypt and the people of its empire (Rosalie 104).

In addition, it was an effort to institute a monotheistic tradition in the country that was quite unfamiliar for that era and unexpected for that level of the expansion of ancient Egyptian philosophy and evolution. In fact, religion was extremely important to ancient Egyptian society because people at the era deeply trusted on the natural forces and they created different cults worshiping gods of the sun, earth, and water. In such a way, they believed that through reverencing these gods they could merit their provision and, therefore, ancient Egyptians totaled for higher harvests, revenue and improved existence which they could achieve only with the support of various deities. Moreover, it is obvious the amount to which the attempt of Akhenaten to introduce monotheism in ancient Egypt was radical. It is obvious that the honoring of one god, Aten, should change the opinion of the surrounding world and the position of gods in the life of ancient Egyptian people.

Amenhotep IV commenced his reign in 1353 BCE and was of the 18th Dynasty of Egypt. When Amenhotep IV came to power, the priests of Amun had been gradually growing in power and were almost equal with the royal house in terms of wealth and influence. During the 5th year of his reign he outlawed the ancient religion which was centered on the worship and offerings to many Gods in particular those of the composite deity Ra-Amun-Horus (Ra- daytime sun, Amun- underworld sun, - Horus- the sunrise). He then changed his name to Akhenaten, proclaiming himself to be the living incarnation of the all-powerful, single deity known as ‘Aten’ (The visible sun). Traditionally, as described in the Coffin Texts of the Middle kingdom, the ‘Aten’ was the name for the sun-disk and in the "Story of Sinuhe", Amenemhat I is described to have soared into the sky, uniting with the Aten, his creator. The early stages of "Atenism" was as a henotheistic religion (devotion to a single god but recognising the existence of others), but quickly developed into a monotheistic system where the worship of all other Gods was banned, including the making and worship of idols, allowing only the rayed sun-disk to be displayed as a representation of ‘God’, for the ‘Aten' was the sole deity. Ordinary people could not worship the Aten

Akhenaten's ancestry, together with his claimed "unlimited personal force of character" suggested he would not allow himself to be set aside by the priesthood. Breasted says that Akhenaten moved his capital to Amarna "endeavouring to displace it by the nationalism which had preceded it for twenty centuries." This further illustrates the possibility of a feud between the two aspects of Government. Aldred resolutely rejects this suggestion, saying "The idea of a struggle between an enlightened and progressive king on the one side and a reactionary and scheming priesthood on the other, will simply not stand up to closer scrutiny" . Aldred also suggests that a mere technicality in theology was all that separated Akhenaten's religion from that of Egyptian traditionalists . According to Aldred, the priesthood and the administration were as "indissolubly linked as they ever had been" . However he says clear distinction of power still remained, as demonstrated by Akhenaten's ability to subsequently reduce the status of the priesthood, his "mere surrogates" . This is a transparent contradiction, Aldred

Akhenaten, a pharaoh of ancient Egypt, had big shoes to fill when he stepped up to the throne. His father, Amenhotep III, had helped restore their country to its former glory by being a diplomat. Amenhotep negotiated with bordering nations to provide stable political alliances, and trade routes. Egypt,

As a result, Amenhotep III soon shifted attention and investment of resources to various solar deities/cults including Nekhbet, Thoth, Hathor, Ptah, and largely developed interest in the Aten “the dazzling sun disk”. His self-deification as Amun and later Aten as discussed by Jan Assman, aside from reinforcing control of territory, was a direct political challenge to the power of the Amun priesthood, as evident through his depiction at the Soleb temple with the horns of Amun. In his identification and claims to be an incarnation ofAmun, a main deity, who he no longer fell subject to the Amun priesthood’s religious will, but rather was in a more dominant position over them, further reasserting his authority as Pharaoh-god. Influences of Aten were starting to feature prominently as religious symbolism, such as the replacing of the neb glyph/ traditional depiction of the solar boat with new iconography and epithets on royal regalia; and adding Aten to names of buildings, royal barges and even his daughter, Bakenaten. This rebellion endured and most possibly shaped his son,

When Akhenaten took over the throne he made many religious changes. Firstly, he changed the religion from polytheism to monotheism. The people of Egypt have traditionally worshipped many Gods who were in human or animal forms, but when Akhenaten took over he introduced the idea of worshipping in one God; Aten or sun-disc (BBC). This shows he is a visionary because he is one of the first people in history to introduce such an idea. Now many religions worship one God, but the first person to ever think of this idea was Akhenaten, which shows he thought ahead of his time and developed a new trend. Moreover, he changed the temples to being open to more people and not just high priests. He introduced a new form of temple which had open roofs so the sunlight can shine on the worshippers. The temple was more open to the public and more accessible. In modern society areas of worship are open to the public, this is similar to what Akhenaten tried to accomplish. He tried to show that a place of worship

The Ancient Egyptian were polytheistic most of the time, which means that they believed in multiple gods. When Akhenaten was pharaoh, the Egyptians were monotheistic, meaning they worshiped only one god. He ended the worship of other gods and claimed that Aten, the lord of all was the only god in Egypt. The Egyptians didn't like this idea, so on their own,

Amenhotep even changed his name to Arkhenaten which means, servant of Aten. Before the consideration of monotheism, Atenism was a henotheistic religion, the honoring and respect to one god but knowing there are others also. When praying or practicing this religion, it was done in the sunlight rather than in dark temple which was the common doing. Aten became the supreme god, with Akhentaten being the only other consideration. Although Atenism is considers to be a Monotheistic religion, it falls on the border line because Akhentaten was believed to be both man and a type god. Akhentaten closed all other temples making Aten the only god that can be worshipped. Unlike the other two religions mentioned, most of the population did not accept their kings religion simply for the fact that, it was not that simple to erase the other gods and pretend they never existed. This is a fact because as soon as Akhenaten died, his religion went with him. The Egyptians simply went back to their own religions and Akhenaten became known as a heretic king. Atenism is one of the shortest religion ever, which only lasted about twenty

“Akhenaton, Nefertiti, and Three Daughters,” is from the Amarna period in 18th dynasty ancient Egypt, which was around c. 1353-1335 BCE. This was a time where art in ancient Egypt was vastly different from anything that had come before it, mostly due to Akhenaton himself. The religion of the time was also very different, as it had become a monotheistic religion instead of a polytheistic one, where everyone now worships the life giving god Aton, represented here by the sun who is soaking them in life-giving rays and the ankh placed on the sun representing Aton. Pictured in this work is the Pharaoh Akhenaton and his family, yet it is not the stiff ceremonial

     During the New Kingdom of Egypt (from 1552 through 1069 B.C.), there came a sweeping change in the religious structure of the ancient Egyptian civilization. "The Hymn to the Aten" was created by Amenhotep IV, who ruled from 1369 to 1353 B.C., and began a move toward a monotheist culture instead of the polytheist religion which Egypt had experienced for the many hundreds of years prior to the introduction of this new idea. There was much that was different from the old views in "The Hymn to the Aten", and it offered a new outlook on the Egyptian ways of life by providing a complete break with the traditions which Egypt held to with

Although Egyptians were polytheistic, they worshiped the sun god, Atum or Re, as he was the source of life. This is important because the Egyptian king took the title of “Son of Re”. The king, hence the descendant of the god, was the mother and father of all men without equal. The king akin to the living god, and his rule was law. Despite there being no laws, the words out of the king’s mouth were the law. As a king, he handles the army to protect his possessions and people.

Amun-Re is often referred to as the most important and powerful god of Ancient Egypt. Amun-Re was the god of the sun. “Amun-Re is the main name of the sun god, but also has three different names in which describe the phases of life that Amun-Re goes through each day.”(Budge, Pg. 92) When examining the ancient Egyptian god Amun-Re, four main points must be understood, including: the origin of Amun-Re, the characteristics of Amun-Re, how Amun-Re was worshiped, and how Amun-Re impacted Egyptian life.

Tell el-‘Amarna, the city built by Heretic Pharaoh Akhenaten was located between Luxor and Cairo along the Nile. The city was occupied during the reign of Akhenaten and abandoned after his death by his son, Pharaoh Tutankhamun. Although the city was along occupied for a short period of time, archaeologists have been able to reconstruct a fairly accurate representation of the city. However, because the city was associated with Aten and the religion of the heretic king, the city was partially destroyed and nearly all evidence of the culture during the reign of Akhenaten was destroyed. Although the Egyptian people attempted to erase this pharaoh from history, the city tells the story of the time through the few pieces of art, the tombs, and the city plans. The articles written by Croker and one of the ones written by Kemp discuss the value of architecture and how it related to status within the society of the time. The other articles written by Ikram, and Kemp, Stevens, Dabbs, Zabecki, and Rose discuss the art, religion, and ritual practices. The city of Amarna was created on the basis of abandoning the old gods in favor of the worship of a single god, Aten. Societies in ancient history were based primarily on religion, and while archaeologists try to use Amarna as a basis for the study of New Kingdom Egypt because the religions changed Amarna should not be used as a template. Akhenaten aimed to abandon the old ways

Through the years of Egyptian art, many various pieces hold a great deal of significance and beauty to their names. One piece in particular, known as the Bust of Nefertiti, which was crafted by Thutmose, radiates beauty as well as demonstrates a number of characteristics and skills from Egyptian art. This portrait came about during the 18th dynasty around 1350-1335 BCE. The piece shows Nefertiti, who was a queen of Egypt, from the neck up. The Bust of Nefertiti was made to portray Akhenaten's wife as an elegant beauty with a soft facial expression, using curving contour accompanied by a few other methods to display these features.