God's Not Dead By Harold Cronk

Change is constant with a society that is always recreating itself. From the Enlightenment period to the Industrial Revolution there is a massive difference when comparing these two societies of their norms and daily life.

The poem I chose to do a close reading essay on was, “Do Not Stand At My Grave And Weep” by Mary Elizabeth Frye. “Mary Elizabeth Frye (1905-2004) is an American poet who remains known today for a single poem-a sonnet of just twelve lines-but it may be the most popular poem in the English language. “Do not stand at my grave and weep” is a consoling Holocaust poem and elegy with an interesting genesis, since it was written by a Baltimore housewife who lacked a formal education and had quite never written poetry before, and certainly none of note” (The HyperTexts). The tone of this poem is comforting and helps people find comfort with the view of death. This poem uses a lot of imagery, metaphors, and symbolism. Frye’s, “Do Not Stand At My Grave And Weep,” is enlightening people how to handle a death of a loved one while using important parts of the theme such as tone, vocabulary, and overall meaning.

In Tony Morrison’s “Song of Solomon” it explores the discovery of ethnic identities. It depicts the life of Macon Milkman Dead, a withdrawn loner who doesn’t feel accepted by others and is disconnected with his family and heritage. With help from others in his community Milkman takes a trip to discover himself and his roots bringing him closer to the true meaning of his purpose. Milkman in turn realizes that flight represents liberation from a life of restrictions, set in an era of racism and separation. Flight may seem as a positive solution to such a life of problems and discrimination, however, holds very negative aspects in family settings. Abandoning your own and severing those mutual bonds plays a significant role in the life of the loved ones left behind. Most are left recovering from their loss, or completely lose hope such as Hagar. Solomon leaving his wife Ryna and children behind was necessary sacrifice he had to make in order to be free. Solomon is never punished or looked down for his decision; in his song it acknowledges his accomplishment as a great achievement. In “Song of Solomon”, the ability of flight symbolizes the escape from oppression while searching for freedom.

Ana Castillo’s novel, So Far From God, propels the reader on a vibrant and surreal journey through the tragic ordeals of Sofi and her four daughters. The first chapter, which offers certain similarities to the Bible’s story of Jesus Christ, in that Sofi’s three year old daughter, La Loca, seems to succumb to a violent and horrifying death, and at the wake, she returns to life with a tale of her journey beyond the veil. This scene creates a notable comparison between the patriarchal religiosity of the story of Jesus Christ and the Chicana-centered resurrection, complete with the hypocrisy of a male-centered system of beliefs, the acts of acquiring selfhood as a female centered savior, and the phenomena of the “death” of the saviors.

The Vietnam War in the late 1960’s was described as a tragedy, a victory, a win, and a loss, but for whom? The millions of people who loss their lives or the millions of people who fought to save others or is it for the millions of people who had to make that decision every time that they were in battle, but as for Richard Perry, a seventeen-year-old, African American just out of a Harlem High School, had to ask that question solely to himself. Perry, a talented and bright young man put away his dreams of college and becoming a writer because of the unfortunate circumstance he is in. He lives in poverty in the slums of Harlem. His single mother is abandoned by her husband and this leaves Perry and his younger brother Kenny without a father

Often times we are at a loss for words when it comes to talking about the person of the Holy Spirit. Beth Felker Jones in her work entitled “God the Spirit” serves as an introduction to the study of the Holy Spirit in a distinctly Wesleyan and Ecumenical Perspective. Jones is working against the notion that the doctrine of the Holy Spirit is often the most neglected of all Christian teachings (1). She recognizes her experience within the Wesleyan tradition as one that shapes her pneumatology and this book. She asserts that one of Wesleyan Christianity’s special gifts is it’s “leaning against any tendency to neglect the Spirit” (4). Even with this framework she aims to place the Wesleyan perspective in a larger ecumenical milieu that shows the continuity of a Wesleyan pneumatology with the Tradition of the Church. Overall, her approach is very accessible, as she assumes very little and writes in such a way that allows her to cover large dogmatic topics clearly and concisely. By merit of simply being an introduction only style book, there is the risk of glossing over topics and not providing enough in depth discussion to fully understand and comprehend the doctrine discussed. A reader should feel confident that Jones has indeed provided us with a solid introduction to Wesleyan pneumatology that has the ability to bear fruit and initiate growth in the life of the believer.

Part One: In the documentary "Being Mortal" by Atul Gawande talks about the death of patients and how it 's a surprise to a large amount of the patients. He also explains the fear in the medical field, and as a doctor your suppose to help people and cure them, that you 're supposed to give them a better shot and if it later doesn 't go they way you expected,the doctors start to tell themselves what went wrong or what happen everything was going so well. Gawande talks about how he wants to learn more about how to communicate with patients and telling them that they have a certain weeks, days or months left. For example, He talks about one of his patients that he had, her name was Sarah and had stage 4 lung cancer was young and just had a

At first glance and after reading through Amazing Grace, it seems that Jonathan Kozol is going to take us on a journey through the lives of the underprivileged, but similar to the ones you read about, or hear in the news. However, this is not the case; the real underlying theme seems to be how the life and society they live in is very alike to a life in a prison, not because it talks explicitly about prison conditions in this area, but also because their lives are portrayed as being a prison. Kozol uses the views of children and adults throughout this book to emphasize this theme through their living conditions and personal lives, background and struggles.

In Being Mortal, Atul Gawande painted a little depressing picture of the realities faced by the elderly in the US nowadays: declining health status, economic insecurity, and loss of independence. It seems once the older people move into nursing homes or assisted living facilities, they lose autonomy, dignity and privacy as the institutions are not able to fully individualize care. Even though the situation has been improving, it still shocks me to see how unhappy some of the elderly are in these circumstances. Realizing senior care facilities often fail to address all aspects of well-being, I would like to explore the issues of promoting both objective and subjective component in quality of care for the older people.

During the early 1900s till now, women have been discriminated against and have been battling for equal rights in the United States. In 1960s America, the feminist movement was growing rapidly, bringing out influential women and protesters who were starting to get noticed by the majority of the population. One of those influential women, author Adrienne Rich, published an essay that talks about how women are treated differently. In the essay, “When We Dead Awaken: Writing as a Re-vision”, Rich argues that a stereotypical and prejudiced male society represses women. She demonstrates these views through the use of literary history, her personal experience towards women’s discrimination, and the potential women have to

Live your life to its fullest, if I had to mention one thing I learned from Mary Oliver 's beautiful poem, "When Death Comes", that would be it. Specifically not letting time pass you by, or letting things like anxiety or anger control your life. The comparisons to death also help with understanding the magnitude of our mortality, and the importance of not taking each and every day for granted. With many fitting and unique metaphors I found it easy to be engaged with the poem. This leads also to a lot of relevant and surprising imagery, employing a more detailed vantage point for the reader. In "When Death Comes", Mary Oliver uses persona, metaphor, and imagery to speak not only of death, but more specifically living life to its fullest before death.

Refutation God’s Not Dead is an American Christian movie directed by Harold Cronk. This movie is considered to be a drama, family, and a comedy themed movie. God’s Not Dead is a touching movie that supports religion, as well as individuality. The storyline of this movie shows three different examples of situations that people faces daily.

In the short story, “Death Constant Beyond Love”, the significance of the title of the story has many meanings. The first meaning is that death is the one this that is constant. Regardless of how we feel about one another, emotions evolved, and even love, all things will come to an end. If something dies, it is forever. Therefore, nothing can come back to life. Giving death a constant role in life. I found the title of this story to be very direct to its readers.

When you start to read the first words of a book by Jeff Zentner, you immediately become entranced by it. Especially with his second novel Goodbye Days, page after page you want to know more of what’s to come and it’s not an easy book to put down.

“God is dead. God remains dead. And we have killed him.” (Gay Science, 126) This harsh statement remains among Friedrich Nietzsche’s most powerful and disturbing quotes, spoken by a proclaimed Madman to a crowd of disbelievers. After making this claim, the Madman becomes horrified by his audience’s ignorance, noting that “This tremendous event is still on its way.” This has an effect of suspending the Madman’s message in time, expanding its audience infinitely, for the event of God’s death could still be on its way. Therefore, nearly 150 years after these words were written, we must ask ourselves, does God remain dead, and has our modern society killed him? This is a haunting and disturbing question, but in many ways our society does resemble Nietzsche’s masses. However, it also resembles the Madman himself, due to its inherent individualism.