Good Country People by Flannery O'Connor

Flannery O’Connor was an American author who often wrote about characters who face violent situations. These situations force the characters into a moment of crisis that awakens or alters their fate. Her short stories reflect her Roman Catholic faith and frequently discuss questions of morality and ethics. O’Connor’s Catholic upbringing influenced most of her short stories, often accumulating criticism because of her harsh portrayal of religion. O’Connor incorporates the experience of a moment of grace in her short stories to contribute to the meaning of her works and to represent her faith.

Mary Flannery O’Connor is considered one of the most successful short story writers in history. She composed her works during a period of prosperity and economic boom following World War II. Although the economy was thriving, the 1950’s were a period of struggle for women’s rights, as well as other minorities. (Digital History) Based on her success, one could conclude O’Connor exceeded all barriers against women during the fifties. Flannery O’Connor’s life experiences based on her faith, her novels, and the time period of the 1950’s contribute to her unique writing style.

To the casual reader, the writing of Flannery O'Connor can seem cold and void of emotion. Her storylines are like a misty fog in the dead of winter, enveloping the reader with a harsh even violent atmosphere. Her short stories regularly end in traumatic, freak deaths or, at the very least, a character's emotional destruction. An analysis of “Greenleaf,” “Everything that Rises Must Converge,” or “A Good Man is Hard to Find,” will leave the reader feeling empty. The imagination of the reader is not engaged on any level. There is an under current of anti-religion which is intensified by cruelty. O’Connor’s writing is filled with symbolism which is camouflaged by her writing style. Although her writing style is not considered by experts as

Flannery O’Connor introduces her reader’s too unique short stories. They are “Good Country People” and “A Good Man is Hard to Find”, having too similar characters in different setting, but with the same symbolic meaning. The comparison between Hugla from “Good Country People” to the grandmother in “A Good Man Is Hard to find” is interesting, because they both suffer the same fate. In every short story O’Connor has created a intellectual individual who comes to a realization that their beliefs in there ability to control their lives and the lives of other are false. They enviably become the vulnerable, whereas they assumed it would be different. O’Connor has placed two misguide characters, that deem themselves to be manipulative and compulsive. At the end up of each short story they become vulnerable. Hugla from “Good Country People” and the grandmother from “A Good

The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.

Flannery O’Connor was a short story author from Savannah, Georgia. She has produced many critically acclaimed pieces and has won several awards for them. Two distinct pieces she wrote are titled The Life You Save May Be Your Own and Good Country People. While both of her stories are unique, the underlying storyboard and character creation process that O’Connor used is the same throughout her stories. Her stories usually involve one or more self-centered woman, a younger person who become the victim of egregious crime, and a conniving male driven by his own motives. Good Country People and The Life You Save May Be Your Own do not stray from this rule. In either story, the narrative is driven around a shocking tragedy that is very unexpected. Even though in the tragedies committed in the book always have a belligerent and a victim, it is not easy to discern who amongst the two are the antagonist and the protagonist. In either of these narratives, the tragedy that occurred within the stories blurs the line between antagonist and protagonist.

The short story "Greenleaf" shows us some of the central themes of Flannery O'Connor's literary work.

Flannery O’Connor, undoubtedly one of the most well-read authors of the early 20th Century, had many strong themes deeply embedded within all her writings. Two of her most prominent and poignant themes were Christianity and racism. By analyzing, “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” these two themes jump out at the reader. Growing up in the mid-1920’s in Georgia was a huge influence on O’Connor. Less than a decade before her birth, Georgia was much different than it was at her birth. Slaves labored tirelessly on their master’s plantations and were indeed a facet of everyday life. However, as the Civil War ended and Reconstruction began, slaves were not easily assimilated into Southern culture. Thus, O’Connor grew up in a highly racist area that mourned the fact that slaves were now to be treated as “equals.” In her everyday life in Georgia, O’Connor encountered countless citizens who were not shy in expressing their discontent toward the black race. This indeed was a guiding influence and inspiration in her fiction writing. The other guiding influence in her life that became a major theme in her writing was religion. Flannery O 'Connor was born in Savannah, Georgia, the only child of a Catholic family. The region was part of the 'Christ-haunted ' Bible belt of the Southern States. The spiritual heritage of the region profoundly shaped O 'Connor 's writing as described in her essay "The Catholic Novelist in the Protestant South" (1969). Many

Flannery O’Connor’s philosophy of writing was directly related to her life and roots as a Southerner, a Catholic, and a woman. One of the Southern traditions that O’Connor used most in her writing was local customs and manners which make people laughable. “Exaggeration of characteristics and of incidents is one cause of our laughter in O’Connor’s stories” (Grimshaw 89). She would regularly expose the hypocrisy of character’s thoughts by exaggerating their ridiculous actions in moments of distress causing readers to feel both horror and humor at the same time. Also present in most of O’Connor’s work, is her Catholic faith with regards to her vision of grace and the devil. Her view of faith was complete in the sense that it had a beginning, middle, and end, but she wrestled with Protestantism and depicted hypocrisy and intolerance when she found them (Grimshaw

To the uninitiated, the writing of Flannery O'Connor can seem at once cold and dispassionate, as well as almost absurdly stark and violent. Her short stories routinely end in horrendous, freak fatalities or, at the very least, a character's emotional devastation. Working his way through "Greenleaf," "Everything that Rises Must Converge," or "A Good Man is Hard to Find," the new reader feels an existential hollowness reminiscent of Camus' The Stranger; O'Connor's imagination appears a barren, godless plane of meaninglessness, punctuated by pockets of random, mindless cruelty.

Flannery O’Connor was born and raised in the southeastern region of the United States living from March 25th, 1925 until August 3rd, 1964. A very influential and controversial period of history, especially in the Deep South, her first works were published in the early 1950’s. Born in Savannah, Georgia and living in-between Milledgville and Atlanta, the state’s former capital and it’s current capital, O’Connor was very familiar with and raised in a very religion orientated part of the country. Georgia, being a part of the bible belt, is known for it’s devout Christians. The influence of O’Connor’s Catholic faith is evident in many of her stories, but

Flannery O’Connor is the author of “Good Country People” set on a Southern farm in 1955. Joy who is the daughter of Mrs. Hopewell changes her name to Hulga, is not joyful but very grumpy. Manley Pointer is a Bible salesman who is thought of as unintelligent, uncomplicated, and inferior. Mrs. Hopewell is Hulga’s mother and is the most famous of her clichés. Mrs. Freeman has worked for Mrs. Hopewell on the farm for the last four years and is mysterious.

Upon initially reading Flannery O’Connor’s work, one would have no problem recognizing her use of shocking, violent, or despairing themes. It may not be as easy, however, to completely accept or understand her style. According to Patrick Galloway, one must be “initiated to her trademarks when reading any of her two novels or thirty-two short stories (1).In many of her works, she paradoxically uses styles that are grotesque and brutal to illustrate themes of grace and self-actualization. As O’Connor herself says, “I have found that violence is strangely capable of returning my characters to reality and preparing them to

In every home, there is a different definition of family and how family should treat each other. Two short stories were read by an author named Flannery O’Connor. “A Good Man is Hard to Find”. It was about a dysfunctional family who encounters a criminal named “The Misfit”. The grandmother which is the main character is very judgmental towards others and sometimes her own family at times. This story starts off with a disagreement on where to go for a family trip, but they decide on going to Florida for the family trip after a while of arguing. On this trip, it showed what type of family they are. They talk about everything with one another as well as bicker and fight but at the end of the day, they are still family and love each other. They come together the most in panicking situations such as the accident and waiting for a car to help them. The point of this paper is the theme of family. Specifically, family is a theme in this short story because it depicts a dysfunctional family; the family you see on a crazy television show and can’t get enough of because they’re funny but also they have serious moments. There 's the two troublesome and annoying kids, the hot-headed dad who tries to maintain control of a situation and fails, the wife busy attending to the baby, and the grandmother, who 's a case all to herself (and also the main character). Though the story starts out seeming like a comedy, it takes a serious turn when the family encounters a criminal, who kills them

Flannery O 'Connor 's "Good Country People" and Nathaniel Hawthorne 's "Young Goodman Brown" explore the nature and range of religious hypocrisy congruently. Comparably O 'Connor 's theme focuses on the eclipsed personalities one can have, where Hawthorne 's short story pushes the meaning that everyone is secretly corrupt in their own way. While each tale marches to its own tune, the overlap is prominent; both authors strive to make a clear stance that the moral standing of an individual is only bound to themselves but peer pressure can deters ones beliefs.