Gothic Horror Research Paper

There are many reasons why people watch horror films, and some of these reasons are explored in King’s essay. King states that people watch horror movies “To show that [they] can, that [they] are not afraid...” (396). Essentially, King is saying that scary movies help their audiences prove to themselves that

In the iconic opening sequence of ‘Scream’ for example where Drew Barrymore’s character is on the phone to the masked killer and he asks “Do you like scary movies?” which leads to references of ‘Halloween’ and Craven’s own ‘Nightmare on Elm Street’. The killer goes on to threaten Barrymore’s character into engaging in a high stakes round of movie trivia where he tricks her into wrongly answering the question “What is the name of the killer in ‘Halloween’?” This sequence, despite referring to pre-existing movies in an initially playful tone (which, of course, turns sour throughout the course of scene) is still able to maintain an air of suspense to it. Tudor claims that this scene “never sacrifices the tension to the gags or to the genre references. Instead the insertion of allusions to horror films actually adds to the mounting sense of pursuit ...

Horror is the genre that keeps the reader on their toes for nights upon end. It keeps them thinking. Thinking about how cruel and disturbing someone, or something, could possibly be. Thinking about what in the world happens to a character after the story drops off in a cliffhanger. Thinking about the probability that the events in the narrative could transpire in real life. Thinking about how likely it is for those things to happen to the reader. Refusing to look out their window in fear of seeing the glimpse of a murderous face, and listening to every sound with acute accuracy, praying that the noise is not one of a stranger creeping up the stairs. Scary accounts make the reader live in fear whenever the

If somebody asked me what my favorite type of movie is I would probably say horror. I would say horror because it provides a thrill in me that no other type of movie sparks within me. When reading Stephen King’s article I realized there is more to a horror movie than just thrill, there is anticipation, and even suspense shown. In “Why We Crave Horror Movies”, Stephen King uses a mysterious tone and pathos to successfully persuade his audience of kids and adults into watching mysterious horror movies that will let you re-establish your feelings.

Although the violence in both films is quite obvious as the films progress, both film’s psychological horror is present in the early stages of the films, this form of horror is essential to both films in gaining the audiences attention and developing their own horror. This is portrayed effectively by the use of bland, uninteresting isolated settings. This isolation establishes the tense atmosphere of the films, and the everyday settings of a small village and a block of flats gives a sense of reality to the horror. This creates a relationship between the audience and the setting of the horror, and this is developed to create some effective jolts as both films progress. Characterisation can be used to isolate the audience from the horror, or develop a relationship with it, depending on how the characters are established.

Since it’s infancy at the beginning of the eighteenth century, horror has followed certain conventions that results in an awakening of the senses, evoking intense emotions of fear and terror in the audience. Horror feeds off triggering the primal fears embedded within all of humankind, creating a sense of menace that is the very substance of this genre. Furthermore, the central menace of a piece tends to enlighten the human mind to the world of the paranormal and the enigmatic, dark side of the unknown. The movie “Psycho” directed by Alfred Hitchcock is a perfect example. Infamous for its shower scene, but immortal for its contribution to the horror genre, “Psycho” was filmed with great tact, grace and art in regards to horror conventions.

Wes Craven’s horror movie “Scream”, inspired the gruesome murder of Gina Castillo. Castillo’s sixteen year old son and his fifteen year old cousin killed Gina Castillo. Why would anyone wish to watch the petrifying film, “Scream”? What would trigger a person to take inspiration from the horror movie, “Scream”. Stephen King describes horror as a piece of the human condition. Author of several horror novels, Stephen King wrote an essay titled “Why We Crave Horror.” In this paper he thoroughly explains why the human species craves horror and how it makes humans feel. In this essay, Stephen King precisely claims that humans desire, horror because horror pushes them to face their fears, renew their feelings of normality, and to expose

Of course, in a horror film not all characters are real - and nor are

In Bowen’s article, he discusses the different gothic motifs that make up gothic literature such as power and restraint, clashing time periods, strange places, terror versus horror, and a world of doubt. “Edward Scissorhands” has always been considered a strange film while We Have Always Lived in a Castle has always been considered a gothic novel. According to Bowen’s list of gothic motifs, “Edward Scissorhands” would be considered more gothic than the novel We Have Always Lived in the Castle because it fits more of the gothic conventions.

Further, King goes on to state that when we watch a horror movie, “we are daring the nightmare,” meaning we are almost begging to be scared. King also states there are multiple reasons for this, but one of the main points is “to show that we can, that we are not afraid.” He then appeals to the audience experiences by making his paper more relatable and comical when he compares horror movies to roller coasters. King states, they are both usually liked by the young, but once their age reaches to the forties or fifties, “one’s appetite for double twists or 360-degree loops may be considerably depleted.” Additionally, King uses his clever collage of comparisons to explain one of the horror genre’s many intentions are to show us right from wrong. Which might also provide some of us with “psychic relief,” throwing ourselves in a place where intensive questioning is unnecessary, giving people a small break from their complicated daily life.

     The term Gothic refers to a genre that came about in the late eighteenth century. It can be a type of story, clothing, or music nowadays. In this paper it will refer to a style of literature. A very good example of this type of literature is Mary Shelley's Frankenstein. There is a sense of foreboding throughout the whole novel, which is one of the basic necessities of the Gothic. This theme of the Gothic has different characteristics that all fit into the story of Victor Frankenstein and his monster and make this one of the first horror stories every told.

A girl runs frantically through the woods trying to escape an axe wielding villain. The defenseless victim suddenly trips and collapses to the ground. The villain laughs wickedly as he lifts the axe above his head. The girl releases a final scream as the weapon quickly ends her life, causing the audience to go silent as they watch the villain drag away the lifeless body. Death, blood, guts, suspense, screaming, and terror are all just a few things to expect when watching a modern day horror film. What is horror? Horror can be defined as an intense feeling of fear, shock, or disgust. (Wilson) The description of horror is not very pleasant, but for some reason horror films are extremely popular. Why is this so? People are addicted to the

Horror is designed to scare, cause alarm and dread, while also entertaining the audience at the same time in a cathartic experience (Dirk, 2016). Horror films are meant for a specific type of audience that enjoy scary films. Dirks (Tim, 2016) approach to genre horror, is that films went back as 100 years ago, from the earliest days our vivid imagination in seeing ghosts in the shadows to be connected emotionally of the unknown, and fear things that are improbable. You watch a horror film, it makes you aware of the scary surroundings, the essence of fear itself, without actually being in any sorts of danger. Dirks argues that there is a fun and thrill factor in being frightened, or watching something disturbing. It gives you that feeling of an adrenaline rush, as well as having that feeling someone is actually next to you lurking in the dark (Dirk, 2016).

When we think about horror, we think about death and bad things happening to good people. Horror gives a face to material that generally does not have a face. It gets our blood flowing and you cannot stop thinking about it. When is the next bad thing going to happen? Who is it going to happen to? It allows our minds to be creative and picture what we want. It kind of follows the idea that we are not at the top of the food chain like we always are and most people find that scary. Matthew Lewis does a wonderful job of depicting horror in The Monk.

Andrew Tudor in his article titled the same as Carroll’s has a different approach of explaining horror films, but in some aspect, it relates to Carroll’s claim about the monster that appears in the films. Tudors’ article is not about the audiences’ curiosity to the monster, but about the way the audience sees the