Genre Analysis : The Movie ' Scream 1996 '

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Genre Analysis
By Aleksandar Najdovski

Genre is a French word meaning ‘type or ‘kind’ (Genre, 2016). The film industry has been around for at least 100 years. The evolution of entertainment is growing rapidly through the use of media. And as these years go on, films have begun to fit into specific genres, and are important to appeal to the different types of audiences. Films can be described to genre in different types of ways, such as stars, director and narrative to help identify what genre the film is (Neale, 1990, pg. 49). Genre in films has become common because it helps give the audience a different expectation. One specific genre of film is a horror. Horror is a genre that tries to create, panic, dread and fear for the audience.
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The producers will develop a test and the audience will tell the producers whether it is something they want to see or they are not going to see. This can affect the next text to be produced in an attempt to conform to the audience demands. Looking at the development of different types of genres and the development of films within the same genre, it’s possible to look at similarities and differences and identify changes in society and audience ideologies and tastes.
Horror is designed to scare, cause alarm and dread, while also entertaining the audience at the same time in a cathartic experience (Dirk, 2016). Horror films are meant for a specific type of audience that enjoy scary films. Dirks (Tim, 2016) approach to genre horror, is that films went back as 100 years ago, from the earliest days our vivid imagination in seeing ghosts in the shadows to be connected emotionally of the unknown, and fear things that are improbable. You watch a horror film, it makes you aware of the scary surroundings, the essence of fear itself, without actually being in any sorts of danger. Dirks argues that there is a fun and thrill factor in being frightened, or watching something disturbing. It gives you that feeling of an adrenaline rush, as well as having that feeling someone is actually next to you lurking in the dark (Dirk, 2016).
Todorov’s novel ‘The Fantastic’, it lies with the audience’s doubt how they can’t

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