Guilty Conscience In Susan Glaspell's Jury Of Her Peers

I have always felt that a good piece of writing causes the reader to think about and analyze a given set of circumstances so that he expands his worldly understandings. Such writing is stimulating and often includes an element of controversy. The short story “A Jury of Her Peers” by Susan Glaspell is one example of this provocation in which the writer conveys her views on sexual injustice. In a way that is conceptually intriguing, Glaspell expresses her ideas about the misunderstandings between men and women during the early twentieth century. While personally disagreeing with the interpretive outcome of the story as well as the message that it is intended to present, I must admit that it did provide me with insight into the mind

In “A Jury of Her Peers,” Minnie Wright grows up in Dickson county along with: Mr. Lewis Hale, Mrs. Martha Hale, Harry Hale, Mrs. Peters, Mr. Peters, Mr. John Wright, and Mr. George Henderson. Minnie Foster is known to others as a sweet and cheerful young girl. After  marrying John Wright, Minnie Wright is not seen or spoken of throughout the town, “Time and time again it had been in her mind ‘I ought to go over and see Minnie Foster’--she still thought of her as Minnie Foster, though for twenty years she had been

Although “A Jury of Her Peers” and “Trifles” are similar in plot, Mustazza’s article, “Generic Translation and Thematic Shift in Susan Glaspell’s ‘Trifles’ and ‘A Jury of Her Peers’” highlights the differences and similarities between the two. Mustazza’s article may help aid readers to understand the differences between Glaspell’s two works and provide understanding as to why Glaspell may have changed the genre and form of the plot. “Trifles” is a dramatic play whereas “A Jury of Her Peers” is prose fiction. While some differences may be seen on the surface, other differences will need to be inspected closely. Mustazza’s article may help one to understand Glaspell’s works by providing analysis and additional perspectives on both “A Jury of her Peers” and “Trifles”.

As the women walk through the house, they begin to get a feel for what Mrs. Wright’s life is like. They notice things like the limited kitchen space, the broken stove, and the broken jars of fruit and begin to realize the day-to-day struggles that Mrs. Wright endured. The entire house has a solemn, depressing atmosphere. Mrs. Hale regretfully comments that, for this reason and the fact that Mr. Wright is a difficult man to be around, she never came to visit her old friend, Mrs. Wright.

In “A Jury of Her Peers” by Susan Glaspell, Minnie Foster Wright is the main character, even though the reader never sees Mrs. Wright. The story begins as Mrs. Hale joins the county attorney, Mr. Henderson; the sheriff, Mr. Peters; Mrs. Peters; and her husband in a “big two-seated buggy” (188). The team men are headed the Wright house to investigate Mr. Wright’s murder. Mrs. Peters is going along to gather some belongings for Mrs. Wright, who is currently being held in jail, and Mrs. Hale has been asked to accompany Mrs. Peters. As the investigation is conducted throughout the story, the reader is given a sense of how women were treated during this time and insight into why the women ultimately keep evidence from the men.

"A Jury of Her Peers" opens with debate encompassing Minnie Foster Wright, who is in prison on suspicion that she killed her spouse by strangling him. Mrs. Wright's story is told by implication through a discussion between Martha Hale, whose spouse uncovered the grouping of John Wright, Mrs. Diminishes, the wife of the neighborhood sheriff. The sheriff asks Mrs. Robust to go with them to the Wright's house so she can stay with his wife while the men explore the homicide scene. Put together by condition, the ladies structure a prompt bond as they start assembling some of Minnie's possessions to accumulate to her prison cell. Presuming that there is nothing in the kitchen aside from "kitchen things," the men start their examination in the upstairs of the house and in an outside animal dwelling place. Left alone in Minnie's kitchen, in any case, the two ladies start uncovering their pieces of information about Minnie's conceivable intention in executing her spouse. Step by step, Mrs. Sound and Mrs. Diminishes start perceiving insights about Minnie's life that escape the notice of their spouses. They perceive Minnie's forsaken, separated presence, her broken furniture, the once-over kitchen where she needed to cook, and the battered clothes she was compelled to

Twentieth century society places few stereotypical roles on men and women.  The men are not the sole breadwinners, as they once were, and the women are no longer the sole homemakers.  The roles are often reversed, or, in the case of both parents working, the old roles are totally inconsequential.  Many works of literature deal with gendered roles and their effect on society as a whole or on an individual as a person.  "A Jury Of Her Peers" and Trifles, both written by Susan Glaspell, are works of literature that deal with socially gendered roles during the early nineteenth century.  The two works are almost exactly alike in that the dialogue from "A Jury Of Her

She still cherishes her childhood friendship with Minnie Forester. However Martha is troubled by the allegations levelled against her long-time friend. The author describes how Martha still called her friend Minnie Foster even though she was formally known as Mrs. Wright “—she still thought of her as Minnie Foster” though for twenty years she had been Mrs. Wright” (Glaspbell 155). Even though, Martha is well aware of the chauvinistic behaviour displayed the male characters, and she uses that awareness to her advantage. Martha joins forces with the Sheriff’s wife not only because of her female companionship, but Mrs. Peters is also part of Dickson County’s law enforcement.

It's not what you did, it's why you did it. Susan Glaspell's "A Jury of Her Peers" describes the murder investigation of John Wright. Townspeople assumed Minnie Wright is guilty of murdering her husband and as a result, she is imprisoned so that a group of men can inspect her home for clues. The men bring along two women, Mrs. Hale and Mrs. Peters, to gather some personal belongings for Mrs. Wright. The men search for a motive to prove Mrs. Wright’s guilt meanwhile, the women discover why she committed the crime and judge her justified in her action. Through theme, symbolism, and imagery, Glaspell illustrates that oppressed women form bonds and have a different perception of events than men.

One critic, Leonard Mustazza, argues that Mrs. Hale recruits Mrs. Peters “as a fellow ‘juror’ in the case, moving the sheriff’s wife away from her sympathy for her husband’s position and towards identification with the accused woman” (494). Though this is true, Mrs. Peters also comes to her own understanding. What she sees in the kitchen led her to understand Minnie’s lonely plight as the wife of an abusive farmer. The first evidence Mrs. Peters reaches understanding on her own surfaces in the following passage: “The sheriff’s wife had looked from the stove to the sink to the pail of water which had been

ESSAY SAMPLE ON "THE USE OF SYMBOLISM IN SUSAN GLASPELL'S A JURY OF HER PEER"

        Susan Glaspell’s "A Jury of Her Peers" is a view into the lives of farmer’s wives in the Midwest at the turn of the century. These women live in a male dominated world, where the men consider them incompetent and frivolous. The only identity they have is that associated with their husbands. They stay at the farmhouse to complete their repetitive and exhausting chores. The wives have little or no contact with the other people because of the distances between farms. Glaspell uses her female characters to rebel against the inequalities that women face and to prove that women are competent and when pushed too far --strike back. The male dominant society that is

In the short story "A Jury of Her Peers" a woman named Minnie Wright is accused of the murder of her husband. Minnie Wright is a farmer's wife and is also isolated from the out side world. There is an investigation that takes place in the home of the murder. There are three men that are involved on the case and two women accompany, but are not there to really help solve the murder. These two women will

Mrs. Hale and Mrs. Peters both understand and get to know each other by piecing together the crime scene and also looking at Mrs. Wright’s empty house. By the women noticing details and Mrs. Wright’s living conditions, they can see how sad and what little enjoyment Mrs. Wright had in her home. Mrs. Hale says, “It never seemed a very cheerful place," and later on she says, "But I don't think a place would be any the cheerfuller for John Wright's bein' in it.", she is revealing the atmosphere that the home had (Glaspell 5). The home was certainly not cheerful, but not

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.